A long time in the making, part one of a new series of reissues produced by the great Lloyd "Bullwackie" Barnes. So many Wackie's productions are long among our personal favorites, and some helped introduce us to the wonderful world of Jamaican music. We'll be issuing many now hard to find singles as well as some previously LP-only tracks and other surprises! Our first selection of singles all appear, of course, on their original labels. Wayne Jarrett rose to notoriety with Wackie's, and this single is one of his all-time best, backed by a great horns version by Wackie's stalwart horns man Jerry Johnson.

A star duo at the Harriott’s production, Keith & Tex’s‘Tonight’is also the everlasting masterpiece in the history of Reggae music. There were many essential songs in his production from 1967 to 68 but‘Tonight’is obviously the most indispensable one. Lynn Tait plays a beautiful instrumental version to Melodians’ hit ‘You’ve Caught Me’ on the flip side. Reissued with these original recordings on both sides.

A long time in the making, part one of a new series of reissues produced by the great Lloyd "Bullwackie" Barnes. So many Wackie's productions are long among our personal favorites, and some helped introduce us to the wonderful world of Jamaican music. We'll be issuing many now hard to find singles as well as some previously LP-only tracks and other surprises! Our first selection of singles all appear, of course, on their original labels. Joe Axumite's tune is one we've long wanted to present, awesome tune backed by an incredible dub featuring what sounds like infinite echo.

A long time in the making, part one of a new series of reissues produced by the great Lloyd "Bullwackie" Barnes. So many Wackie's productions are long among our personal favorites, and some helped introduce us to the wonderful world of Jamaican music. We'll be issuing many now hard to find singles as well as some previously LP-only tracks and other surprises! Our first selection of singles all appear, of course, on their original labels. An NYC/JA collaboration with Wackie's producing an early tune by Don Carlos, originally credited as 'Jah Carlos', over a tough Soul Syndicate rhythm. This one is on the Rawse label.

‘The Loser’is gloriously considered as one of the most significant songs as well as rhythm tracks in the history of Reggae music. Also entitled as‘The Winner’, the song is easily adapted to sound system dubplates. Talking about the genre of Rocksteady, this song cannot be ignored.‘Now We Know’on the flip side is to be released on 7 inch single for the first time ever.

'Silhouettes' is one of Dennis Brown's earliest recordings and a good old Reggae hit. The flip side features Augustus Pablo's melodica cut to the A-side. This peaceful piece proves that the early sound of King Tubby is the greatest of all.

Deep late '70s roots from Prince Far I's CRY TUFF label. Only ever released on JA 45, reissued for the first time. A monster instrumental/dub single, Deadly Headley and Asher's killer lick of the 'drum song' riddim, wicked horns, keyboard and melodica at the forefront. RIP Prince Far I, your legacy of music lives on.

Derrick Harriott versions a Motown hit ‘Reach Out I Will Be There’. His killer version is a dancehall shaker and many might has been searching for this rare vinyl records as an essential for DJ selection. The Four Tops originally released the song in the mid 60’s. The mid-tempo organ instrumental ‘Illya Kuryakin’ feartures Ike Bennet’s powerful organ solo on the filpside.

‘Do I Worry’is as important Rocksteady tune as Derrick Harriott’s other hit‘The Loser’in his vast catalog. The B-side features powerful horn blow and Bobby Ellis’ trumpet solo is nicely done. Reissued with these original recordings on both sides.

Recorded in 1974, this is Junior Murvin's first Roots tune ever. Having always been sought after by collectors, this song is possibly the ultimate classic. This is a completely different take from the one Junior Murvin recorded for Lee Perry in 1977 for the “Police and Thieves” LP distributed by Island. Undoubtedly this is one of Murvin’s best tunes, which should be in every collector’s record box.

It is an obvious fact that Dreadlocks culture was the trend of the time when this tune was released, but how could we ever imagine Derrick Harriott wearing Dreadlocks? He was wearing Afro instead and showed how he could easily cover Persuaders’ Soul hit. The flip side features another cover of a US Soul track that was transformed to a sweet Lover’s Rock by Harriott’s relative, young Kim Harriott. Apparently Harriott’s surroundings at this time were all wearing Afro even if it was the Dreadlocks era.

It was the Dreadlocks bandwagon in the mid 70’s, but Harriott, who started his career in the music business in the early 50’s, persisted his Afro hairstyle and his signature style of music, Reggae Soul and Lover’s Rock. At that time, music fans only approved serious Roots works but his music choices proved that his production was equally true and great Reggae music. Moreover his music brought to listeners a certain comfort, compared to the heavy weight Roots music that was mainly produced during this period.

This tune was the second Roots tune recorded by Junior Murvin after his first 1974 masterpiece. With different dynamics, this great track was also highly sought after, and considering this tune as one of his few recordings during the period, it should be recognized as an important record and a true masterpiece.

Prince Jazzbo did indeed produce two other cuts on the same rhythm as Naggo Morris' "Bootlegger", by The Invaders, a harmony group from Greenwich Farm and Trenchtown! One cut, "Conquering Lion" was given by Jazzbo to the then-young Coxsone sound system in London, for play and promotion on the sound. Over the years and through the Capitol Radio broadcast, the tune became legendary. The other cut, "Heaven & Earth" was released in Jamaica for the Invaders on their own new Invader label.

A long time in the making, part one of a new series of reissues produced by the great Lloyd "Bullwackie" Barnes. So many Wackie's productions are long among our personal favorites, and some helped introduce us to the wonderful world of Jamaican music. We'll be issuing many now hard to find singles as well as some previously LP-only tracks and other surprises! Our first selection of singles all appear, of course, on their original labels. Jah I Maz's great "Freedom Is a Must", fantastic roots with the trademark deep and murky Wackie's sound. The flip side is a great dub by another long time Wackie's horns man, Baba Leslie.

Judy Mowatt used to form a group called the Gaylettes in her early career although she is known for touring all over the world as a member of I Threes and the Wailers. 'Silent River Runs Deep' is the most known song and a hit for the group. 'I Like Your World' was also originally released on the A-side of another record released on Merritone label. Those recordings of this double A-sided single are certainly great enduring female Rocksteady songs of all time.

Another enduring Rocksteady instrumental masterpiece by Bobby Ellis and Derrick Harriott’s timeless love song echoes sweet and bitter. Cool and dark ‘Step Softly’ is one of the most signature songs for Bobby Ellis and the greatest Rocksteady instrumental of all. The flip side is a best example of Harriott’s distinctive sound in Rocksteady era. The set of recordings are now reissued with original songs on both side.