Debut song from The Browne Bunch according to Steely. Triangle, Pyramid and Antrim labels consists of Chung Brothers, Steely & Clevie impacted greatly to the popular crowd within lovers rock circuit and beyond.

Rare instrumental and dub gems, produced by Aston ‘Family Man’ Barrett
Rare instrumental and dub gems, produced by Bob Marley’s bassist and musical arranger, Aston ‘Family Man’ Barrett, between 1972-82, featuring members of the Wailers band and other stalwart musicians.

Versions, dubwise, horn riffs and what not ? all of those creative elements made this great tune and it was only Keith Hudson who had an ability to make it all possible. Even if you’re no an ordinary reggae listener you should try this. Apart from Hudson, at this time in Jamaica there was a number of eccentric producers like Lee Perry, Pablo, Niney and co who used their studio like an instrument to create their own sounds.

Some may call it the original sound tune! This deejay cut strongly represent the new era of reggae music during 1969-70 with a string of new producers landing with serious hits. “Dynamic Fashion” would definitely be one of the top three U-Roy early classics.

Superlative reggae soul produced by Mikey Chung for his own Superstar imprint. Having both young Steely and Clevie in the band, when you think of the further development in reggae music, this production was crucial. Compared to Geoffrey’s high quality lustrous reggae soul this Jackson 5 cover is slightly different and lean towards the beauty of Jamaican pops sounds.

The Jamaican lovers masterpiece by Sharon Forrester and UK lovers classic.

Aston ‘Family Man’ Barrett is much more than just one of the most renowned reggae bass players of all time. As the bassist of choice for Bob Marley and the Wailers from 1969 up until Marley’s untimely passing, Barrett acted as chief musical arranger and bandleader for the Wailers, greatly altering the course of reggae in the process. He has also been one of the most important Jamaican session musicians, beginning with the Hippie Boys in the late 1960s, and after helping reggae to become better established internationally as a member of Lee ‘Scratch’ Perry’s Upsetters band, he also performed bass duties for a range of noteworthy producers, including Bunny Lee and Keith Hudson, among many others. What is less known, but equally important, is that Family Man produced some of the most challenging and experimental reggae of the 1970s and 80s, issuing unique works in small quantity in Jamaica on a range of short-lived record labels. Soul Constitution collects the best of Family Man’s instrumental and dub output, issued between 1972 and 1982. Aside from a few early tracks recorded at Randy’s studio in the heart of downtown Kingston, much of the work was crafted at the rehearsal room of the original Tuff Gong, based at Marley’s uptown home at 56 Hope Road; some of these works have the very first instances of a drum machine being used in reggae, and all are marked by the supreme musicianship and unorthodox production techniques that has made Family Man’s releases greatly prized by reggae collectors. Several of the tracks are appearing for the first time on long-playing LP and CD format, and most come complete with stripped-down dub counterparts.

Marcia Griffiths' fine cover of Paul McCartney classic. Essential for fans of UK lovers.

1976 rare dub album consists of robust Techniques rhythms dismantled and reconstructed by King Tubby to its perfection
Long-expected reissue of one of the most sought after dub albums.

1976 rare dub album consists of robust Techniques rhythms dismantled and reconstructed by King Tubby to its perfection
Long-expected reissue of one of the most sought after dub albums.

The golden hit of the early 70’s deejay craze in combination with Ken Boothe. The El Paso sound system deejay Dennis Alcapone showcasing repelling force and energy towards the others piling into the scene back then. One of the symbolic classics of the early deejay materials.

1973 reggae soul cover of Robert John’s classic by Sonny Wong who started his career early with The Mighty Vikings. Chung brothers had a clear vision of creating what is believed to be the origin of lovers rock. Splendid arrangement from In Crowd on flip is a must.

Because of his superior talent and intense personality, one of the most ingenious pianists Leslie Butler had a lack of releases, however he was given an exceptional chance by the Federal Records to record this one of the most peculiar albums in the history of Jamaican music. This beautifully finished Jamaican Jazz Funk/Rare Groove album is mostly constructed with the traditional covers that all Jamaicans will know although with the wonderful arrangement, and very Jamaican, ensemble stripping aesthetics give the album a whole new character that can’t be heard elsewhere.This masterpiece should make it to the shelves of not only reggae fans but soul and jazz fans as well. Leslie always committed on making a serious piece of music - never liked to make either of Jamaican popular music or business-like commercial music. He had a strong belief of not letting others to control his talent. Therefore there were often conflicts between him and producers or he was not even given a chance to record anything at all. It’s a really sad story, but this unfortunate musician’s lifestyle can be heard on the recordings such as “Guitar In Ernest ? Ernest Ranglin (DSR-LP / CD-501)” and “Reggae Rhapsody ? Leslie Butler (DSR-FEDS12-001).” Perhaps with this album in addition, it might be all enough.

Sharp and sophisticated reggae soul funk instrumental backed with “Traveling On”.

This funky reggae classic go way beyond the boundary of reggae music and reaching to every music lover out there. Beginning with the killer drum break, the Aretha Franklin cover is built to move everyone’s body! Backed with slick instrumentals produced by Lloyd Charmers, it’s about time this 7” gets reissued.

Guitar genius Ernest Ranglin takes time out from his jazz roots and showcases his fluid skills on a selection of sweet, sensational 1969 style crossover hits… a pivotal year for the international success of Jamaican music.

Miraculously rare and seriously obscure killer dubs… one of the very few hard core seventies dub albums mixed by Errol Brown.

A selection of solid dubs originally recorded by BB Seaton at Duke Reid’s legendary Treasure Isle studio and mixed in-house by the Duke’s nephew Errol Brown. A radical departure for all concerned this bold dub album was never officially released although a few clandestine copies reputedly did the New York rounds at the time