Miriam Makeba’s sensational “Pata Pata” timely covered in rocksteady fashion by Patsy Millicent Todd in 1967. Strictly nyahbinghi yet sounding pop somehow - it’s an unmissable tune for those who know.

Obscure but undoubtedly a historical nyabinghi masterpiece played byy Count Ossie with organ virtuoso Leslie Butler. Backed with a genre defining "ABC Rock Stedy" by The Gaylads.

Master of the Jamaican jazz, Lennie Hibbert, on one to one session with the nyabinghi great Count Ossie. Considering the standard of its time those Gay Feet sessions are somewhat miraculous. Backed by Jamaican soul anthem by Patsy, this record is far from the bloodstream of the time and will surely rated more and more as time goes by.

The true genius Keith Hudson introduced highly mutational sounds and sound effects at the time and this Pablo organ cut of “Peter & Judas” is no exception. Slightly different cut to the one included in “Flesh of My Skin Blood of My Blood” known as the monumental and arguably the first reggae concept album that is rated as important as “Blackboard Jungle Dub” in dub music. This cut is the fat original take mixed prior to the LP.

Needless to say one of the top Count Ossie's nyabinghi pieces but also a Jamaican rare groove masterpiece accompanied by Ernest Ranglin and Leslie Butler.

Clean reissue of Soul Syndicate's early 80's classic "Kings Highway" w/ version. When there were flooded with dancehall vibes Chinna and co always kept it true to their roots. Timeless pieces.

Very rare rocksteady rhythm pulled by Keith Hudson to record this bold vocal by Johnny Clarke in 1974. On B-side a deejay cut by Randy’s Clive Chin.

Beautifully shinning golden female Lover's Rock.At this time, the Wailers band didn't play much of those sweet love songs, however this 7” definitely proves Familyman’s versatile musical orientation. A truly tight rhythm section beautifully blends with this rather unknown singer’s superb voice making these nothing but a masterpiece. A heart calming double-sider.

This is the quintessence of the Wailers lead by Familyman, playing a killer horn instrumental and the dubwise. Arguably one of the most accomplished reggae instrumentals to date. The Wailers consisting of the Barrett brothers is without a doubt the number one band of the era, showcasing their full confidence which later gets praised by the entire world. The bold and courageous, yet ambitious and highly spirited, everything you need to get out of the Caribbean ghetto to the world is heard in this miraculous recording.

On Keith & Tex' classic tune 'Tonight,' Augustus Pablo's melodica echoes along the entire track mysteriously, while the fascinating female vocalist Fay quotes breathy lines from the popular German soft porn film Bedroom Mazurka. The flip side features Scotty's DJ version to 'Tonight.'

VinGordon’s rooty horn on top of a Hudson rhythm. Big Youth riding confidently making it a killer deejay and instrumental

A nyabingi style killer instrumental of the roots classic Love Thy Neighbours by Jesus Dread a.k.a. Vivian Jackson.Created by a combination – the diversity of a series of personalities of the Wailers with the strict Rastaman, Vivian Jackson, this authentic Rastafari sound comes with no compromise.

A long time in the making, part one of a new series of reissues produced by the great Lloyd "Bullwackie" Barnes. So many Wackie's productions are long among our personal favorites, and some helped introduce us to the wonderful world of Jamaican music. We'll be issuing many now hard to find singles as well as some previously LP-only tracks and other surprises! Our first selection of singles all appear, of course, on their original labels. Joe Axumite's tune is one we've long wanted to present, awesome tune backed by an incredible dub featuring what sounds like infinite echo.

Peter Tosh was the first reggae artist to realise the limitless possibilities of the melodica (listen to the Wailers' first Tuff Gong release 'Sun Is Shining') and here he adds its haunting power to one of Bunny's best ever rhythms the prophetic 'Amagideon' from 'Black Heart Man'. The melodica phrases and the subtle, restrained mixing on both sides of this single bring out all the brooding introspection and mystery in the track.

Versions, dubwise, horn riffs and what not – all of those creative elements made this great tune and it was only Keith Hudson who had an ability to make it all possible. Even if you’re no an ordinary reggae listener you should try this. Apart from Hudson, at this time in Jamaica there was a number of eccentric producers like Lee Perry, Pablo, Niney and co who used their studio like an instrument to create their own sounds.

Out of all those China lead Soul Syndicate vocals this one has to be the tightest although here the rare flute instrumental is the business. At the time Keith Hudson had the original JA funk sounds going on in his rhythms.

Single cut of the epic "Grounation" - lively piece gathering peace and love backed with the flute lead instrumental "Ethiopian Serenade" also a single only version.

Killer instrumental 45 on Rawse, spread over two sides. The Wackie's house band under the 'Azul' moniker, with a fantastic piano sound. One of the rarest Wackie's produced singles.

Killer double sider from Wackie's, deejay and vocal cuts to a tuff murky rhythm. Jah Tuff deejays about the legendary Ali/Fraser bout, while John Clarke reminisces about an old friend.

By special request and popular demand, here's the other two cuts to Black Oney's "Jah Jah Send the Parson (Rasta Move)." Since we reissued that single a couple years ago, it's been one of the most popular tunes in our catalog. By now releasing the other two cuts on the rhythm seemed overdue, so here they are. Prince Far I's cut appeared on his "Psalms For I" LP on the Carib Gems label, while Black Oney's other cut on the rhythm was made specifically for entry in the 1975 Jamaican Festival Song contest, and only ever released on a tiny blank label pressing. Prince Far I recites Psalm 87 over a more spare dub-style mix of the rhythm, while Oney sings on a more straight mix. All three tunes were made in 1975.

A long time in the making, part one of a new series of reissues produced by the great Lloyd "Bullwackie" Barnes. So many Wackie's productions are long among our personal favorites, and some helped introduce us to the wonderful world of Jamaican music. We'll be issuing many now hard to find singles as well as some previously LP-only tracks and other surprises! Our first selection of singles all appear, of course, on their original labels. Wayne Jarrett rose to notoriety with Wackie's, and this single is one of his all-time best, backed by a great horns version by Wackie's stalwart horns man Jerry Johnson.

'Big Brown Eyes' is a great one from the late '70s with tough horns, in fact the crew liked this tune so much that they re-cut it in the early '80s in a more rub-a-dub style!

Clive Matthew's "Live Not For Vanity", a serious warning given thru a heavy tune. We would also like to let everyone know that Clive, Trevor and Norman are still making great tunes thru their new imprint, One Sleeve Music!