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Sister Nancy - Bam Bam / King Tubby - Stalag Version

Techniques / Dub Store Records JPN 1985

Stalag

¥1480 (US$13.63)

Along with Sleng Teng and Tempo, Stalag is without the doubt the biggest dancehall rhythm of the 80's. Bam Bam especially needs no introduction been sampled countless times on various genres and appearing on films etc.

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Little John - Come Do It To Me / Come Do It To Me Version

Jammys / Dub Store Records JPN 1986

Screechie Across The Border

¥1280 (US$11.79)

Little John, who was one of the most remarkable figures at various sound system dances for his talent, delivers sorrowful vocal with his distinctive lyrical flow on this song ‘Come Do It To Me’. Recorded to a surging and whirling digital dancehall rhythm track ‘Screechie Across The Border’.

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Michael Prophet - Sweet Me / King Tubbys - Sweet Me Version

King Tubby's Dub Plate / Dub Store Records JPN 1987

¥1480 (US$13.63)

Tubbys, as well as Jammys tunes after the digital revolution, you can find many that sounds great but not all of them will stick to your heart forever. However this Michael Prophet digi killer comes with absolute presence and confidence reflecting his true soul.

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Thriller U - Raggamuffin Mi Soup

Vena / Dub Store Records JPN 1987

Tonight

¥1380 (US$12.71)

One of Vena's classic rhythms, Tonight. “Raggamuffin Mi Soup” is a joyful reissue by Thriller U singing mistily and emotionally inna real dancehall fashion! Alog with Little John and Tony Tuff cuts, this one marks the most popular amongst all the rest.

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Chaka Demus - Original Kuff / Original Kuff Version

Jammys / Dub Store Records JPN 1989

Fade Away/Peanie Peanie

¥1280 (US$11.79)

In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.

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Johnny Osbourne - In The Area (What A La La) / In The Area (What A La La) Version

Jammys / Dub Store Records JPN 1984

Stalag

¥1280 (US$11.79)

Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version.
This is certainly another anthem of Jammys!

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Johnny Osbourne - We Gonna Rock It Tonight (Dub Plate Playing) / We Gonna Rock It Tonight (Dub Plate Playing) Version

Jammys / Dub Store Records JPN 1986

Heavenless

¥1280 (US$11.79)

In the late 80's, not only Jammys but also many labels tried to score some hits by remake of a foundation rhythm 'Heavenless'. Among Jammys catalogue on this rhythm, 'We Gonna Rock It Tonight (Dub Plate Playing)' by Johnny Osbourne is known as the most popular number. Often hear sound systems playing this dub plates.

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Estimated Delivery 1-6 weeks

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Estimated Delivery 1-6 weeks

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Estimated Delivery 1-6 weeks

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Conroy Smith - Sugar Me / Sugar Me Version

Jammys / Dub Store Records JPN 1989

Tonight

¥1280 (US$11.79)

A few titles has been released on Suguar Minott’s ‘Conscious Lover’ rhythm but ‘Sugar Me’ by Conroy Smith is one of the most wanted records on the rhythm among collectors. On this smooth drifting rhythm, he sings mournfully but also with his sweet lyrics.

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Cornell Campbell - Nothing Don't Come Easy / Version

Jammys / Dub Store Records JPN 1987

¥1380 (US$12.71)

Even after releasing the legendary “Sleng Teng” rhythm, King Jammy continued to produce hits after hits such as “Punnany”, “Duck” and many more. There is no doubt that he was at the top of the digital dancehall scene back then. Although he had put out an uncountable number of releases towards the end of the 80’s, this is one of the popular and rare tunes among record collectors. Beautifully sang in falset by Cornell Campbell on this melancholic digital rhythm makes it an excellent masterpiece.