Highly sought after double A-sided female rocksteady vocals. Dawn Penn cut of The Uniques – Let Me Go Girl. On flip side is another popular female vocal tune by Dian Lawrence that was also covered by Norma Frazer for Studio One

Vigorous Patsy vocal and soulful saxophone solo on bouncy ska rhythm. Previously unreleased alternative take on the B-side.

This product comes with a Ska Flames sticker. Please note the number of the stickers is limited.

A pair of all time classics, soulful lovers rocksteady vocals sang by the Mr. Rocksteady a.k.a. Ken Boothe.

The true genius Keith Hudson introduced highly mutational sounds and sound effects at the time and this Pablo organ cut of “Peter & Judas” is no exception. Slightly different cut to the one included in “Flesh of My Skin Blood of My Blood” known as the monumental and arguably the first reggae concept album that is rated as important as “Blackboard Jungle Dub” in dub music. This cut is the fat original take mixed prior to the LP.

Although this Tubby’s version has never been released, “Nothing Don’t Come Easy” ended up being a big hit at Jammys and still been praised today. It’s the mid 80’s interpretation of 70’s roots reggae atmosphere. Hats off to the King!

This product comes with a Ska Flames sticker. Please note the number of the stickers is limited.

For all collectors here is a great reissue of rare rocksteady from The Gaylads. Wonderful chorus works by the group that are thought to be some of the greatest works the Gaylads after Studio One era.

Known for hits like “Rock Them One By One” and “Turn On The Heat”, this is a previously unreleased Eccleton Jarret piece for his stronghold, Jammys.
Seems rather restrained but singing superbly on this energetic yet melodious “Tonight”-ish rhythm that was also adopted for “Rasta People” by Junior Delgado.

American Civil Rights Movement hit Jamaica in late 60's and this tune is undoubtedly one of the best Funky Reggae tunes produced by Derrick Harriott. It is the best example of how Derrick was influenced by the Black Power Movement. B-side features a great Funky Reggae Soul performed by Chosen Few. From that time, Derrick started establishing a genre called "Reggae Soul."

Debut single from Junior Soul aka Junior Murvin for cat loving Sonia Pottinger before he went on to record with Derrick Harriott. Backed with previously unreleased take.

Obscure but undoubtedly a historical nyabinghi masterpiece played byy Count Ossie with organ virtuoso Leslie Butler. Backed with a genre defining "ABC Rock Stedy" by The Gaylads.

Even after releasing the legendary “Sleng Teng” rhythm, King Jammy continued to produce hits after hits such as “Punnany”, “Duck” and many more. There is no doubt that he was at the top of the digital dancehall scene back then. Although he had put out an uncountable number of releases towards the end of the 80’s, this is one of the popular and rare tunes among record collectors. Beautifully sang in falset by Cornell Campbell on this melancholic digital rhythm makes it an excellent masterpiece.

Known as a synonym for “killer”, this is one of the best singles released on Studio 1 by Don Drummond, including another precious take that’s been previously unreleased. Compare to any other artists, the extreme tension that Don Drummond brings into his sessions were next level. His trombone skills were above genius and it is clear to hear his strong personality and humanity through his music. With his works being released on Studio One and other productions, he had established the “Far Eastern Sound” which still lives today in Jamaica. The fact all the music that was influenced by this sound has been evaluated since therefore it is a proof of how his music is universality. It is interesting that all the unreleased Skatalites tracks from this era have different solo phrases each time, showing how valuable these recordings are for the archive.

Another classic killer ska from the short-lived Soul Brothers. As of the original on the other side comes a sweet female lovers vocal from a night before the Rocksteady era. Succeeding the authentic ska from the legendary Skatalites then evolving it to the sound of Rocksteady, a fluid session band of Studio One, the Soul Brothers bring another classic instrumental ska tune. Like you can almost smell the perfume of Rocksteady era at its best, here comes a cool and cute lovers tune from Kingston on the other side. When the Soul Brothers were active after the Skatalites, they have certainly lost the thrill of solo performances, though this might have been the Skatalites were just too great.. Recorded from the master tape itself, this take contains slightly different solo compare to the original single.

The both-sided killer Ska instrumental masterpiece - all Ska collectors have been searching for! The Skatalites playing the theme of James Bond’s “From Russia With Love” is a true Ska instrumental masterpiece, which needs no introduction. Like the original release, it’s gorgeously backed with “Cleopatra” on the B-side. Taken straight from the original master-tape, this is a dream come true single!

A fine vocal Rocksteady'All Night'is known as a killer dubplate owned by Duke Vin, who is regarded as a pioneer of sound system culture in UK. The flip side'The Ticker'was more popular than the A-side and in UK, allegedly no one else besides Duke Vin owned the vinyl until 90's. The song must have been a special attachment in his Dub Plate box.

Prince Junior’s ‘Crucial Boy’ appeared　on the King Jammy’s classic LP [Prince Jammy Presents VOL. 2]. Although he recorded a few songs for King Jammy in 1986, much information about the artist remains unknown. However, this ‘crucial ’song preaches equal rights, Justice and Love & Unity over his high-pitched weeping voice with his conscious and profound lyrics.

Very rare rocksteady rhythm pulled by Keith Hudson to record this bold vocal by Johnny Clarke in 1974. On B-side a deejay cut by Randy’s Clive Chin.

