The most sought after Gay Feet rock steady rarity. Johnny & The Attractions draws a clear line between them and rock steady artists back then ? diggin’ deep into the sounds. Seems obvious that they were already doing the style later known as roots reggae.

Vigorous Patsy vocal and soulful saxophone solo on bouncy ska rhythm. Previously unreleased alternative take on the B-side.

Patsy's classic slow ska backed with Webber Sisters previously unreleased rock steady piece pushing forward til their day comes.

Needless to say one of the top Count Ossie's nyabinghi pieces but also a Jamaican rare groove masterpiece accompanied by Ernest Ranglin and Leslie Butler.

Miriam Makeba’s sensational “Pata Pata” timely covered in rocksteady fashion by Patsy Millicent Todd in 1967. Strictly nyahbinghi yet sounding pop somehow - it’s an unmissable tune for those who know.

One of the most remarkable sessions from Sonia Pottinger by matchmaking two of the musical greats to work on an experimental nyabinghi jazz. Backed with a Ken Boothe vocal that surely needs no introduction.

The Hippy Boys consists of Aston and Carly Barrett brothers opened up the new era with their original sounds. This double A-sided roots instrumentals 7” was unarguably so ahead of its time

Marvellous binghi rock steady masterpiece by Count Ossie led Johnny & The Attractions. An unreleased alternative instrumentalal cut on flip.

Master of the Jamaican jazz, Lennie Hibbert, on one to one session with the nyabinghi great Count Ossie. Considering the standard of its time those Gay Feet sessions are somewhat miraculous. Backed by Jamaican soul anthem by Patsy, this record is far from the bloodstream of the time and will surely rated more and more as time goes by.

Astonishing nyabinghi vocal by Patsy with prominent vibraphone work by Lennie Hibbert. Another unreleased "The Call Of The Drums" rhythm on B-side which is different cut from DSR-SP7-01.

Released as The Seraphines prior to the formation of Stranger & Gladdy, fabulous chorus gem backed with previously unreleased cut on flip.

Extremely rare 69 reggae single from The Conquerors. Killer uptempo vocal on front side and sorrow trio choir on flip.

Also known as The Silvertones, lead by momorable piano riff The Valentine's uptempo chorus rocksteady and keyboard genius Leslie Butler's extra funky instrumental on flip. Both sides taken from the mastertape.

Recorded at the time when rocksteady was shifting to faster reggae music. The Victors showcasing a pair of fabulous vocals recorded straight from the mastertape.

If you mention Baba Brooks, most people would think this tune or “Shank I Sheck”. Even though the recording tape itself was hard to come by these days, we managed to include a previously unreleased alternative take from the master tape.

Killer instrumental ska and one of Baba Brooks' masterworks on A-side backed with crucial ska vocal by Patsy accordingly to the original edition. Both sides taken from the mastertape.