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All items Recommended Dancehall 1985-1989 Vinyl
(54 in all)

>>Clear the narrow down
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Sister Nancy - Bam Bam / King Tubby - Stalag Version

Techniques / Dub Store Records JPN 1985

Stalag

¥1480 (US$13.22)

Along with Sleng Teng and Tempo, Stalag is without the doubt the biggest dancehall rhythm of the 80's. Bam Bam especially needs no introduction been sampled countless times on various genres and appearing on films etc.

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Chaka Demus - Original Kuff / Original Kuff Version

Jammys / Dub Store Records JPN 1989

Fade Away/Peanie Peanie

¥1280 (US$11.43)

In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.

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Cornell Campbell - Hey Mr. Cop / Cornell Campbell & The Jays - Nothing Don't Come Easy

King Tubby's Dub Plate / Dub Store Records JPN 1986

¥1480 (US$13.22)

Although this Tubby’s version has never been released, “Nothing Don’t Come Easy” ended up being a big hit at Jammys and still been praised today. It’s the mid 80’s interpretation of 70’s roots reggae atmosphere. Hats off to the King!

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Strugglers Roots - African Home / Super Black - Cassanova

King Tubby's Dub Plate / Dub Store Records JPN 1985

¥1480 (US$13.22)

Authentic 80’s roots capturing the 70’s vibes in solid manner. Female vocal on “Declaration of Rights” rhythm calling for repatriation although on the other hand a slick dancehall cut by Super Black on the very same rhythm.

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Bob Livingston - Reggae Music / Dilly Dally - Tell Me Why

King Tubby's Dub Plate / Dub Store Records JPN 1985

¥1480 (US$13.22)

Another unreleased material from Tubby’s studio. Although dancehall was the thing back then this tune is going to another direction by drawing a great roots vibes.

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Nitty Gritty - Turn Them Back / Turn Them Back Dub

Prince Jammys Dub / Dub Store Records JPN 1986

Tempo

¥1480 (US$13.22)

You might have seen Jammy playing this devastating sound killer in sessions lately, although before that this Nitty Gritty on Jammy’s ‘Tempo’ has only been heard on dubplates. No one knows why it never came out ? is it because it was a counteraction to Tubby? Or tune that was the lethal weapon of Jammy? There is nothing we can do but imagine those pictures when listening to the intense energy and impact of this tune.

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Various Artists - King Tubbys Presents Sound Clash Dubplate Style

Dub Store Records JPN 1988

¥2880 (US$25.73)

The quintessential eighties soundboy burial album

A digital masterpiece, produced by King Tubby, containing ten certified

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Johnny Osbourne - In The Area (What A La La) / In The Area (What A La La) Version

Jammys / Dub Store Records JPN 1984

Stalag

¥1280 (US$11.43)

Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version.
This is certainly another anthem of Jammys!

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Johnny Osbourne - We Gonna Rock It Tonight (Dub Plate Playing) / We Gonna Rock It Tonight (Dub Plate Playing) Version

Jammys / Dub Store Records JPN 1986

Heavenless

¥1280 (US$11.43)

In the late 80's, not only Jammys but also many labels tried to score some hits by remake of a foundation rhythm 'Heavenless'. Among Jammys catalogue on this rhythm, 'We Gonna Rock It Tonight (Dub Plate Playing)' by Johnny Osbourne is known as the most popular number. Often hear sound systems playing this dub plates.

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Junior Murvin - Jack Slick / Anthony Johnson - Dancehall Vibes

Jammys / Dub Store Records JPN 1987

Jack Slick

¥1280 (US$11.43)

Junior Marvin is apparently more known for his 70's work but he continued his career while dancehall period and released album 'Apartheid' at Jammys. This heavy weight dancehall song 'Jack Slick' was on the album and released on 12" single vinyl. On side B, 'Dancehall Vibes' by Anthony Johnson on the same rhythm with different arrangements was only released on 12" single vinyl.

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Carl Meeks - Danger / Danger Version

Redman / Dub Store Records JPN 1989

¥1280 (US$11.43)

To explain the Redman International label, without mentioning Carl Meeks is impossible. The ‘Danger’ is Carl’s masterpiece where he sings with his unique Out Of Key style with his sharp lyrics on simple and un-colorful but addictive sounding rhythm to produce another impressive killer tune.

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Gregory Isaacs - Warning

Dub Store Records JPN 1986

Info: 帯付き

¥2880 (US$25.73)

A sombre, controversial masterpiece from the legendary ‘Cool Ruler’.An overlooked classic produced in Waterhouse by King Tubby and unjustly neglected since its original release on the aptly entitled Serious Business label.

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Various - Redman International Dancehall 1985-1989 (2LP)

Dub Store Records JPN 1985- 1989

¥4320 (US$38.59)

Redman International Dancehall 1985-1989 press sheet by David Katz

Hugh ‘Redman’ James is one of the greatest Jamaican music producers of the late 1980s. Raised in a musical household in the west Kingston slum of Hannah Town, with his mother a sound system selector, Redman gained his initial schooling in the music business from none other than King Tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. After being immersed in sound system culture during his youth in the 1960s and 70s, Redman began sitting in on sessions at King Tubby’s studio, but migrated to Hartford, Connecticut in 1978 in search of steady employment. Returning to Jamaica a few years later, he established a popular sound system in Kingston and began producing music with King Tubby’s assistance in 1985, working with the Roots Radics during a time of great uncertainty in Jamaican music, as the new dancehall style came to prominence; early work featured Gregory Isaacs, Sugar Minott and Frankie Paul, as well as rising stars such as Little John and Horace Martin. Then, following the computerisation of dancehall, Redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included Steely and Clevie, augmented by members of the Browne Bunch and other players. Redman helped establish a number of total unknowns in this era, including Carl Meeks, Dave Bailey and Wayne Palmer, and became a serious contender for King Jammy’s crown. But the producer was ultimately frustrated by the dramatic changes to sweep Jamaican music in the early 1990s, and subsequently retreated from the music industry Redman International Dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.

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Inner Vibes - Mix Up Blender / King Tubbys - Mix Up Blender Version

Firehouse / Dub Store Records JPN 1985

¥1480 (US$13.22)

Arguably one of the best King Tubby’s digital known to mankind. Going through his tapes this was one of the earlier digital sessions took place at Tubby’s dated 19th November 1985. Inner Vibes a.k.a. Dilly Dally lyrically unleashing his strong observation towards one woman. Tracks laid by King Asha and engineered by Peego & Fatman.

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The Jays - Inna De Ghetto / King Tubbys - Inna De Ghetto Version

Firehouse / Dub Store Records JPN 1986

¥1480 (US$13.22)

Channel One artist The Jays’ big dancehall tune for King Tubby. Although its pop element is clearly heard this one also consists of tougher side. Skillfully arranged in dancehall fashion yet deeply resonates with the spirit of roots reggae.