Glen Brown pleasantly covering the familiar Beatles classic not to mention stunning arrangement by Bunny Lee. Backed with popular female rocksteady vocal

Recorded at the same time as The Crashers “Musical Fight” and it’s previously unreleased material. In early 1969 when the second press of Stranger Cole & Patsy’s “True Love” came out, the version was pressed on the B-side. The reason this vocal never came out is still unknown. Backed with Sonia’s favourite The Conquerors good 69’ reggae.

Recorded at the time when rocksteady was shifting to faster reggae music. The Victors showcasing a pair of fabulous vocals recorded straight from the mastertape.

Extremely rare 69 reggae single from The Conquerors. Killer uptempo vocal on front side and sorrow trio choir on flip.

The Wailers have recorded a number of tunes for Studio One, however this release still gets talked a lot as its specialty. Recorded just before they left Studio One, this double A-sided single includes two of the best tunes that lead by Bunny Wailer himself. It’s even possible to hear in this excellent music that the time has come to ripen for the band to see the vision of starting up their own Wail ‘N’ Soul ’M’ label. Both sides are identical to its original release.

Later became a vocalist for Chosen Few, Noel Brown's beautiful falsetto floats on this rare Rocksteady tune. It is also an interesting piece that recorded during the transition stage from Rocksteady to Reggae. These are only songs Noel Brown did for Derrick Harriott.

‘Dance All Night’ is a hit song released by the Tartans, a Rocksteady legendary group that consisted of Prince Lincoln, Cedric Myton, Devon Russell and Lindberg Lewis, in 1966. Emphasized on double basses and piano, the song was made to praise sound system dances and it became one of the good old Rocksteady anthems of the Rude Boy era. On the B-side, the group sings ‘What I can do to save your life’ and warns rude boys for their action.

From its heart-shaking intro, Conroy Smith’s fresh and piercing voice echo to deliver an intense song ‘Love Affair’. Considerably, the song is known for popularity within the Jammys catalogue. Recorded to the same rhythm track ‘In Thing’ by Wayne Smith.

Wayne Smith scored numerous hits at Jammys and one well known is 'Under Mi Sleng Teng'. He also released same title album 'Under Mi Sleng Teng' where he showcased wavy & choppy 'E20' and crisp & clear song 'In Thing' on further computerized [Barrington Levy - Come] rhythm.

Up tempo Jamaica Festival Song, “Check Up”, on flipside is a groovy rare rocksteady “Devil Woman” both Al & The Vibrators’ highly refined vocals.

Debut song from The Browne Bunch according to Steely. Triangle, Pyramid and Antrim labels consists of Chung Brothers, Steely & Clevie impacted greatly to the popular crowd within lovers rock circuit and beyond.

A very well-acquainted Dancehall classic rhythm "Tonight". Vena's version is without a doubt one of the top rated remakes alongside Jammys'. Melodious and melancholic arrangement meets Tonny Tuff's gourgeous singing - it's the true charm of Dancehall music.

As a member of Black Uhuru, the grammy awarded Michael Rose reveals another unreleased material. Faithfully arranged by King Jammy, the rhythm is based on Horace Andy - Jah Is The One which was recorded in his classic “Pure Ranking”. Melancholic steppers rhythm with Rose’ iconic singing will surely touch your heart.

Beautifully shinning golden female Lover's Rock.At this time, the Wailers band didn't play much of those sweet love songs, however this 7” definitely proves Familyman’s versatile musical orientation. A truly tight rhythm section beautifully blends with this rather unknown singer’s superb voice making these nothing but a masterpiece. A heart calming double-sider.

The Celestials trademarked imminent sound can be heard in this elegiac killer Ska instrumental!! The bang on titled ‘Golden Horns’ representing the music itself. If they were ever based in Kingston, they may have had more opportunities for recordings which might have changed the history of Ska music. Such a great band indeed. Although it’s still quite a tune, it may sound a little monotonous on the flip side, showing Thelwell’s personal affection for Carlos Malcolm’s band.

Recorded at the height of the phenomenal carrier as the number one Ska band, these are never-released alternative takes of the ultimate instrumental Ska tune ‘Rain Or Shine’ by Skatalites and with respect, it should be called a product of miracle. Both are taken from the master tape. Recorded on the same session as ‘Last Call’ that Don Drummond was in charge, here we have two alternative takes of a seriously killer instrumental Ska which was featured as the introduction of the iconic Ska album “Ska Authentic Volume 2” Like ‘Freedom Sounds’ and other recordings made in the same period, the excavation and releasing of these tunes are much more important for Dub Store Records than the significance of the historic discovery of Pyramid! This is one extremely important and precious piece to complete the puzzle of the mystery of the late genius, Don Drummond and the magnificent tune for deep diggers of Reggae music. What a great Skatalites! What makes even cooler about this tune is that if you listen carefully for both sides, you will realize that each player is not playing a score at all; they all are improvising. It proves that they are undoubtedly the best Jamaican band of all time.

Taken from the epic album‘Rock Steady Party’, this is the first time ever released on 7 inch single and is Derrick Harriott’s interpretation of praising Rocksteady dancehall. The B-side, ‘Now We Know’is an original single version of the song and this is the best example of how Crystalites play the rhythm.

Previously unreleased early acoustic cut from master tape! Unprolific vocal group called Sharks (also spelled Sheiks) released the up-tempo original cut in 1965. The reissue features the original cut on the B-side and the early acoustic cut on the A-side. With raw double bass, deep acoustic guitar and backing chorus that reminds the chain gang work songs, the group sings astonishing love song. "I was so cold last night, You made me warm, with your heart, with your lips, with your charm"…The song purely transcends musical boundaries of the time and this is another Jamaican gem!