A faultless selection of seriously sublime rock steady from Derrick Harriott. A timeless classic where one of the pivotal pioneers of Jamaican music lays down sweet melodies, mellow grooves and wall to wall soul.

Miraculously rare and seriously obscure killer dubs… one of the very few hard core seventies dub albums mixed by Errol Brown.

A selection of solid dubs originally recorded by BB Seaton at Duke Reid’s legendary Treasure Isle studio and mixed in-house by the Duke’s nephew Errol Brown. A radical departure for all concerned this bold dub album was never officially released although a few clandestine copies reputedly did the New York rounds at the time

A selection of magical rocksteady music from one of the masters of the genre…One of the forerunners in Jamaican music from its very beginning, Derrick Harriott, along with a stellar cast, showcases the some superb rocksteady.

One of the rarest, and greatest, horn instrumental dub albums of the seventies featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

Featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

At the same time that Neville ‘Bunny Wailer’ Livingston recorded his debut solo long playing masterpiece, ‘Blackheart Man’, he was also creating a series of singles for his own Solomonic label. These records were every bit as good, at times even better, but they have never been released outside of Jamaica. Until now…

Superlative 70’s dub masterpiece from the Blackheart Man Bunny Wailer

Subtle interpretations of cuts from Bunny’s ‘Blackheart Man’ album together with contemporaneous Solomonic disco mixes with unsung dub masters Sylvan Morris and Karl Pitterson at the control tower

The quintessential eighties soundboy burial album

A digital masterpiece, produced by King Tubby, containing ten certified

Previously unreleased early shuffle and boogie recordings from the ‘Man from Wareika’: Rico Rodriguez



One of the most talented musicians of his generation, trombonist Rico, was a key player and founding father of Jamaican music who went on to establish ska in Britain in the early sixties and then add authenticity to the Two Tone ska revival of the late seventies. Hear him here at the outset of his incredible musical journey…

At the same time that Neville ‘Bunny Wailer’ Livingston recorded his debut solo long playing masterpiece, ‘Blackheart Man’, he was also creating a series of singles for his own Solomonic label. These records were every bit as good, at times even better, but they have never been released outside of Jamaica. Until now…

Founder of Jamaica’s first recording studio, Ken Khouri produced early ska classics
14 first-rate ska pieces including previously unreleased materials from undoubtedly the industry leading Federal Records that consisted the virtuoso Ernest Ranglin and co.

Digital masterpiece from King Tubby’s re-constructed recording studio. Two of the biggest stars from the dawn of the digital era meet in a head to head clash at the King’s state of the art Firehouse headquarters.

American rhythm & blues fervour, boosted by a multitude of sound systems playing 78rpm records on increasingly larger sets, gripped Jamaica from the late forties onwards but, towards the end of the decade, the American audience began to move towards a somewhat softer sound. The driving rhythm & blues discs became increasingly hard to find and the more progressive Jamaican sound system operators, realising that they now needed to make their own music, turned to Kingston’s jazz and big band musicians to record one off custom cut discs. These were not initially intended for commercial release but designed solely for sound system play on acetate or ‘dub plates’ as they would later be termed. These ‘specials’ soon began to eclipse the popularity of American rhythm & blues and the demand for their locally produced music proved so great that the sound system operators began to release their music commercially on vinyl and became record producers. Clement ‘Coxsone’ Dodd, Duke Reid ‘The Trojan’ and Prince Buster, who operated his Voice Of The People Sound System, were among the first to establish themselves in this new role and the nascent Jamaican recording industry now went into overdrive.

In 1954 Ken Khouri had numbered among the first far sighted entrepreneurs to produce mento records with local musicians (mento is Jamaica’s original indigenous music) before progressing to opening Jamaica’s first record manufacturing plant. Three years later he moved his operation to Foreshore Road (later renamed Marcus Garvey Drive) where, with the assistance of the inestimable Graeme Goodall, he updated and upgraded his recording studio. The importance of this enterprising move was critical to the development of Jamaican music and its influence both profound and far reaching.

Miraculously recorded in 1965 when Ska was at its best, this is one of the rarest and killer LP to date. Llands Plays It All is constructed with a Caribbean coast vibe such as Ska, Jazz, Afto, R&B, Soul, Jump Up, Cha Cha Cha to name a few. However this killer Montegonian band is surprisingly tight, presenting second to none great performances. LP starts with “Jive Samba” by Cannonball Adderley, brilliantly arranged in the Afro-Caribbean Jazz style. Then moving on to some Jamaican R&B, to the featured track of the album “Mughead Ska”, a slightly longer version than the 7” cut (DSR-RN7-01), furthermore there is“Golden Horns”, this is an ultimate selection for all DJ’s and Selectors. This is definitely a must-have for shelves of the Jamaican music lovers.

