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Sister Nancy - Bam Bam / King Tubby - Stalag Version
Techniques / Dub Store Records JPN 1985
¥2180 (US$14.29)
Along with Sleng Teng and Tempo, Stalag is without the doubt the biggest dancehall rhythm of the 80's. Bam Bam especially needs no introduction been sampled countless times on various genres and appearing on films etc.
Junior Murvin - Jack Slick / Anthony Johnson - Dancehall Vibes
Jammys / Dub Store Records JPN 1987
¥2180 (US$14.29)
Junior Marvin is apparently more known for his 70's work but he continued his career while dancehall period and released album 'Apartheid' at Jammys. This heavy weight dancehall song 'Jack Slick' was on the album and released on 12" single vinyl. On side B, 'Dancehall Vibes' by Anthony Johnson on the same rhythm with different arrangements was only released on 12" single vinyl.
Johnny Osbourne - We Gonna Rock It Tonight (Dub Plate Playing) / We Gonna Rock It Tonight (Dub Plate Playing) Version
Jammys / Dub Store Records JPN 1986
¥2180 (US$14.29)
In the late 80's, not only Jammys but also many labels tried to score some hits by remake of a foundation rhythm 'Heavenless'. Among Jammys catalogue on this rhythm, 'We Gonna Rock It Tonight (Dub Plate Playing)' by Johnny Osbourne is known as the most popular number. Often hear sound systems playing this dub plates.
Chaka Demus - Original Kuff / Original Kuff Version
Jammys / Dub Store Records JPN 1989
¥2180 (US$14.29)
In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.
Half Pint - One Big Ghetto / Tonto Irie - Ram Up Every Corner
Jammys / Dub Store Records JPN 1984
¥2180 (US$14.29)
Without mentioning Half Pint, the true story about the Jammys label can never be told. King Jammy adopted a classic song ‘Open The Gate’ and versioned the rhythm digitally. The young Half Pint claims this wild world is ‘One Big Ghetto’. On the flip side, Tonto Irie showcases his skillful and edgy lyrical flow to the same rhythm.
Bunny Wailer - Rise & Shine / Solomonic Dub
Solomonic / Dub Store Records JPN 1981
¥2680 (US$17.57)
Bunny continued to release records throughout the seventies that were never less than excellent and, as the new decade got underway, he came forward with one of his best ever releases: the militant clarion call 'Rise And Shine'. Stretched over two momentous sides of a UK twelve inch release, the record was a huge hit, but has been unavailable ever since. Bunny returned to the song on his superb 'Liberation' album at the close of the decade but the original cut has remained one of the most in-demand records on the 'revival' circuit.
Wayne Smith - My Lord My God / My Lord My God Version
Jammys / Dub Store Records JPN 1985
¥2180 (US$14.29)
Wayne Simth unexpectedly appeared on the top of dancehall scene with Jammys' monster rhythm 'Sleng Teng' in the mid 80's at one burst. Hardcore dancehall fans will recognize this song 'My Lord My God' on 'Screechie Across The Border' rhythm is one of the most popular songs within his Jammys' catalogue.
Nitty Gritty - Good Morning Teacher / Good Morning Teacher Version
Jammys / Dub Store Records JPN 1984
¥1280 (US$8.39)
Nitty Gritty output his hit songs like 'Hog In A Minty' and 'Run Down The World' at Jammys and he had chemistry with minor chord digital rhythms. 'Good Morning Teacher' on 'Stalag' rhythm is a superb song showcases his unique vocal style and lyrics.
Various - King Jammys Dancehall 1: Digital Revolution 1985-1989 (2LP)
Dub Store Records JPN 1985- 1989
¥5380 (US$35.27)
Sugar Minott - None Stop Rocking
Vena / Dub Store Records JPN 1988
¥1380 (US$9.05)
Even though time and trends change drastically in the history Jamaican music however Sugar Minott managed to build a firm existance by his natural talent and trustworthy character. When this man sings he can colour anything from roots, dancehall and lovers to his own. “None Stop Rocking” is an excellent song that really showcases his sweet character.
Johnny Scar - United Africa / Dub It In Africa
Solomonic / Dub Store Records JPN 1986
¥2680 (US$17.57)
Bunny Wailer, respectfully called “The Blackheart Man”, produced Johnny Scar’s one-off recording ‘United Africa’. The mystic singer wrote this heavy roots song and sang with his unique chant like a voice of the roots reggae icon, Burning Spear. And the song appeared as 12”on the Solomonic Production imprint in 1986.
Johnny Osbourne - Inflation / Version
Techniques / Dub Store Records JPN 1981
¥2180 (US$14.29)
80's killer roots by Johnny Osbourne included in his classic album “Warrior” for Techniques. Soulful vocal and strong message is second to none. Backed with a straight version.
Hot Rocks - Black Man / High Times Players - Black Man Version
High Music / Dub Store Records JPN 1982
¥2180 (US$14.29)
Frankie Paul - African Princess / High Times Players - African Princess Version
High Music / Dub Store Records JPN 1982
¥1580 (US$10.36)
Conroy Smith - Sugar Me / Sugar Me Version
Jammys / Dub Store Records JPN 1989
¥1280 (US$8.39)
A few titles has been released on Suguar Minott’s ‘Conscious Lover’ rhythm but ‘Sugar Me’ by Conroy Smith is one of the most wanted records on the rhythm among collectors. On this smooth drifting rhythm, he sings mournfully but also with his sweet lyrics.
Eccleton Jarrett - Rock Them One By One / Rock Them One By One Version
Jammys / Dub Store Records JPN 1989
¥1280 (US$8.39)
'Rock Them One By One' is a King Jammys' digital remake on 70's classic roots tune 'Wicked Can't Run Away' by Glen Richards. Its version is very detailed to its original but still a tough digital dancehall cut. Eccleton Jarrett's delicate vocal stands out proudly.
Sugar Minott - Conscious Lover / Pad Anthony - By Show Down
Jammys / Dub Store Records JPN 1989
¥1280 (US$8.39)
Sugar Minott always showcased his versatile talent by singing lover’s rock to dancehall songs and attracted a variety of wide audiences. Certainly, he proves this ability on the ‘Tonight’ rhythm, which is regarded as one of the most popular rhythms among the Jammys catalogue. On the flip side, Pad Anthony sings a soundclash anthem to the same rhythm. The song only appeared on a LP album entitled ‘Sound Clash 89’.