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Artist Profile
Lee Perry
Mar 28, 1936 ~
Currently, rightly, seen as a key figure in the development of the form & structure of music, yet alone reggae. In a glorious decade from 1969 to 1979 he produced hundred’s of singles, ten’s of albums and was right there at the genesis of Dub, Sampling and Remixing. He stands with a alongside the likes of Phil Spector or Atlantic & Stax.
>>Featured Page
Real name:
Rainford Hugh Perry
Place of birth:
Jamaica
Kendal
Like Bob Marley, Perry was born in the rural majority of Jamaica and moved to Kingston to create a career for himself. He started in the music business with Coxsone Dodd(CS Dodd)'s Studio One set up, for whom he cut over thirty sides in the mid 1960's of Ska and cuts of US R'n'B. He collected his first nick name – 'Scratch' – at Studio One after he had a dub plate hit with 'Chicken Scratch' (a dance record).

Leaving Dodd saw Perry launch the first of many musical missiles – this one to Dodd himself proclaimed 'I Am The Upsetter': Perry had a hit and acquired a lasting epithet. This marked the beginning of a career in which he created many news sounds and styles for reggae as he recorded many artists and then honed his creative process by building his own studio and employing new developments in technology in the recording process.

In his golden decade, from 1969 to 1978, Perry released almost 400 singles, in Jamaica, plus some 50 albums in the UK & JA, whilst over 200 further singles were recorded, at least in part, at his Black Ark studio.

What set Perry apart many Reggae producers was that from the mid 1960's he was an experimenter: he issued his first remixed single in 1968, used sampled sounds in U Roy's first recording 'OK Corral'(from a similar time), used samples of his own recordings to build new tracks and used skat and other noises made by the mouth as an instrument. He was always looking at technology and pushing boundaries could develop his music.

Initially his organ driven instrumentals sold to London's Skinheads but he actually achieved a UK Top 5 with 'Return of Django' in 1969; a tune which reflected his passion for Spaghetti Westerns. UK based Trojan records had given Perry his own 'Upsetters' imprint which saw some one hundred releases over a four year period.

By the early 1970's Perry was an upcoming 'rebel' producer who embraced the growing Rastafarian cult and produced Bob Marley, Wailers, with great JA success as well as artist like Dave Barker & Junior Byles. By late 1973 Perry had built his own 'Black Ark' studio in the garden of his Washington Gardens home, that he shared with Trenchtown born Pauline Morrisson and their family. It was, as he said, 'somewhere the sufferer's' could make their music. It would become the birth place of myth & fable as Perry worked ceaselessly over the next five years. The Black Ark was to become the centre of Rasta musical culture in Kingston with the flow of ghetto artists recording at the Ark – either financed by Perry or paying to use the Studio themselves, usually with Perry as engineer.

It was his early partnership with a Sound System operator and erstwhile mixing Studio owner, Osbourne Rudduck aka King Tubby, that would again find Perry pushing back musical barriers. His '14 Upsetters 14 Dub Black Board Jungle' was one of the first ever 'dub' albums. For the rest of the decade he pushed back the barriers of Dub music.

Perry was also working with such producers as Yabby You, Augustus Pablo, Phil Pratt, Clive Hunt and the Tafari set up –as well as a host of lesser known producers. By 1975 Perry stood squarely at the heart of the Kingston reggae music scene that embraced Rebel ideologies, The Rastafarian faith, Black Power and fashion. His music was a hit on the Sound System scene and he was once again attracting interest from abroad and indeed had a UK chart hit with Susan Cadogan's 'Hurt So Good'

1976 saw the start of a deal with Island in the UK that enabled his music to be fully marketed to students and Punks in London that were sensing change in the direction that music would take. His 'Super Ape' album filled the hash filled rooms to students to the world of swirling dub and his ethereal soundscapes, whilst on the Streets of London Junior Murvin's 'Police & Thieves' became the sound track to the Riot hit Notting Hill Carnival. Likewise Perry's production of Max Romeo's 'War in a Babylon' picked up on the major fault lines developing across London's immigrant communities. Once again Perry found himself at the centre of powerful social forces. Perry had developed a highly recognizable sound with a bouncing Bass, lots of reverb and often quite sharp mixing. Like Phil Spector he was creating a trademark sound on which he could place many different artists.

The agreement with Island faltered after George Faith's album failed to sell and also as the quality and content of Perry's new work was variable or going off in its own direction. After albums from The Congos, Candy McKenzie and Perry's blend of African & Reggae music were all rejected, Perry was once again an independent.

Truth was Perry's music was developing in a very particular direction and that was away from what many understood by Reggae. His 'Return of the Super Ape' album largely baffled people, with its Jazz references.
In truth the pressure of endless sessions driven by Rum & Weed, coupled with dealing with the huge numbers of hangers on at his Studio was driving Perry to a place where he found that if he acted mad or strange he could drive people away. He drove Pauline away and then all of the musicians and then continued to act bizarrely: eventually the Black Ark studio was burned out. Later Perry spoke of the power of Fire to cleanse.

Since the demise of the Black Ark Lee Perry has found a new musical vibe through his work with UK producers Adrian Sherwood and The Mad Professor, after a spell of dealing with his personal demons.
In the over 30 years since the demise of the Black Ark the complete story of his music has been slowly revealed through countless compilations. He has inspired the Bessie Boys, been sampled by The Prodigy and has rightly become part of Rocks, not just Reggaes, history.
 