Reaching out to the real roots of the Jamaican sixties musical explosion…
Some of the originators of the genre, including Ernest Ranglin, Lennie Hibbert & Cecil Lloyd, playing in their element and demonstrating just where they're coming from

50’s Jamaican mento at its best, reissue of a double 10 inch album into one solid disc.

Happy and delightful Jamaican mento played by local jazz musicians, recorded in the golden age of 78rpm SP singles.

Redman International Dancehall 1985-1989 press sheet by David Katz

Hugh ‘Redman’ James is one of the greatest Jamaican music producers of the late 1980s. Raised in a musical household in the west Kingston slum of Hannah Town, with his mother a sound system selector, Redman gained his initial schooling in the music business from none other than King Tubby, the legendary sound system owner and dub mixer that was responsible for voicing and mixing some of the greatest reggae of all time. After being immersed in sound system culture during his youth in the 1960s and 70s, Redman began sitting in on sessions at King Tubby’s studio, but migrated to Hartford, Connecticut in 1978 in search of steady employment. Returning to Jamaica a few years later, he established a popular sound system in Kingston and began producing music with King Tubby’s assistance in 1985, working with the Roots Radics during a time of great uncertainty in Jamaican music, as the new dancehall style came to prominence; early work featured Gregory Isaacs, Sugar Minott and Frankie Paul, as well as rising stars such as Little John and Horace Martin. Then, following the computerisation of dancehall, Redman began producing some of the most popular music of the day, crafting durable and complex rhythms with a broad team of players that included Steely and Clevie, augmented by members of the Browne Bunch and other players. Redman helped establish a number of total unknowns in this era, including Carl Meeks, Dave Bailey and Wayne Palmer, and became a serious contender for King Jammy’s crown. But the producer was ultimately frustrated by the dramatic changes to sweep Jamaican music in the early 1990s, and subsequently retreated from the music industry Redman International Dancehall 1985-1989 compiles the best work from his glory days, with half of the twelve vocal tracks coming complete with corresponding dub versions.

A seriously sought after classic album of rocksteady and uptempo reggae hits

from 1969

Digital dancehall in dub… a late King Tubbys masterwork for the Firehouse imprint. Featuring the King at the controls of his reconstructed studio alongside his two young proteges, Peego and Fatman, in a dubwise deconstruction of a certified classic: Anthony Red Rose's and King Kong's 'Two Big Bull In A One Pen' album

The Wailers Band meets Horace Andy and Winston Jarrett.
Also known as "Earth Must Be Hell", this is an immense roots classic including lovers anthem "Unity Strength & Love", True Born African", "Let The Music Play" and more.

Capture the late eighties zeitgeist with Courtney Melody’s genre defining release. A highly anticipated re-issue of this showcase style album where Courtney Melody’s plaintive singjay style vocals are counteracted and complemented by a selection of King Tubby’s deadly digital dubs.

Ska, Jump Up and Soul! The authentic early sixties sound of the Caribbean

A shimmering showcase of the wonderful work of Jamaica’s first and foremost female record producer, Mrs Sonia Pottinger, featuring the inimitable talents of Oswald ‘Baba’ Brooks and his Recording Band with their 1966 debut album.

An indispensable album of Jamaican Jazz from vibraphone virtuoso Lennie Hibbert. As bandmaster at the legendary Alpha Boys School Lennie Hibbert schooled innumerable young artists who would go on to form the musical foundation of the Isle of Springs. Here he takes centre stage on a stirring selection of Carib-roots instrumentals ably assisted by four female vocalists to deliver a tropical sea breeze of marvellous mellow music.

Charlie P is a ragamuffin rudeboy youth with a natural talent of music. Since he grew up surrounded by UK-Jamaican culture, reggae was in his blood. Charlie met Mungo’s Hi Fi while he was drawn to soundsystem culture in 2010. Since then they have done countless recording sessions and continuous touring around every corner of the globe. This album is the culmination of this ongoing relationship and brings together the best tracks across the styles that he loves, from roots reggae and dancehall to modern bass music.

A masterpiece of Jamaican Jazz recorded in 1960 by the Eric Grant Orchestra, resident band of the Casa Montego Hotel in Montego Bay. Rhythm & Blues, Jazz standards, Cha Cha Cha, Merengue and Calypso all combine in this wonderful amalgamation of sounds. Produced by the first Jamaican studio, Federal Records, and its founder Ken Khouri, it is now re-issued for the first time ever.