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All items Recommended Dancehall 1985-1989 Vinyl
(57 in all)

>>Clear the narrow down
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Sister Nancy - Bam Bam / King Tubby - Stalag Version

Techniques / Dub Store Records JPN 1985

Stalag

¥1480 (US$13.02)

Along with Sleng Teng and Tempo, Stalag is without the doubt the biggest dancehall rhythm of the 80's. Bam Bam especially needs no introduction been sampled countless times on various genres and appearing on films etc.

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Michael Prophet - Copa Come / Version

Techniques / Dub Store Records JPN 1985

¥1480 (US$13.02)

Prolific and long standing label Techniques had numerous hits over the years. However “The Copa Come” is a hidden classic by Michael Prophet and possibly the most dangerous tune released after 1985. Great crossover contains both roots and dancehall goodness.

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Chaka Demus - Original Kuff / Original Kuff Version

Jammys / Dub Store Records JPN 1989

Fade Away/Peanie Peanie

¥1280 (US$11.26)

In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.

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Inner Vibes - Mix Up Blender / King Tubbys - Mix Up Blender Version

Firehouse / Dub Store Records JPN 1985

¥1480 (US$13.02)

Arguably one of the best King Tubby’s digital known to mankind. Going through his tapes this was one of the earlier digital sessions took place at Tubby’s dated 19th November 1985. Inner Vibes a.k.a. Dilly Dally lyrically unleashing his strong observation towards one woman. Tracks laid by King Asha and engineered by Peego & Fatman.

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Johnny Osbourne - We Gonna Rock It Tonight (Dub Plate Playing) / We Gonna Rock It Tonight (Dub Plate Playing) Version

Jammys / Dub Store Records JPN 1986

Heavenless

¥1280 (US$11.26)

In the late 80's, not only Jammys but also many labels tried to score some hits by remake of a foundation rhythm 'Heavenless'. Among Jammys catalogue on this rhythm, 'We Gonna Rock It Tonight (Dub Plate Playing)' by Johnny Osbourne is known as the most popular number. Often hear sound systems playing this dub plates.

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Nitty Gritty - Good Morning Teacher / Good Morning Teacher Version

Jammys / Dub Store Records JPN 1984

Stalag

¥1280 (US$11.26)

Nitty Gritty output his hit songs like 'Hog In A Minty' and 'Run Down The World' at Jammys and he had chemistry with minor chord digital rhythms. 'Good Morning Teacher' on 'Stalag' rhythm is a superb song showcases his unique vocal style and lyrics.

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Gregory Isaacs - Warning

Dub Store Records JPN 1986

Info: 帯付き

¥2880 (US$25.34)

A sombre, controversial masterpiece from the legendary ‘Cool Ruler’.An overlooked classic produced in Waterhouse by King Tubby and unjustly neglected since its original release on the aptly entitled Serious Business label.

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Various - Redman International Dancehall 1985-1989 (2LP)

Dub Store Records JPN 1985- 1989

¥4320 (US$38.01)

Redman International Dancehall 1985-1989 press sheet by David Katz

Hugh ‘Redman’ James is one of the greatest Jamaican music producers of the late 1980s. Raised in a musical household in the west Kingston slum of Hannah Town, with his mother a sound system selector, Redman gained his initial schooling in the music business from none other than King Tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. After being immersed in sound system culture during his youth in the 1960s and 70s, Redman began sitting in on sessions at King Tubby’s studio, but migrated to Hartford, Connecticut in 1978 in search of steady employment. Returning to Jamaica a few years later, he established a popular sound system in Kingston and began producing music with King Tubby’s assistance in 1985, working with the Roots Radics during a time of great uncertainty in Jamaican music, as the new dancehall style came to prominence; early work featured Gregory Isaacs, Sugar Minott and Frankie Paul, as well as rising stars such as Little John and Horace Martin. Then, following the computerisation of dancehall, Redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included Steely and Clevie, augmented by members of the Browne Bunch and other players. Redman helped establish a number of total unknowns in this era, including Carl Meeks, Dave Bailey and Wayne Palmer, and became a serious contender for King Jammy’s crown. But the producer was ultimately frustrated by the dramatic changes to sweep Jamaican music in the early 1990s, and subsequently retreated from the music industry Redman International Dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.

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Various Artists - King Tubbys Presents Sound Clash Dubplate Style

Dub Store Records JPN 1988

¥2880 (US$25.34)

The quintessential eighties soundboy burial album

A digital masterpiece, produced by King Tubby, containing ten certified

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The Jays - Inna De Ghetto / King Tubbys - Inna De Ghetto Version

Firehouse / Dub Store Records JPN 1986

¥1480 (US$13.02)

Channel One artist The Jays’ big dancehall tune for King Tubby. Although its pop element is clearly heard this one also consists of tougher side. Skillfully arranged in dancehall fashion yet deeply resonates with the spirit of roots reggae.

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Chuck Turner - We Rule The Dancehall / We Rule The Dancehall Version

Jammys / Dub Store Records JPN 1987

We Rule

¥1280 (US$11.26)

Chuck Turner has recorded his impressive songs at Jammys such as 'I Need You' and 'Run Around Girl'. 'We Rule The Dancehall' is one of those and this tough steppers rhythm was build by notable Steelie & Clivie. His melancholy voice is something very contrary to his aggressive lyrics but that's something it makes this record attractive.

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Cornell Campbell - Nothing Don't Come Easy / Version

Jammys / Dub Store Records JPN 1987

¥1380 (US$12.14)

Even after releasing the legendary “Sleng Teng” rhythm, King Jammy continued to produce hits after hits such as “Punnany”, “Duck” and many more. There is no doubt that he was at the top of the digital dancehall scene back then. Although he had put out an uncountable number of releases towards the end of the 80’s, this is one of the popular and rare tunes among record collectors. Beautifully sang in falset by Cornell Campbell on this melancholic digital rhythm makes it an excellent masterpiece.

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Eccleton Jarrett - Rock Them One By One / Rock Them One By One Version

Jammys / Dub Store Records JPN 1989

Wicked Can't Run Away

¥1280 (US$11.26)

'Rock Them One By One' is a King Jammys' digital remake on 70's classic roots tune 'Wicked Can't Run Away' by Glen Richards. Its version is very detailed to its original but still a tough digital dancehall cut. Eccleton Jarrett's delicate vocal stands out proudly.