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Catalog - ReggaeRecord.com
ReggaeRecord.com Dub Store Sound Inc. Online Store for Reggae & Black Music - Reggaerecord.Com

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Various Artists - Jamaica Jazz From Federal Records: Carib Roots, Jazz, Mento, Latin, Merengue & Rhumba 1960-1968 (2LP

Dub Store Records JPN 1960- 1968

¥4320 (US$38.30)

Reaching out to the real roots of the Jamaican sixties musical explosion…
Some of the originators of the genre, including Ernest Ranglin, Lennie Hibbert & Cecil Lloyd, playing in their element and demonstrating just where they're coming from

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Tommy McCook - Sannic Sounds

Dub Store Records JPN 1973

Info: ライナーノーツ付

¥3240 (US$28.72)

One of the rarest, and greatest, horn instrumental dub albums of the seventies featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

Featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

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Various Artists - Gay Feet: Every Night featuring Baba Brooks and his Band

Dub Store Records JPN 1965

¥2880 (US$25.53)

Ska, Jump Up and Soul! The authentic early sixties sound of the Caribbean

A shimmering showcase of the wonderful work of Jamaica’s first and foremost female record producer, Mrs Sonia Pottinger, featuring the inimitable talents of Oswald ‘Baba’ Brooks and his Recording Band with their 1966 debut album.

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Various Artists - Kentone Ska from Federal Records: Skalvouvia 1963-1965

Dub Store Records JPN 1963- 1965

¥3240 (US$28.72)

Founder of Jamaica’s first recording studio, Ken Khouri produced early ska classics
14 first-rate ska pieces including previously unreleased materials from undoubtedly the industry leading Federal Records that consisted the virtuoso Ernest Ranglin and co.

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King Tubbys - Two Big Bull In A One Pen Dubwise

Dub Store Records JPN

¥2880 (US$25.53)

Digital dancehall in dub… a late King Tubbys masterwork for the Firehouse imprint. Featuring the King at the controls of his reconstructed studio alongside his two young proteges, Peego and Fatman, in a dubwise deconstruction of a certified classic: Anthony Red Rose's and King Kong's 'Two Big Bull In A One Pen' album

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Lynn Taitt & The Jets - Rock Steady Greatest Hits

Dub Store Records JPN 1968

¥2880 (US$25.53)

Refined rock steady from the creator of the genre. Guitarist and arranger, Lynn Taitt, interprets some of the greatest hits of the era including variations of many of the melodies he originated for a number of Jamaica’s foremost artists and producers.

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The Techniques & Friends - Winston Riley's Rock Steady & Early Reggae 1968-1969

Dub Store Records JPN 1968- 1969

¥3240 (US$28.72)

Winston Riley started his production career as a singer with an enviable track record, having formed the Techniques in 1962 and hitting the top of the charts two years later with the splendid ‘Little Did You Know’ for Duke Reid’s esteemed Treasure Isle label. When the frantic ska beat slowed down and turned into rocksteady Winston remained the only permanent component of the Techniques, arguably Jamaica’s finest vocal group.

As the beat changed yet again from rock steady to the faster reggae format, Winston’s thoughts turned to production, and he decided to create his own ‘Techniques’ label. A serious man with a serious work ethic, the quality of his music was apparent from the start as he released hit after hit, producing and singing as part of the different combinations of singers and vocal groups that he worked with.

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Various Artists - Rare & Unreleased Ska Recordings from Federal Records Vaults 1964-1965

Dub Store Records JPN 1964- 1965

¥3240 (US$28.72)

Foundation ska from the cradle of Jamaican music…
Federal Recording Studios nurtured the talents of innumerable Jamaican artists in the early sixties… this set showcases seriously sought after rarities and previously un-released tracks from Don Drummond, The Maytals , Lynn Taitt and many more

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Anthony Red Rose, King Kong - Two Big Bull In A One Pen

Dub Store Records JPN 1986

¥2880 (US$25.53)

Digital masterpiece from King Tubby’s re-constructed recording studio. Two of the biggest stars from the dawn of the digital era meet in a head to head clash at the King’s state of the art Firehouse headquarters.

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Count Ossie & The Mystic Revelation Of Rastafari - Grounation (3LP)

Dub Store Records JPN 1973

Info: 3枚組、豪華見開きジャケット、ライナーノーツ付

¥5800 (US$51.42)

An unimpeachable classic considered to be the pinnacle of Rastafarian inspired music. Master drummer Count Ossie’s band, including the incomparable tenor saxophonist Cedric ‘I’m’ Brooks, recreate a Rasta grounation, or gathering, playing and chanting a sublime supplication, including Bible readings, in praise of Emperor Haile Selassie I

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Ernest Ranglin - Boss Reggae

Dub Store Records JPN 1970

¥2880 (US$25.53)

Guitar genius Ernest Ranglin takes time out from his jazz roots and showcases his fluid skills on a selection of sweet, sensational 1969 style crossover hits… a pivotal year for the international success of Jamaican music.

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Various - Merritone Rock Steady 1: Shanty Town Curfew 1966-1967 (2lp)

Dub Store Records JPN 1966- 1967

¥4320 (US$38.30)

Ken Khouri’s Federal Records gave Jamaica its musical identity The Federal Record Manufacturing facility was the first pressing plant in Jamaica... their studio gave birth to mento, ska, rock steady and reggae of the highest calibre. This album features an astonishing selection of well known classics and rarities transferred straight from their master tape

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Various - Merritone Rock Steady 2: This Music Got Soul 1966-1967 (2LP)

Dub Store Records JPN 1966- 1967

¥4320 (US$38.30)

American rhythm & blues fervour, boosted by a multitude of sound systems playing 78rpm records on increasingly larger sets, gripped Jamaica from the late forties onwards but, towards the end of the decade, the American audience began to move towards a somewhat softer sound. The driving rhythm & blues discs became increasingly hard to find and the more progressive Jamaican sound system operators, realising that they now needed to make their own music, turned to Kingston’s jazz and big band musicians to record one off custom cut discs. These were not initially intended for commercial release but designed solely for sound system play on acetate or ‘dub plates’ as they would later be termed. These ‘specials’ soon began to eclipse the popularity of American rhythm & blues and the demand for their locally produced music proved so great that the sound system operators began to release their music commercially on vinyl and became record producers. Clement ‘Coxsone’ Dodd, Duke Reid ‘The Trojan’ and Prince Buster, who operated his Voice Of The People Sound System, were among the first to establish themselves in this new role and the nascent Jamaican recording industry now went into overdrive.

In 1954 Ken Khouri had numbered among the first far sighted entrepreneurs to produce mento records with local musicians (mento is Jamaica’s original indigenous music) before progressing to opening Jamaica’s first record manufacturing plant. Three years later he moved his operation to Foreshore Road (later renamed Marcus Garvey Drive) where, with the assistance of the inestimable Graeme Goodall, he updated and upgraded his recording studio. The importance of this enterprising move was critical to the development of Jamaican music and its influence both profound and far reaching.