Possibly the first hit from then a newcomer producer Keith Hudson along with the iconic Dennis Alcapone deejay cut this tune will be passed on forever.

Some may call it the original sound tune! This deejay cut strongly represent the new era of reggae music during 1969-70 with a string of new producers landing with serious hits. “Dynamic Fashion” would definitely be one of the top three U-Roy early classics.

The golden hit of the early 70’s deejay craze in combination with Ken Boothe. The El Paso sound system deejay Dennis Alcapone showcasing repelling force and energy towards the others piling into the scene back then. One of the symbolic classics of the early deejay materials.

Miraculously rare and seriously obscure killer dubs… one of the very few hard core seventies dub albums mixed by Errol Brown.

A selection of solid dubs originally recorded by BB Seaton at Duke Reid’s legendary Treasure Isle studio and mixed in-house by the Duke’s nephew Errol Brown. A radical departure for all concerned this bold dub album was never officially released although a few clandestine copies reputedly did the New York rounds at the time

Being known as Crown Prince of Reggae, this is Dennis Brown's commemorated first single and it was written and composed by Dennis himself. This is, of course, before he started recording at Studio One and is one of his best heartwarming songs. Crystalites' killer keyboard instrumental is featured on B-side and has been admired to listeners who have great appreciation for 1969-70’s up-tempo instrumentals.

One of the rarest, and greatest, horn instrumental dub albums of the seventies featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

Featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

Superlative 70’s dub masterpiece from the Blackheart Man Bunny Wailer

Subtle interpretations of cuts from Bunny’s ‘Blackheart Man’ album together with contemporaneous Solomonic disco mixes with unsung dub masters Sylvan Morris and Karl Pitterson at the control tower

At the same time that Neville ‘Bunny Wailer’ Livingston recorded his debut solo long playing masterpiece, ‘Blackheart Man’, he was also creating a series of singles for his own Solomonic label. These records were every bit as good, at times even better, but they have never been released outside of Jamaica. Until now…

American Civil Rights Movement hit Jamaica in late 60's and this tune is undoubtedly one of the best Funky Reggae tunes produced by Derrick Harriott. It is the best example of how Derrick was influenced by the Black Power Movement. B-side features a great Funky Reggae Soul performed by Chosen Few. From that time, Derrick started establishing a genre called "Reggae Soul."

At the same time that Neville ‘Bunny Wailer’ Livingston recorded his debut solo long playing masterpiece, ‘Blackheart Man’, he was also creating a series of singles for his own Solomonic label. These records were every bit as good, at times even better, but they have never been released outside of Jamaica. Until now…

Dub like it used to be from the High Note and Gay Feet labels

A selection of rocking rhythms from The Revolutionaries masterminded by

The true genius Keith Hudson introduced highly mutational sounds and sound effects at the time and this Pablo organ cut of “Peter & Judas” is no exception. Slightly different cut to the one included in “Flesh of My Skin Blood of My Blood” known as the monumental and arguably the first reggae concept album that is rated as important as “Blackboard Jungle Dub” in dub music. This cut is the fat original take mixed prior to the LP.