This site requires JavaScript but your browser does not support JavaScript. Please activate Javascript from security options or something like that.

Catalog - ReggaeRecord.com
ReggaeRecord.com Dub Store Sound Inc. Online Store for Reggae & Black Music - Reggaerecord.Com

Reggae & Black Music Online Store

日本語 English
Currency:

presented by DUB STORE SOUND INC.

¥0 (US$0.00) (0 items)
P.O.

Arrival Date: Nov 3, 2021

P.O.

Arrival Date: Nov 3, 2021

BUY

Roland Alphonso - ABC Rocksteady

Dub Store Records JPN 1968

¥2880 (US$26.25)

Rare and seriously sought after instrumental album of Gay Feet rocksteady hits from 1968.

Eleven elegant instrumental tracks, and one female vocal, showcasing the tenor sax artistry of master musician Roland Alphonso, ably assisted by Aubrey Adams on organ and the inestimable Lynn Taitt on guitar, interpreting a selection of Mrs Pottinger’s most memorable hits of the era.

BUY

Ernest Ranglin - Boss Reggae

Dub Store Records JPN 1970

¥2880 (US$26.25)

Guitar genius Ernest Ranglin takes time out from his jazz roots and showcases his fluid skills on a selection of sweet, sensational 1969 style crossover hits… a pivotal year for the international success of Jamaican music.

P.O.

Arrival Date: Aug 28, 2021

BUY

Bunny Wailer - Solomonic Singles 2: Rise & Shine 1977-1986 (2LP)

Dub Store Records JPN 1977- 1986

Info: 2枚組、豪華見開きジャケット、ライナーノーツ付

¥4320 (US$39.37)

At the same time that Neville ‘Bunny Wailer’ Livingston recorded his debut solo long playing masterpiece, ‘Blackheart Man’, he was also creating a series of singles for his own Solomonic label. These records were every bit as good, at times even better, but they have never been released outside of Jamaica. Until now…

BUY

Errol Brown - Orthodox Dub

Dub Store Records JPN 1978

¥2880 (US$26.25)

Miraculously rare and seriously obscure killer dubs… one of the very few hard core seventies dub albums mixed by Errol Brown.

A selection of solid dubs originally recorded by BB Seaton at Duke Reid’s legendary Treasure Isle studio and mixed in-house by the Duke’s nephew Errol Brown. A radical departure for all concerned this bold dub album was never officially released although a few clandestine copies reputedly did the New York rounds at the time

BUY

Various - Derrick Harriott Rock Steady 1966-1969 (2LP)

Dub Store Records JPN 1966- 1969

Info: 2枚組、豪華見開きジャケット

¥4320 (US$39.37)

A selection of magical rocksteady music from one of the masters of the genre…One of the forerunners in Jamaican music from its very beginning, Derrick Harriott, along with a stellar cast, showcases the some superb rocksteady.

BUY

Various Artists - Jamaica Jazz From Federal Records: Carib Roots, Jazz, Mento, Latin, Merengue & Rhumba 1960-1968 (2LP

Dub Store Records JPN 1960- 1968

¥4320 (US$39.37)

Reaching out to the real roots of the Jamaican sixties musical explosion…
Some of the originators of the genre, including Ernest Ranglin, Lennie Hibbert & Cecil Lloyd, playing in their element and demonstrating just where they're coming from

P.O.

Arrival Date: Sep 15, 2021

BUY

Estimated Delivery 1-6 weeks

BUY

Lynn Taitt & The Jets - Rock Steady Greatest Hits

Dub Store Records JPN 1968

¥2880 (US$26.25)

Refined rock steady from the creator of the genre. Guitarist and arranger, Lynn Taitt, interprets some of the greatest hits of the era including variations of many of the melodies he originated for a number of Jamaica’s foremost artists and producers.

BUY

Tommy McCook - Sannic Sounds

Dub Store Records JPN 1973

Info: ライナーノーツ付

¥3240 (US$29.53)

One of the rarest, and greatest, horn instrumental dub albums of the seventies featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

Featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

BUY

Various - Merritone Rock Steady 1: Shanty Town Curfew 1966-1967 (2lp)

Dub Store Records JPN 1966- 1967

¥4320 (US$39.37)

Ken Khouri’s Federal Records gave Jamaica its musical identity The Federal Record Manufacturing facility was the first pressing plant in Jamaica... their studio gave birth to mento, ska, rock steady and reggae of the highest calibre. This album features an astonishing selection of well known classics and rarities transferred straight from their master tape

BUY

Various - Merritone Rock Steady 2: This Music Got Soul 1966-1967 (2LP)

Dub Store Records JPN 1966- 1967

¥4320 (US$39.37)

American rhythm & blues fervour, boosted by a multitude of sound systems playing 78rpm records on increasingly larger sets, gripped Jamaica from the late forties onwards but, towards the end of the decade, the American audience began to move towards a somewhat softer sound. The driving rhythm & blues discs became increasingly hard to find and the more progressive Jamaican sound system operators, realising that they now needed to make their own music, turned to Kingston’s jazz and big band musicians to record one off custom cut discs. These were not initially intended for commercial release but designed solely for sound system play on acetate or ‘dub plates’ as they would later be termed. These ‘specials’ soon began to eclipse the popularity of American rhythm & blues and the demand for their locally produced music proved so great that the sound system operators began to release their music commercially on vinyl and became record producers. Clement ‘Coxsone’ Dodd, Duke Reid ‘The Trojan’ and Prince Buster, who operated his Voice Of The People Sound System, were among the first to establish themselves in this new role and the nascent Jamaican recording industry now went into overdrive.

In 1954 Ken Khouri had numbered among the first far sighted entrepreneurs to produce mento records with local musicians (mento is Jamaica’s original indigenous music) before progressing to opening Jamaica’s first record manufacturing plant. Three years later he moved his operation to Foreshore Road (later renamed Marcus Garvey Drive) where, with the assistance of the inestimable Graeme Goodall, he updated and upgraded his recording studio. The importance of this enterprising move was critical to the development of Jamaican music and its influence both profound and far reaching.