|
The Techniques & Friends - Winston Riley's Rock Steady & Early Reggae 1968-1969
Dub Store Records JPN 1968- 1969
¥3980 (US$25.71)
Winston Riley started his production career as a singer with an enviable track record, having formed the Techniques in 1962 and hitting the top of the charts two years later with the splendid ‘Little Did You Know’ for Duke Reid’s esteemed Treasure Isle label. When the frantic ska beat slowed down and turned into rocksteady Winston remained the only permanent component of the Techniques, arguably Jamaica’s finest vocal group.
As the beat changed yet again from rock steady to the faster reggae format, Winston’s thoughts turned to production, and he decided to create his own ‘Techniques’ label. A serious man with a serious work ethic, the quality of his music was apparent from the start as he released hit after hit, producing and singing as part of the different combinations of singers and vocal groups that he worked with.
Various - King Jammys Dancehall 4: Hard Dancehall Lover 1985-1989 (2LP)
Dub Store Records JPN 1985- 1989
¥5380 (US$34.75)
Digital goes romantic. Lover’s Rock meets dancehall in King Jammy’s Studio.
Love and romance ina digital style, King Jammy presents songs of devotion over his fresh, hard-hitting computerized rhythms
Various - King Jammys Dancehall 3: Hard Dancehall Murderer 1985-1989 (2LP)
Dub Store Records JPN 1985- 1989
¥5380 (US$34.75)
Murder in the dancehall tonight! Jammy's leading artists boost up the sound system.
The heart and soul of dancehall - singing about the sound over crucial rhythms, challenging a sound boy to come test Jammy.
Jackie Mittoo - Last Train To Skaville (with The Soul Brothers) (2LP)
Soul Jazz Records UK 1966- 1968
Info: 廃盤
¥5980 (US$38.63)
¥3680 (US$23.77)
Miraculously rare and seriously obscure killer dubs… one of the very few hard core seventies dub albums mixed by Errol Brown.
A selection of solid dubs originally recorded by BB Seaton at Duke Reid’s legendary Treasure Isle studio and mixed in-house by the Duke’s nephew Errol Brown. A radical departure for all concerned this bold dub album was never officially released although a few clandestine copies reputedly did the New York rounds at the time
Various - 400% Dynamite: Ska, Rocksteady, Reggae, Roots & Dub (2LP)
Soul Jazz Records UK 1965-
¥5980 (US$38.63)
¥3980 (US$25.71)
One of the rarest, and greatest, horn instrumental dub albums of the seventies featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.
Featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.
Various - Ska All Mighty: Top Ska Classic From Treasure Isle
Heartbeat US / Treasure Isle 1963- 1966
Info: 廃盤
N/A
Hopeton Lewis - Take It Easy With The Rock Steady Beat
N/A
A fundamental album released in 1966 that determined the way Rocksteady was going to journey. In 1966, Rude Boys were at the peak of the fame with their notorious behaviors, while Ska gradually started to slow down its tempo. This album paved the way for a newborn music, Rocksteady, with rather slower and tighter rhythm approach. This album should be considered as one of the ten most important albums in Reggae history. The descent from Ska, which had its derivation from Jazz or Rhythm and Blues, to Rocksteady, with its various potential elements which would be passed to the next decade of Reggae, has been allegedly created in this album with Trinidadian guitarist Lynn Taitt and his band The Jets as the backing band. Entitled “Take It Easy With The Rock Steady Beat!”, most of the tunes featured in this album were written for praising dancehall as if he’d have known this genre was going to rule the dance floors. Among the tunes in this album, “This Music Got Soul” was the coolest of all and called out the dawn of the Rocksteady era. This tune had a huge influence on the future developments of Reggae music.
Mungo's Hi Fi, Charlie P - You See Me Star
Scotch Bonnet UK 2015
¥2580 ¥1980 (US$12.79)
Charlie P is a ragamuffin rudeboy youth with a natural talent of music. Since he grew up surrounded by UK-Jamaican culture, reggae was in his blood. Charlie met Mungo’s Hi Fi while he was drawn to soundsystem culture in 2010. Since then they have done countless recording sessions and continuous touring around every corner of the globe. This album is the culmination of this ongoing relationship and brings together the best tracks across the styles that he loves, from roots reggae and dancehall to modern bass music.