Related artist(s):
King Tubby
Label Profile
Island
>>Show additional info
 
Hit title(s)
CD Police & Thieves (5 Bonus Tracks) - Island US
¥2380
No Stock
CD Super Ape - Island US
¥2180
No Stock
CD Legend: Definitive Remasters - Tuff Gong US/Island
¥2480
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CD Arkology (3 CD + 52 Pages Book) - Island Jamaica UK
¥4880
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CD Songs Of Freedom (4 CD) - Island UK
¥7980
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CD Harder They Come: Original Soundtrack (Remastered) - Island US
¥2380
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CD Natural Mystic: The Legend Lives On (Definitive Remasters) - Island US/Tuff Gong US
¥2380
No Stock
CD Dreams Of Freedom: Ambient Traslations In Dub - Island UK/Tuff Gong
¥2380
No Stock
CD Rockers Original Soundtrack: Definitive Remasters - Island UK
¥2280
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CD Night Nurse: Remastered - Island US
¥2480
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CD Dub Factor (Remastered, 3 Bonus Tracks) - Island UK
¥2080
No Stock
CD Where There Is Life - Island US
¥2380
No Stock
CD Til Shiloh (2 Bonus Tracks) - Island US
¥2380
No Stock
CD Africa Unite: The Singles Collection - Island US/Tuff Gong US
¥2680
No Stock
LP Exodus - Tuff Gong
¥1580
No Stock
LP Legend - Tuff Gong
¥1680
No Stock
LP Live - Tuff Gong
¥1680
No Stock
LP Kaya - Tuff Gong
¥1580
No Stock
LP Uprising - Tuff Gong
¥1580
No Stock
LP Rastaman Vibration - Tuff Gong
¥2080
No Stock
LP Survival - Tuff Gong
¥1580
No Stock
LP Confrontation - Tuff Gong
¥1680
No Stock
LP Catch A Fire - Tuff Gong
¥1580
No Stock
LP Anthem - Island
¥1880
No Stock
LP Dub Factor - Island
¥1480
No Stock
LP Red - Island
¥1580
No Stock
LP Harder They Come: Original Soundtrack - Island
¥1480
No Stock
LP Burnin' - Tuff Gong
¥1680
No Stock
LP Natty Dread - Tuff Gong
¥1680
No Stock
LP Dreams Of Freedom: Ambient Traslations In Dub (2 LP) - Island UK
¥2280
No Stock
LP CB 200 (Ltd. Edition 180 Gram Vinyl) - Simply Vinyl UK/Island
¥2980
No Stock
LP War Ina Babylon (Ltd. Edition 180 Gram Vinyl) - Simply Vinyl UK/Island
¥2980
No Stock
LP Harder They Come: Original Soundtrack - Island UK/Universal Music
¥3080
No Stock
LP Catch A Fire: Zippo Cover - Island UK
¥4280
No Stock
LP Big Bamboo - Island Music
¥1580
No Stock
LP Music Of The Caribbean - Island Music
¥1580
No Stock
LP Reggae Greats - Island
¥1480
No Stock
vinyl 7" Harder They Come - Island
¥570
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vinyl 7" Bogle - Island Jamaica
¥570
No Stock
vinyl 7" Ninja Man Mega Mix - Island Jamaica
¥570
No Stock
vinyl 7" What We Need Is Love - Island Jamaica
¥570
No Stock
vinyl 7" I Shot The Sheriff (Picture Sleeve) - Island UK
¥1180
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vinyl 7" Slogans (Picture Sleeve) - Island UK
¥1180
No Stock
vinyl 7" Sun Is Shining (Picture Sleeve) - Island UK
¥1180
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vinyl 7" Africa Unite (Will. I. Am Remix) (Picture Sleeve) - Island UK
¥1080
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vinyl 7" Stand Up Jamrock (Picture Sleeve) - Island UK
¥1080
No Stock
>>Best seller(s)
 
Related label(s):
Mango
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Description of item
[All Items] → [CD] → [Roots Reggae] → [Lee Perry & The Upsetters] → [Lee Perry]
Lee Perry - Super Ape
No Stock
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CD CD
Lee Perry
Super Ape
Island US
¥2180 (US$21.22)
Rating: 1234

No.26 at Genre Ranking on Mar 9, 2011.

No.5 at Sub Genre Ranking on Mar 7, 2011.

No.17 at Format Ranking on Mar 8, 2011.

Genre: Roots Reggae
Sub Genre: Lee Perry & The Upsetters
Produced by: Lee Perry
Approx. year: 1976
Date added: Oct 22, 1998
Date re-stocked: Dec 13, 2010
Country: USA
Music type: Roots - Dub
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10 TRACKS :
1) listen Zion's Blood
2) listen Croaking Lizard
3) listen Black Vest
4) listen Underground
5) listen Curly Locks
6) listen Dread Lion
7) listen Three In One
8) listen Patience
9) listen Dub Along
10) listen Super Ape
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Bob Marley - Marley: The Original Soundtrack (180 Gram Vinyl) (3 LP)
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Bob Marley, Wailers - Catch A Fire (Island 50th Anniversary Edition) (180 Gram Vinyl)
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This producer's best seller(s):
>>more
Aleas Jube - Righteous Land
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Righteous Land (7")
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Time Unlimited - Rastaman Going Home
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Pressure Sounds UK/Perrie's
Bobby Floyd - Sound Doctor
Bobby Floyd
Sound Doctor (7")
Pressure Sounds UK/Perrie's
Junior Byles - Fever
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Fever (7")
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Lee Perry, Upsetters - Jungle Lion
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Customer review
Rating: 12345
間違いない最高傑作。一度耳に入れたら忘れられなくなり中毒性100％です。
Reviewer: takaaki from Fukuoka
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