Historically renown Dave Brubeck’s Take 5 covered in rocksteady style. It later became one of reggae’s standard repertoire.

Rocksteady cover of the undoubtable Impressions’ anthem. Out of many rocksteady tunes this one stands out with its splendid arrange and engineering genius. Backed with The Uniques legendary “Never Let Me Go”.

Up tempo Jamaica Festival Song, “Check Up”, on flipside is a groovy rare rocksteady “Devil Woman” both Al & The Vibrators’ highly refined vocals.

Miriam Makeba’s sensational “Pata Pata” timely covered in rocksteady fashion by Patsy Millicent Todd in 1967. Strictly nyahbinghi yet sounding pop somehow - it’s an unmissable tune for those who know.

Very rare rocksteady rhythm pulled by Keith Hudson to record this bold vocal by Johnny Clarke in 1974. On B-side a deejay cut by Randy’s Clive Chin.

Glen Brown pleasantly covering the familiar Beatles classic not to mention stunning arrangement by Bunny Lee. Backed with popular female rocksteady vocal

Founder of Jamaica’s first recording studio, Ken Khouri produced early ska classics
14 first-rate ska pieces including previously unreleased materials from undoubtedly the industry leading Federal Records that consisted the virtuoso Ernest Ranglin and co.

Highly sought after double A-sided female rocksteady vocals. Dawn Penn cut of The Uniques ? Let Me Go Girl. On flip side is another popular female vocal tune by Dian Lawrence that was also covered by Norma Frazer for Studio One

One of the later productions from the Chung brothers and it’s the ultimate reggae soul sound that they wanted to achieve. Although Antrim and other Chung productions produced reggae, it’s clear that they had US sounds such as soul and funk on their horizon.

The Jamaican lovers masterpiece by Sharon Forrester and UK lovers classic.

The Hippy Boys consists of Aston and Carly Barrett brothers opened up the new era with their original sounds. This double A-sided roots instrumentals 7” was unarguably so ahead of its time

Superlative reggae soul produced by Mikey Chung for his own Superstar imprint. Having both young Steely and Clevie in the band, when you think of the further development in reggae music, this production was crucial. Compared to Geoffrey’s high quality lustrous reggae soul this Jackson 5 cover is slightly different and lean towards the beauty of Jamaican pops sounds.