Miriam Makeba’s sensational “Pata Pata” timely covered in rocksteady fashion by Patsy Millicent Todd in 1967. Strictly nyahbinghi yet sounding pop somehow - it’s an unmissable tune for those who know.

The Hippy Boys consists of Aston and Carly Barrett brothers opened up the new era with their original sounds. This double A-sided roots instrumentals 7” was unarguably so ahead of its time

The most sought after Gay Feet rock steady rarity. Johnny & The Attractions draws a clear line between them and rock steady artists back then – diggin’ deep into the sounds. Seems obvious that they were already doing the style later known as roots reggae.

Obscure but undoubtedly a historical nyabinghi masterpiece played byy Count Ossie with organ virtuoso Leslie Butler. Backed with a genre defining "ABC Rock Stedy" by The Gaylads.

Vigorous Patsy vocal and soulful saxophone solo on bouncy ska rhythm. Previously unreleased alternative take on the B-side.

Master of the Jamaican jazz, Lennie Hibbert, on one to one session with the nyabinghi great Count Ossie. Considering the standard of its time those Gay Feet sessions are somewhat miraculous. Backed by Jamaican soul anthem by Patsy, this record is far from the bloodstream of the time and will surely rated more and more as time goes by.

Debut single from Junior Soul aka Junior Murvin for cat loving Sonia Pottinger before he went on to record with Derrick Harriott. Backed with previously unreleased take.

Recorded at the same time as The Crashers “Musical Fight” and it’s previously unreleased material. In early 1969 when the second press of Stranger Cole & Patsy’s “True Love” came out, the version was pressed on the B-side. The reason this vocal never came out is still unknown. Backed with Sonia’s favourite The Conquerors good 69’ reggae.

Needless to say one of the top Count Ossie's nyabinghi pieces but also a Jamaican rare groove masterpiece accompanied by Ernest Ranglin and Leslie Butler.

Extremely rare 69 reggae single from The Conquerors. Killer uptempo vocal on front side and sorrow trio choir on flip.

Recorded at the time when rocksteady was shifting to faster reggae music. The Victors showcasing a pair of fabulous vocals recorded straight from the mastertape.

Up tempo Jamaica Festival Song, “Check Up”, on flipside is a groovy rare rocksteady “Devil Woman” both Al & The Vibrators’ highly refined vocals.