>>Clear the narrow down
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Impact All Stars - Grooving Away / Same Way So
Impact Us (Org) 1971
Moving Away Info: Original Press
¥2980 ¥1080 (US$6.98)
Demo Cates, Felix - Roots Carnival 81
Scorpio CA (Org) 1981
Info: Original Press
¥1980 ¥480 (US$3.10)
Sly & Robbie - Ayatollah / Carlton Livingston - Those Tricks
Taxi UK (Org) / Island 1983
Info: Original Press
¥1780 ¥900 (US$5.82)
Various - Trump Jack Explosion
Trump Jack Records US (Org) 1989
Info: Original Press
¥1980 ¥1140 (US$7.37)
Tommy McCook, Supersonics - Liquidator / Tribute To Don
Yew Records EU 1970
A: Liquidator
¥2280 ¥4580 (US$29.62)
Hippy Boys - Bangalang Shangalang / Rupie Martin, Hippy Boys - Natural
Big Sax Records / Reggae Fever EU 1969/ 70
¥1680 (US$10.86)
Roland Alphonso - 1000 Tons Of Megaton / Musical Resurrection
Bunny Lee / Dub Store Records JPN 1969
¥2180 (US$14.10)
Pablove Black, Solid Foundation Band - Across 110 Street / Over The Bridge
Classic / Digikiller / Deeper Knowledge US 197-
¥1580 (US$10.22)
Ramon, Crystalites - Golden Chickens / Bongo Herman, Les - Hail I
Crystal / Dub Store Records JPN 1970
¥1380 (US$8.92)
Minor chorded and wicked organ instrumentals by Crystalites. It is worth to be mentioned that in this song, listeners can experience the rare toasting of Ramon The Mexican who was the resident deejay at Harriott's Musical Chariot Sound System and later changed his name to Ambelique. Both sides are the two of the best Early Reggae tunes.
Aston 'Family Man' Barrett & The Wailers Band - Soul Constitution: Instrumentals & Dubs 1971-1982
Dub Store Records JPN 1971- 1982
¥2780 (US$17.98)
Aston ‘Family Man’ Barrett is much more than just one of the most renowned reggae bass players of all time. As the bassist of choice for Bob Marley and the Wailers from 1969 up until Marley’s untimely passing, Barrett acted as chief musical arranger and bandleader for the Wailers, greatly altering the course of reggae in the process. He has also been one of the most important Jamaican session musicians, beginning with the Hippie Boys in the late 1960s, and after helping reggae to become better established internationally as a member of Lee ‘Scratch’ Perry’s Upsetters band, he also performed bass duties for a range of noteworthy producers, including Bunny Lee and Keith Hudson, among many others. What is less known, but equally important, is that Family Man produced some of the most challenging and experimental reggae of the 1970s and 80s, issuing unique works in small quantity in Jamaica on a range of short-lived record labels. Soul Constitution collects the best of Family Man’s instrumental and dub output, issued between 1972 and 1982. Aside from a few early tracks recorded at Randy’s studio in the heart of downtown Kingston, much of the work was crafted at the rehearsal room of the original Tuff Gong, based at Marley’s uptown home at 56 Hope Road; some of these works have the very first instances of a drum machine being used in reggae, and all are marked by the supreme musicianship and unorthodox production techniques that has made Family Man’s releases greatly prized by reggae collectors. Several of the tracks are appearing for the first time on long-playing LP and CD format, and most come complete with stripped-down dub counterparts.
¥3980 (US$25.74)
One of the rarest, and greatest, horn instrumental dub albums of the seventies featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.
Featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.
¥2780 (US$17.98)
One of the rarest, and greatest, horn instrumental dub albums of the seventies featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.
Featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.