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ReggaeRecord.com Dub Store Sound Inc. Online Store for Reggae & Black Music - Reggaerecord.Com

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Bob Livingston - Reggae Music / Dilly Dally - Tell Me Why

King Tubby's Dub Plate / Dub Store Records JPN 1985

¥1480 (US$13.34)

Another unreleased material from Tubby’s studio. Although dancehall was the thing back then this tune is going to another direction by drawing a great roots vibes.

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Cultural Roots - No Fish Head / King Tubbys - No Fish Head Version

King Tubby's Dub Plate / Dub Store Records JPN 1985

¥1480 (US$13.34)

Recorded in 1985, previously unreleased Tubby's early digital super killer recorded from master tape.

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Lilly Melody - What Your Sound Can Do / King Tubbys - What Your Sound Can Do Version

King Tubby's Dub Plate / Dub Store Records JPN 1986

¥1480 (US$13.34)

If you are Tubby freak you may know this dubplate cut. Recorded directly from the mastertape.

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Various - Redman International Dancehall 1985-1989

Dub Store Records JPN 1985- 1989

¥2780 (US$25.06)

Redman International Dancehall 1985-1989 press sheet by David Katz

Hugh ‘Redman’ James is one of the greatest Jamaican music producers of the late 1980s. Raised in a musical household in the west Kingston slum of Hannah Town, with his mother a sound system selector, Redman gained his initial schooling in the music business from none other than King Tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. After being immersed in sound system culture during his youth in the 1960s and 70s, Redman began sitting in on sessions at King Tubby’s studio, but migrated to Hartford, Connecticut in 1978 in search of steady employment. Returning to Jamaica a few years later, he established a popular sound system in Kingston and began producing music with King Tubby’s assistance in 1985, working with the Roots Radics during a time of great uncertainty in Jamaican music, as the new dancehall style came to prominence; early work featured Gregory Isaacs, Sugar Minott and Frankie Paul, as well as rising stars such as Little John and Horace Martin. Then, following the computerisation of dancehall, Redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included Steely and Clevie, augmented by members of the Browne Bunch and other players. Redman helped establish a number of total unknowns in this era, including Carl Meeks, Dave Bailey and Wayne Palmer, and became a serious contender for King Jammy’s crown. But the producer was ultimately frustrated by the dramatic changes to sweep Jamaican music in the early 1990s, and subsequently retreated from the music industry Redman International Dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.

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Various - Redman International Dancehall 1985-1989 (2LP)

Dub Store Records JPN 1985- 1989

¥4320 (US$38.94)

Redman International Dancehall 1985-1989 press sheet by David Katz

Hugh ‘Redman’ James is one of the greatest Jamaican music producers of the late 1980s. Raised in a musical household in the west Kingston slum of Hannah Town, with his mother a sound system selector, Redman gained his initial schooling in the music business from none other than King Tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. After being immersed in sound system culture during his youth in the 1960s and 70s, Redman began sitting in on sessions at King Tubby’s studio, but migrated to Hartford, Connecticut in 1978 in search of steady employment. Returning to Jamaica a few years later, he established a popular sound system in Kingston and began producing music with King Tubby’s assistance in 1985, working with the Roots Radics during a time of great uncertainty in Jamaican music, as the new dancehall style came to prominence; early work featured Gregory Isaacs, Sugar Minott and Frankie Paul, as well as rising stars such as Little John and Horace Martin. Then, following the computerisation of dancehall, Redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included Steely and Clevie, augmented by members of the Browne Bunch and other players. Redman helped establish a number of total unknowns in this era, including Carl Meeks, Dave Bailey and Wayne Palmer, and became a serious contender for King Jammy’s crown. But the producer was ultimately frustrated by the dramatic changes to sweep Jamaican music in the early 1990s, and subsequently retreated from the music industry Redman International Dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.

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Temporarily sold out. Uncertain delivery time

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Temporarily sold out. Uncertain delivery time

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Earl Sixteen - People Music / King Tubbys - Conquering Lion Version

King Tubby's Dub Plate / Dub Store Records JPN 1986

¥1480 (US$13.34)

Opening the new series - recorded on 22nd March 1986, another cut to King Kong’s Victim that has never seen the light of day until today. Backed with Tubbys digital relick on Yabby You masterpiece.

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Junior Murvin - Africa / Delroy Smart - Johnny

King Tubby's Dub Plate / Dub Store Records JPN 1986

¥1480 (US$13.34)

Recorded on the very same day as People Music (DSR-LT7-01-A), here comes Junior Murvin cut crying for his brothers in the homeland. On flip side a Delroy Smart vocal on the same rhythm.

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Banana Man - Number One Dancer

Firehouse 1986

Jump Up/Kuff

¥1280 (US$11.54)

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Gregory Isaacs - It's Christmas Time Again

Taurus 1988

Fade Away/Peanie Peanie

¥1280 (US$11.54)

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Little John - A We Rule

Blank / Firehouse-Re 1987

Soulful Music - Invadors

¥1280 (US$11.54)

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Robbie Rossie - Good By Lovers

B & F 1985

African Beat

¥1280 (US$11.54)