Along with Sleng Teng and Tempo, Stalag is without the doubt the biggest dancehall rhythm of the 80's. Bam Bam especially needs no introduction been sampled countless times on various genres and appearing on films etc.

Bunny continued to release records throughout the seventies that were never less than excellent and, as the new decade got underway, he came forward with one of his best ever releases: the militant clarion call 'Rise And Shine'. Stretched over two momentous sides of a UK twelve inch release, the record was a huge hit, but has been unavailable ever since. Bunny returned to the song on his superb 'Liberation' album at the close of the decade but the original cut has remained one of the most in-demand records on the 'revival' circuit.

In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.

Another unreleased material from Tubby’s studio. Although dancehall was the thing back then this tune is going to another direction by drawing a great roots vibes.

You might have seen Jammy playing this devastating sound killer in sessions lately, although before that this Nitty Gritty on Jammy’s ‘Tempo’ has only been heard on dubplates. No one knows why it never came out ? is it because it was a counteraction to Tubby? Or tune that was the lethal weapon of Jammy? There is nothing we can do but imagine those pictures when listening to the intense energy and impact of this tune.

A very well-acquainted Dancehall classic rhythm "Tonight". Vena's version is without a doubt one of the top rated remakes alongside Jammys'. Melodious and melancholic arrangement meets Tonny Tuff's gourgeous singing - it's the true charm of Dancehall music.

80's killer roots by Johnny Osbourne included in his classic album “Warrior” for Techniques. Soulful vocal and strong message is second to none. Backed with a straight version.

Clean reissue of Soul Syndicate's early 80's classic "Kings Highway" w/ version. When there were flooded with dancehall vibes Chinna and co always kept it true to their roots. Timeless pieces.

Recorded in 1985, previously unreleased Tubby's early digital super killer recorded from master tape.

Out of all Jammy’s gigantic catalogue, “E20” rhythm could be considered as one of the most destructive ones to date. Jammy found the unreleased track on this rhythm from the vault featuring a familiar face of the 80’s dancehall, King Everal melancholy singing this killer!

In the late 80's, not only Jammys but also many labels tried to score some hits by remake of a foundation rhythm 'Heavenless'. Among Jammys catalogue on this rhythm, 'We Gonna Rock It Tonight (Dub Plate Playing)' by Johnny Osbourne is known as the most popular number. Often hear sound systems playing this dub plates.

Junior Marvin is apparently more known for his 70's work but he continued his career while dancehall period and released album 'Apartheid' at Jammys. This heavy weight dancehall song 'Jack Slick' was on the album and released on 12" single vinyl. On side B, 'Dancehall Vibes' by Anthony Johnson on the same rhythm with different arrangements was only released on 12" single vinyl.

Wayne Smith scored numerous hits at Jammys and one well known is 'Under Mi Sleng Teng'. He also released same title album 'Under Mi Sleng Teng' where he showcased wavy & choppy 'E20' and crisp & clear song 'In Thing' on further computerized [Barrington Levy - Come] rhythm.

Half Pint’s massive hit on Sly & Robbie remake of Heavenless for Powerhouse which pretty much needs no introduction. It is said that this it the first ever tune the word “Raggamuffin” was used and has been praised as the dancehall anthem to date!