>>Clear the narrow down
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Lindel Boen - Stick By My Side
Rockers Master (Org) 1989
Get In The Groove/Up Park Camp Info: Original Press
¥1980 ¥1480 (US$9.53)
Burro Banton - Praise Up Jah Jah
Stereo One 1985
¥1280 (US$8.24)
Another extremely rare take to the identical title released on Wild Apache that is known for being played by the mighty Jah Shaka at his sessions. Comparing to the other Stereo One tunes released around the same time, this one is really fantastic and luring, also complimented by refined deejaying Burro Banton. This one will stand as the definition of heavy weight ragga!
UU Madoo, Captain Barkey - Mix Up
Stereo One 1988
¥1280 (US$8.24)
An absolute must have for every 80’s & 90’s dancehall lovers out there. UU Madoo singing velvety on Skeeter Davis’ all time classic “End Of The Road” then Captain Barkey comes in to hype up every verse – one of the best examples of how much singer & deejay combination can work well together!
Steve Knight - Orphan Child / Gifted Roots Band - Version
Tasha / Digikiller / Deeper Knowledge US 1986
¥1380 (US$8.89)
nother fantastic mid '80s rhythm from the Gifted Roots Band, this one infuses digital vibes with the live Channel 1 sound. Then the next cut on 'Raise Again' rhythm, Steve Knight's "Orphan Child", originally featured only on his rare LP of the same name, it's here on a single for the first time.
Various - TB Sharp Presents Big 10
TB Sharp UK (Org) 1989
Info: Original Press
¥2780 ¥1260 (US$8.11)
Lovindeer - One Drawers For Me Batty Man Son
TSOJ (Org) 1989
Full Up Info: Original Press
¥2580 ¥1380 (US$8.89)
Lovindeer - See Books Deh / GG
TSOJ (Org) 1988
Feel Like Jumping/Boops Info: Original Press
¥3280 ¥1500 (US$9.66)
Leroy Mafia - Life Is Just A Dream / Naggo Morris, Lloyd Hemmings - Anywhere You Go
Vena Uk (Org) 1987
Info: Original Press
¥1780 ¥1280 (US$8.24)
Daddy Freddie - Bad Boy A Street
Vena / Dub Store Records JPN 1987
¥1380 (US$8.89)
Same rhythm to “Sanchez & Stinger Man - Hello Josephine”, a dangerous Daddy Freddy cut on one of Vena’s most iconic “Turn On The Heat” rhythm has now been pressed on a 7” for the first time. Freddy’s lyrical machine-gun is right up on “Bad Boy A Street”!
Delroy Katt - Pray To The Father
Vena / Dub Store Records JPN 1987
¥1380 (US$8.89)
One of the most accomplished producers of Dancehall era, Philip 'Fatis' Burrell who launched Vena label in the 80's and succeeded onto Xterminator until milleniums. Dub Store Records are delighted to present his highly sought after Dancehall materials to the world. This is a killer cut from "Nitty Gritty - Mulfunction" segment, Delroy Katt singing in well-trained voice riding on nimble and firing rhythm.
Vena / Dub Store Records JPN 1987
¥1380 (US$8.89)
Long-expected reissue of Delroy Katt’s killer digital for Vena. This popular rhythm also featured the likes of Ricky Chaplin and Daddy Freddy. On this tune Delroy sings subdued but with sure presence showcasing the highly skilled performance.
Vena / Dub Store Records JPN 1987
¥1380 (US$8.89)
Legendary dancehall artist, Nitty Gritty's unarguable digital killer for Vena! Glamorous out of key style in the proper 80's manner, along with Delroy Katt and Sanchez this cut is a must have, regardless.
Vena / Dub Store Records JPN 1988
¥1380 (US$8.89)
Since he started back in the 80's, Sanchez has always been at the forefront of the reggae music. “Give My Love” is his top work from the early days and it's a lovers dancehall killer! Another cut on this rhythm is “Al Campell & Horace Andy – Dancehall Business”.
Sugar Minott - None Stop Rocking
Vena / Dub Store Records JPN 1988
¥1380 (US$8.89)
Even though time and trends change drastically in the history Jamaican music however Sugar Minott managed to build a firm existance by his natural talent and trustworthy character. When this man sings he can colour anything from roots, dancehall and lovers to his own. “None Stop Rocking” is an excellent song that really showcases his sweet character.
Vena / Dub Store Records JPN 1987
¥1380 (US$8.89)
Known for his work for Firehouse in the 80's, here comes a long expected reissue of Trevor Levy's lyrically appealing piece. Soulfully singing upon a heavy bouncy rhythm, the structure is simple and that's why it's timeless.