Very rare rocksteady rhythm pulled by Keith Hudson to record this bold vocal by Johnny Clarke in 1974. On B-side a deejay cut by Randy’s Clive Chin.

Out of all those China lead Soul Syndicate vocals this one has to be the tightest although here the rare flute instrumental is the business. At the time Keith Hudson had the original JA funk sounds going on in his rhythms.

Versions, dubwise, horn riffs and what not – all of those creative elements made this great tune and it was only Keith Hudson who had an ability to make it all possible. Even if you’re no an ordinary reggae listener you should try this. Apart from Hudson, at this time in Jamaica there was a number of eccentric producers like Lee Perry, Pablo, Niney and co who used their studio like an instrument to create their own sounds.

The Wailers Band meets Horace Andy and Winston Jarrett.
Also known as "Earth Must Be Hell", this is an immense roots classic including lovers anthem "Unity Strength & Love", True Born African", "Let The Music Play" and more.

The vocal cut to Keith Hudson’s epic reggae funk “Melody Maker”. Recorded a couple years after the instrumental this tune must have made a quite a come back.

The true genius Keith Hudson introduced highly mutational sounds and sound effects at the time and this Pablo organ cut of “Peter & Judas” is no exception. Slightly different cut to the one included in “Flesh of My Skin Blood of My Blood” known as the monumental and arguably the first reggae concept album that is rated as important as “Blackboard Jungle Dub” in dub music. This cut is the fat original take mixed prior to the LP.