This site requires JavaScript but your browser does not support JavaScript. Please activate Javascript from security options or something like that.

Catalog - ReggaeRecord.com
ReggaeRecord.com Dub Store Sound Inc. Online Store for Reggae & Black Music - Reggaerecord.Com

Reggae & Black Music Online Store

日本語 English
Currency:

presented by DUB STORE SOUND INC.

¥0 (US$0.00) (0 items)

All items Recommended Dancehall 1985-1989 Vinyl
(56 in all)

>>Clear the narrow down
BUY

Bob Livingston - Reggae Music / Dilly Dally - Tell Me Why

King Tubby's Dub Plate / Dub Store Records JPN 1985

¥1480 (US$13.19)

Another unreleased material from Tubby’s studio. Although dancehall was the thing back then this tune is going to another direction by drawing a great roots vibes.

BUY

Johnny Osbourne - We Gonna Rock It Tonight (Dub Plate Playing) / We Gonna Rock It Tonight (Dub Plate Playing) Version

Jammys / Dub Store Records JPN 1986

Heavenless

¥1280 (US$11.41)

In the late 80's, not only Jammys but also many labels tried to score some hits by remake of a foundation rhythm 'Heavenless'. Among Jammys catalogue on this rhythm, 'We Gonna Rock It Tonight (Dub Plate Playing)' by Johnny Osbourne is known as the most popular number. Often hear sound systems playing this dub plates.

BUY

Cornell Campbell - Hey Mr. Cop / Cornell Campbell & The Jays - Nothing Don't Come Easy

King Tubby's Dub Plate / Dub Store Records JPN 1986

¥1480 (US$13.19)

Although this Tubby’s version has never been released, “Nothing Don’t Come Easy” ended up being a big hit at Jammys and still been praised today. It’s the mid 80’s interpretation of 70’s roots reggae atmosphere. Hats off to the King!

BUY

Michael Prophet - Sweet Me / King Tubbys - Sweet Me Version

King Tubby's Dub Plate / Dub Store Records JPN 1987

¥1480 (US$13.19)

Tubbys, as well as Jammys tunes after the digital revolution, you can find many that sounds great but not all of them will stick to your heart forever. However this Michael Prophet digi killer comes with absolute presence and confidence reflecting his true soul/

BUY

Temporarily sold out. Uncertain delivery time

Pep - Crisis

Jamwax EU 1985

¥1380 (US$12.30)

BUY

Mystic - Youths Get Tricked

Leggo Sounds / Digikiller / Deeper Knowledge US 1986

¥850 ¥499 (US$4.45)

As a long-time Orange Street producer, record store owner and then studio owner, Leggo has built a solid catalog of both wicked roots and dancehall, from the 1970's all the way thru the 1990's. For some time we've been huge fans of Leggo's productions, but as collectors we've found many of them inexplicably hard to find.

BUY

Various Artists - King Tubbys Presents Sound Clash Dubplate Style

Dub Store Records JPN 1988

¥2880 (US$25.67)

The quintessential eighties soundboy burial album

A digital masterpiece, produced by King Tubby, containing ten certified

BUY

The Jays - Inna De Ghetto / King Tubbys - Inna De Ghetto Version

Firehouse / Dub Store Records JPN 1986

¥1480 (US$13.19)

Channel One artist The Jays’ big dancehall tune for King Tubby. Although its pop element is clearly heard this one also consists of tougher side. Skillfully arranged in dancehall fashion yet deeply resonates with the spirit of roots reggae.

BUY

Eccleton Jarrett - Rock Them One By One / Rock Them One By One Version

Jammys / Dub Store Records JPN 1989

Wicked Can't Run Away

¥1280 (US$11.41)

'Rock Them One By One' is a King Jammys' digital remake on 70's classic roots tune 'Wicked Can't Run Away' by Glen Richards. Its version is very detailed to its original but still a tough digital dancehall cut. Eccleton Jarrett's delicate vocal stands out proudly.

BUY

Johnny Osbourne - In The Area (What A La La) / In The Area (What A La La) Version

Jammys / Dub Store Records JPN 1984

Stalag

¥1280 (US$11.41)

Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version.
This is certainly another anthem of Jammys!

BUY

Nitty Gritty - Turn Them Back / Turn Them Back Dub

Prince Jammys Dub / Dub Store Records JPN 1986

Tempo

¥1480 (US$13.19)

You might have seen Jammy playing this devastating sound killer in sessions lately, although before that this Nitty Gritty on Jammy’s ‘Tempo’ has only been heard on dubplates. No one knows why it never came out ? is it because it was a counteraction to Tubby? Or tune that was the lethal weapon of Jammy? There is nothing we can do but imagine those pictures when listening to the intense energy and impact of this tune.

BUY

Gregory Isaacs - Warning

Dub Store Records JPN 1986

Info: 帯付き

¥2880 (US$25.67)

A sombre, controversial masterpiece from the legendary ‘Cool Ruler’.An overlooked classic produced in Waterhouse by King Tubby and unjustly neglected since its original release on the aptly entitled Serious Business label.

BUY

Various - Redman International Dancehall 1985-1989 (2LP)

Dub Store Records JPN 1985- 1989

¥4320 (US$38.50)

Redman International Dancehall 1985-1989 press sheet by David Katz

Hugh ‘Redman’ James is one of the greatest Jamaican music producers of the late 1980s. Raised in a musical household in the west Kingston slum of Hannah Town, with his mother a sound system selector, Redman gained his initial schooling in the music business from none other than King Tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. After being immersed in sound system culture during his youth in the 1960s and 70s, Redman began sitting in on sessions at King Tubby’s studio, but migrated to Hartford, Connecticut in 1978 in search of steady employment. Returning to Jamaica a few years later, he established a popular sound system in Kingston and began producing music with King Tubby’s assistance in 1985, working with the Roots Radics during a time of great uncertainty in Jamaican music, as the new dancehall style came to prominence; early work featured Gregory Isaacs, Sugar Minott and Frankie Paul, as well as rising stars such as Little John and Horace Martin. Then, following the computerisation of dancehall, Redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included Steely and Clevie, augmented by members of the Browne Bunch and other players. Redman helped establish a number of total unknowns in this era, including Carl Meeks, Dave Bailey and Wayne Palmer, and became a serious contender for King Jammy’s crown. But the producer was ultimately frustrated by the dramatic changes to sweep Jamaican music in the early 1990s, and subsequently retreated from the music industry Redman International Dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.