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In-stock items related to 'He Ain't Coming / Jeremiah Special Dubplate Mix (Version)'
(147 in all)

>>Clear the narrow down
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Augustus Pablo - Stabiliser (Single Take) / Alton Ellis - All We Need Is Love

Stamma / Dub Store Records JPN 1974

¥1480 (US$9.78)

The true genius Keith Hudson introduced highly mutational sounds and sound effects at the time and this Pablo organ cut of “Peter & Judas” is no exception. Slightly different cut to the one included in “Flesh of My Skin Blood of My Blood” known as the monumental and arguably the first reggae concept album that is rated as important as “Blackboard Jungle Dub” in dub music. This cut is the fat original take mixed prior to the LP.

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Peter Tosh, Solomonic Reggae Star - Anti-Apartheid / Solomonic Reggae Star - Solidarity

Solomonic / Dub Store Records JPN 1976

¥1480 (US$9.78)

Peter Tosh was the first reggae artist to realise the limitless possibilities of the melodica (listen to the Wailers' first Tuff Gong release 'Sun Is Shining') and here he adds its haunting power to one of Bunny's best ever rhythms the prophetic 'Amagideon' from 'Black Heart Man'. The melodica phrases and the subtle, restrained mixing on both sides of this single bring out all the brooding introspection and mystery in the track.

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Family Man, Rebel Arms - Family Man Skank / Dub Combination

Cobra / Dub Store Records JPN 1981

¥1480 (US$9.78)

The finest instrumental dub that deserves the name, Familyman and the Rebel Arms. A piece never really got released back then.It is Familyman’s specialty to express his infinite creativity on instrumentals. As expected, he easily achieved higher dimension with these two minimalistically structured pieces. Nothing but a Familyman’s sound played by no other than the Wailers band themselves. In addition, he may have played this superb synthesizer himself.Guaranteed you won’t hear this sort of sound anywhere else.

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Johnny Clarke - Golden Snake / Little Clive - African Bread

Atom / Dub Store Records JPN 1974

¥1480 (US$9.78)

Very rare rocksteady rhythm pulled by Keith Hudson to record this bold vocal by Johnny Clarke in 1974. On B-side a deejay cut by Randy’s Clive Chin.