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Aston 'Family Man' Barrett & The Wailers Band - Soul Constitution: Instrumentals & Dubs 1971-1982
Dub Store Records JPN 1971- 1982
¥2780 (US$18.36)
Aston ‘Family Man’ Barrett is much more than just one of the most renowned reggae bass players of all time. As the bassist of choice for Bob Marley and the Wailers from 1969 up until Marley’s untimely passing, Barrett acted as chief musical arranger and bandleader for the Wailers, greatly altering the course of reggae in the process. He has also been one of the most important Jamaican session musicians, beginning with the Hippie Boys in the late 1960s, and after helping reggae to become better established internationally as a member of Lee ‘Scratch’ Perry’s Upsetters band, he also performed bass duties for a range of noteworthy producers, including Bunny Lee and Keith Hudson, among many others. What is less known, but equally important, is that Family Man produced some of the most challenging and experimental reggae of the 1970s and 80s, issuing unique works in small quantity in Jamaica on a range of short-lived record labels. Soul Constitution collects the best of Family Man’s instrumental and dub output, issued between 1972 and 1982. Aside from a few early tracks recorded at Randy’s studio in the heart of downtown Kingston, much of the work was crafted at the rehearsal room of the original Tuff Gong, based at Marley’s uptown home at 56 Hope Road; some of these works have the very first instances of a drum machine being used in reggae, and all are marked by the supreme musicianship and unorthodox production techniques that has made Family Man’s releases greatly prized by reggae collectors. Several of the tracks are appearing for the first time on long-playing LP and CD format, and most come complete with stripped-down dub counterparts.
The Browne Bunch - There's Fun For All / Something Silly
Triangle / Dub Store Records JPN 1973
¥2180 (US$14.40)
Debut song from The Browne Bunch according to Steely. Triangle, Pyramid and Antrim labels consists of Chung Brothers, Steely & Clevie impacted greatly to the popular crowd within lovers rock circuit and beyond.
U Roy - Dynamic Fashion Way / John Holt - Share My Rest
Inbidimts / Dub Store Records JPN 1970
¥1480 (US$9.78)
Some may call it the original sound tune! This deejay cut strongly represent the new era of reggae music during 1969-70 with a string of new producers landing with serious hits. “Dynamic Fashion” would definitely be one of the top three U-Roy early classics.
Keith Hudson - Satan Side / Earl Flute, Horace Andy - Peter & Judas
Mafia / Dub Store Records JPN 1972
¥1480 (US$9.78)
Versions, dubwise, horn riffs and what not ? all of those creative elements made this great tune and it was only Keith Hudson who had an ability to make it all possible. Even if you’re no an ordinary reggae listener you should try this. Apart from Hudson, at this time in Jamaica there was a number of eccentric producers like Lee Perry, Pablo, Niney and co who used their studio like an instrument to create their own sounds.
Michael Prophet - Sweet Me / King Tubbys - Sweet Me Version
King Tubby's Dub Plate / Dub Store Records JPN 1987
¥1480 (US$9.78)
Tubbys, as well as Jammys tunes after the digital revolution, you can find many that sounds great but not all of them will stick to your heart forever. However this Michael Prophet digi killer comes with absolute presence and confidence reflecting his true soul.
Baba Brooks - 1st Session (Alternative Take) / 1st Session
Gay Feet / Dub Store Records JPN 1965
¥1580 (US$10.44)
If you mention Baba Brooks, most people would think this tune or “Shank I Sheck”. Even though the recording tape itself was hard to come by these days, we managed to include a previously unreleased alternative take from the master tape.
Pad Anthony - Lock And The Key; (Manudigital Remix) / (Rub A Dub Version); (Stepper Dub)
Jamafra Records EU 2018
¥1980 (US$13.08)