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Catalog - ReggaeRecord.com
ReggaeRecord.com Dub Store Sound Inc. Online Store for Reggae & Black Music - Reggaerecord.Com

Reggae & Black Music Online Store

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Ken Boothe - Old Fashioned Way / Earl Bailey - Moon Rock

Inbidimts / Dub Store Records JPN 1970

¥2180 (US$14.10)

Possibly the first hit from then a newcomer producer Keith Hudson along with the iconic Dennis Alcapone deejay cut this tune will be passed on forever.

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U Roy - Dynamic Fashion Way / John Holt - Share My Rest

Inbidimts / Dub Store Records JPN 1970

¥1480 (US$9.57)

Some may call it the original sound tune! This deejay cut strongly represent the new era of reggae music during 1969-70 with a string of new producers landing with serious hits. “Dynamic Fashion” would definitely be one of the top three U-Roy early classics.

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Dennis Alcapone - Spanish Omega / Shades Of Hudson

Inbidimts / Dub Store Records JPN 1970

¥1480 (US$9.57)

The golden hit of the early 70’s deejay craze in combination with Ken Boothe. The El Paso sound system deejay Dennis Alcapone showcasing repelling force and energy towards the others piling into the scene back then. One of the symbolic classics of the early deejay materials.

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Count Ossie Band - Nyiah Bongo (Alternative Take) / Patsy Millicent Todd & Count Ossie Band - Pata Pata Rocksteady

Gay Feet / Dub Store Records JPN 1967

¥1580 (US$10.22)

Miriam Makeba’s sensational “Pata Pata” timely covered in rocksteady fashion by Patsy Millicent Todd in 1967. Strictly nyahbinghi yet sounding pop somehow - it’s an unmissable tune for those who know.

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The Hippy Boys - Nigeria / Challenge

Gay Feet / Dub Store Records JPN 1969

¥2080 (US$13.45)

The Hippy Boys consists of Aston and Carly Barrett brothers opened up the new era with their original sounds. This double A-sided roots instrumentals 7” was unarguably so ahead of its time

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Johnny & The Attractions - Let's Get Together / Cross My Heart

Gay Feet / Dub Store Records JPN 1967

¥1580 (US$10.22)

The most sought after Gay Feet rock steady rarity. Johnny & The Attractions draws a clear line between them and rock steady artists back then – diggin’ deep into the sounds. Seems obvious that they were already doing the style later known as roots reggae.