Now veteran deejay Kirk Davis who started his career as Little Kirk back in the 80's, since then he has been on his move. Known for his major songs: 'Screechie Across The Border' and 'Ghetto People Broke', also one of those is 'Don't Touch The Crack'. A tough digital steppers cut.

Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version.
This is certainly another anthem of Jammys!

Nitty Gritty output his hit songs like 'Hog In A Minty' and 'Run Down The World' at Jammys and he had chemistry with minor chord digital rhythms. 'Good Morning Teacher' on 'Stalag' rhythm is a superb song showcases his unique vocal style and lyrics.

Tubbys, as well as Jammys tunes after the digital revolution, you can find many that sounds great but not all of them will stick to your heart forever. However this Michael Prophet digi killer comes with absolute presence and confidence reflecting his true soul.

Authentic 80’s roots capturing the 70’s vibes in solid manner. Female vocal on “Declaration of Rights” rhythm calling for repatriation although on the other hand a slick dancehall cut by Super Black on the very same rhythm.

Prince Junior’s ‘Crucial Boy’ appeared　on the King Jammy’s classic LP [Prince Jammy Presents VOL. 2]. Although he recorded a few songs for King Jammy in 1986, much information about the artist remains unknown. However, this ‘crucial ’song preaches equal rights, Justice and Love & Unity over his high-pitched weeping voice with his conscious and profound lyrics.

'Rock Them One By One' is a King Jammys' digital remake on 70's classic roots tune 'Wicked Can't Run Away' by Glen Richards. Its version is very detailed to its original but still a tough digital dancehall cut. Eccleton Jarrett's delicate vocal stands out proudly.

Robert Lee and Bunny General adopted the phrase of a classic song 'Midnight Hour' by Sivertones in their combination song 'Midnight House'. The original press was only available by 12" single vinyl on Unity label.

You might have seen Jammy playing this devastating sound killer in sessions lately, although before that this Nitty Gritty on Jammy’s ‘Tempo’ has only been heard on dubplates. No one knows why it never came out – is it because it was a counteraction to Tubby? Or tune that was the lethal weapon of Jammy? There is nothing we can do but imagine those pictures when listening to the intense energy and impact of this tune.

Chuck Turner has recorded his impressive songs at Jammys such as 'I Need You' and 'Run Around Girl'. 'We Rule The Dancehall' is one of those and this tough steppers rhythm was build by notable Steelie & Clivie. His melancholy voice is something very contrary to his aggressive lyrics but that's something it makes this record attractive.

Channel One artist The Jays’ big dancehall tune for King Tubby. Although its pop element is clearly heard this one also consists of tougher side. Skillfully arranged in dancehall fashion yet deeply resonates with the spirit of roots reggae.

A very well-acquainted Dancehall classic rhythm "Tonight". Vena's version is without a doubt one of the top rated remakes alongside Jammys'. Melodious and melancholic arrangement meets Tonny Tuff's gourgeous singing - it's the true charm of Dancehall music.

Another unreleased material from Tubby’s studio. Although dancehall was the thing back then this tune is going to another direction by drawing a great roots vibes.

Even after releasing the legendary “Sleng Teng” rhythm, King Jammy continued to produce hits after hits such as “Punnany”, “Duck” and many more. There is no doubt that he was at the top of the digital dancehall scene back then. Although he had put out an uncountable number of releases towards the end of the 80’s, this is one of the popular and rare tunes among record collectors. Beautifully sang in falset by Cornell Campbell on this melancholic digital rhythm makes it an excellent masterpiece.

To explain the Redman International label, without mentioning Carl Meeks is impossible. The ‘Danger’ is Carl’s masterpiece where he sings with his unique Out Of Key style with his sharp lyrics on simple and un-colorful but addictive sounding rhythm to produce another impressive killer tune.

Opening the new series - recorded on 22nd March 1986, another cut to King Kong’s Victim that has never seen the light of day until today. Backed with Tubbys digital relick on Yabby You masterpiece.

Wayne Smith scored numerous hits at Jammys and one well known is 'Under Mi Sleng Teng'. He also released same title album 'Under Mi Sleng Teng' where he showcased wavy & choppy 'E20' and crisp & clear song 'In Thing' on further computerized [Barrington Levy - Come] rhythm.

‘The Ruler’ by Gregory Isaacs was only available for listening on a LP album “Reggae Sound War: Electrocutioner Vol.2”. The reggae crooner gently buries idiot sound bwoys with his killer lyrics and stand tall as the Cool Ruler. Recorded to the same rhythm track ‘Running From Reality’ by Admiral Tibet.

From its heart-shaking intro, Conroy Smith’s fresh and piercing voice echo to deliver an intense song ‘Love Affair’. Considerably, the song is known for popularity within the Jammys catalogue. Recorded to the same rhythm track ‘In Thing’ by Wayne Smith.

If you are Tubby freak you may know this dubplate cut. Recorded directly from the mastertape.

Recorded on the very same day as People Music (DSR-LT7-01-A), here comes Junior Murvin cut crying for his brothers in the homeland. On flip side a Delroy Smart vocal on the same rhythm.

Sugar Minott always showcased his versatile talent by singing lover’s rock to dancehall songs and attracted a variety of wide audiences. Certainly, he proves this ability on the ‘Tonight’ rhythm, which is regarded as one of the most popular rhythms among the Jammys catalogue. On the flip side, Pad Anthony sings a soundclash anthem to the same rhythm. The song only appeared on a LP album entitled ‘Sound Clash 89’.