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Catalog - ReggaeRecord.com
ReggaeRecord.com Dub Store Sound Inc. Online Store for Reggae & Black Music - Reggaerecord.Com

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Don Hutson - Got To Leave This Place / Dynamite Hudson

Ashandan / Dub Store Records JPN 1973

¥1480 (US$13.46)

Recorded in 1973 accompanied by the Wailers, this truly rare masterpiece was fronted by Don Hutson, an executive of the severe Rastafarian organization, Twelve Tribes of Israel. Produced by former Jamaican National Football Team player, Allan ‘Skill’ Cole, it was released by Tuff Gong in 1973 and known as an extremely rare shot that collectors have been searching for all over the place. This beautifully sparkling classic spiritual reggae piece is undoubtedly one of the top 10s released in 1973. If you love reggae, we presume that you won’t be able to avoid this masterpiece.

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Bunny Wailer - Rise & Shine / Solomonic Dub

Solomonic / Dub Store Records JPN 1981

¥2180 (US$19.83)

Bunny continued to release records throughout the seventies that were never less than excellent and, as the new decade got underway, he came forward with one of his best ever releases: the militant clarion call 'Rise And Shine'. Stretched over two momentous sides of a UK twelve inch release, the record was a huge hit, but has been unavailable ever since. Bunny returned to the song on his superb 'Liberation' album at the close of the decade but the original cut has remained one of the most in-demand records on the 'revival' circuit.

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Big Youth - Instant Coma / Instant Coma 2

Mafia / Dub Store Records JPN 1973

¥1480 (US$13.46)

VinGordon’s rooty horn on top of a Hudson rhythm. Big Youth riding confidently making it a killer deejay and instrumental

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Johnny Clarke - Golden Snake / Little Clive - African Bread

Atom / Dub Store Records JPN 1974

¥1480 (US$13.46)

Very rare rocksteady rhythm pulled by Keith Hudson to record this bold vocal by Johnny Clarke in 1974. On B-side a deejay cut by Randy’s Clive Chin.

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Augustus Pablo - Bedroom Mazurka / Scotty - Children Children

Move & Groove / Dub Store Records JPN 1973/ 1970

Tonight

¥1380 (US$12.55)

On Keith & Tex' classic tune 'Tonight,' Augustus Pablo's melodica echoes along the entire track mysteriously, while the fascinating female vocalist Fay quotes breathy lines from the popular German soft porn film Bedroom Mazurka. The flip side features Scotty's DJ version to 'Tonight.'

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Family Man, Rebel Arms - Family Man Skank / Dub Combination

Cobra / Dub Store Records JPN 1981

¥1480 (US$13.46)

The finest instrumental dub that deserves the name, Familyman and the Rebel Arms. A piece never really got released back then.It is Familyman’s specialty to express his infinite creativity on instrumentals. As expected, he easily achieved higher dimension with these two minimalistically structured pieces. Nothing but a Familyman’s sound played by no other than the Wailers band themselves. In addition, he may have played this superb synthesizer himself.Guaranteed you won’t hear this sort of sound anywhere else.

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Various Artists - Africa Iron Gate Showcase

Dub Store Records JPN 1982

¥2880 (US$26.19)

1982 unconventional reality dancehall anthology riding upon heavy Roots Radics rhythms.

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Lennie Hibbert, Count Ossie & Lynn Taitt - Pure Soul / Patsy Millicent Todd - A Man Is A Two Face

Gay Feet / Dub Store Records JPN 1967

¥1580 (US$14.37)

Master of the Jamaican jazz, Lennie Hibbert, on one to one session with the nyabinghi great Count Ossie. Considering the standard of its time those Gay Feet sessions are somewhat miraculous. Backed by Jamaican soul anthem by Patsy, this record is far from the bloodstream of the time and will surely rated more and more as time goes by.

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Keith Hudson - Satan Side / Earl Flute, Horace Andy - Peter & Judas

Mafia / Dub Store Records JPN 1972

¥1480 (US$13.46)

Versions, dubwise, horn riffs and what not ? all of those creative elements made this great tune and it was only Keith Hudson who had an ability to make it all possible. Even if you’re no an ordinary reggae listener you should try this. Apart from Hudson, at this time in Jamaica there was a number of eccentric producers like Lee Perry, Pablo, Niney and co who used their studio like an instrument to create their own sounds.