The Hippy Boys consists of Aston and Carly Barrett brothers opened up the new era with their original sounds. This double A-sided roots instrumentals 7” was unarguably so ahead of its time

Debut single from Junior Soul aka Junior Murvin for cat loving Sonia Pottinger before he went on to record with Derrick Harriott. Backed with previously unreleased take.

Killer instrumental ska and one of Baba Brooks' masterworks on A-side backed with crucial ska vocal by Patsy accordingly to the original edition. Both sides taken from the mastertape.

Recorded at the time when rocksteady was shifting to faster reggae music. The Victors showcasing a pair of fabulous vocals recorded straight from the mastertape.

Miriam Makeba’s sensational “Pata Pata” timely covered in rocksteady fashion by Patsy Millicent Todd in 1967. Strictly nyahbinghi yet sounding pop somehow - it’s an unmissable tune for those who know.

Master of the Jamaican jazz, Lennie Hibbert, on one to one session with the nyabinghi great Count Ossie. Considering the standard of its time those Gay Feet sessions are somewhat miraculous. Backed by Jamaican soul anthem by Patsy, this record is far from the bloodstream of the time and will surely rated more and more as time goes by.

Obscure but undoubtedly a historical nyabinghi masterpiece played byy Count Ossie with organ virtuoso Leslie Butler. Backed with a genre defining "ABC Rock Stedy" by The Gaylads.

Up tempo Jamaica Festival Song, “Check Up”, on flipside is a groovy rare rocksteady “Devil Woman” both Al & The Vibrators’ highly refined vocals.

If you mention Baba Brooks, most people would think this tune or “Shank I Sheck”. Even though the recording tape itself was hard to come by these days, we managed to include a previously unreleased alternative take from the master tape.

Superbly arranged, second to none crossover anthem of reggae soul.

The debut song from Carlton Manning - elder brother of Lynford and Donald of The Abyssinians and later known for his Carlton and The Shoes releases for Studio One. On the flip side it’s a previously unreleased tune from The Soul Lads - later re-recorded and released on Treasure Isle with another cut which could be why this never saw the light of day.

Needless to say one of the top Count Ossie's nyabinghi pieces but also a Jamaican rare groove masterpiece accompanied by Ernest Ranglin and Leslie Butler.