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ReggaeRecord.com Dub Store Sound Inc. Online Store for Reggae & Black Music - Reggaerecord.Com

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Best sold within a week before Mar 29, 2010

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Johnny Osbourne - We Gonna Rock It Tonight (Dub Plate Playing) / We Gonna Rock It Tonight (Dub Plate Playing) Version

Jammys / Dub Store Records JPN 1986

Heavenless

N/A

In the late 80's, not only Jammys but also many labels tried to score some hits by remake of a foundation rhythm 'Heavenless'. Among Jammys catalogue on this rhythm, 'We Gonna Rock It Tonight (Dub Plate Playing)' by Johnny Osbourne is known as the most popular number. Often hear sound systems playing this dub plates.

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Chaka Demus - Original Kuff / Original Kuff Version

Jammys / Dub Store Records JPN 1989

Fade Away/Peanie Peanie

N/A

In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.

9
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Wayne Smith - My Lord My God / My Lord My God Version

Jammys / Dub Store Records JPN 1985

Screechie Across The Border

N/A

Wayne Simth unexpectedly appeared on the top of dancehall scene with Jammys' monster rhythm 'Sleng Teng' in the mid 80's at one burst. Hardcore dancehall fans will recognize this song 'My Lord My God' on 'Screechie Across The Border' rhythm is one of the most popular songs within his Jammys' catalogue.

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Wayne Smith - Ickey All Over / Ickey All Over Version

Jammys / Dub Store Records JPN 1985

Icky All Over

N/A

It is well-known that Wayne Smith, who was deeply associated with Jammys in production of 'Sleng Teng' rhythm, was an essential individual to embrace the Digital Revolution for Reggae / Jamaican musical history. Its tough baseline that symbolized Jammys' real sound work and young Wayne Smith's high key voice, both elements perfectly fused together to create another killer tune.

12
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Chuck Turner - We Rule The Dancehall / We Rule The Dancehall Version

Jammys / Dub Store Records JPN 1987

We Rule

¥1280 (US$8.45)

Chuck Turner has recorded his impressive songs at Jammys such as 'I Need You' and 'Run Around Girl'. 'We Rule The Dancehall' is one of those and this tough steppers rhythm was build by notable Steelie & Clivie. His melancholy voice is something very contrary to his aggressive lyrics but that's something it makes this record attractive.

14
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Robert Lee - Come Now / Come Now Version

Jammys / Dub Store Records JPN 1989

Tempo

N/A

Robert Lee was also one of demanded singers at Jammys because of his musical characteristic - 'Out of Key' style. Here King Tubby produced 'Tempo' rhythm was rearranged by Jammys and it allowed Robert Lee to perform calmly with his aggressive lyrical expression for creating another killer song.

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Junior Murvin - Jack Slick / Anthony Johnson - Dancehall Vibes

Jammys / Dub Store Records JPN 1987

Jack Slick

N/A

Junior Marvin is apparently more known for his 70's work but he continued his career while dancehall period and released album 'Apartheid' at Jammys. This heavy weight dancehall song 'Jack Slick' was on the album and released on 12" single vinyl. On side B, 'Dancehall Vibes' by Anthony Johnson on the same rhythm with different arrangements was only released on 12" single vinyl.

16
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Little Kirk - Don't Touch The Crack / Don't Touch The Crack Version

Jammys / Dub Store Records JPN 1987

¥1280 (US$8.45)

Now veteran deejay Kirk Davis who started his career as Little Kirk back in the 80's, since then he has been on his move. Known for his major songs: 'Screechie Across The Border' and 'Ghetto People Broke', also one of those is 'Don't Touch The Crack'. A tough digital steppers cut.

18
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Nitty Gritty - Good Morning Teacher / Good Morning Teacher Version

Jammys / Dub Store Records JPN 1984

Stalag

¥1280 (US$8.45)

Nitty Gritty output his hit songs like 'Hog In A Minty' and 'Run Down The World' at Jammys and he had chemistry with minor chord digital rhythms. 'Good Morning Teacher' on 'Stalag' rhythm is a superb song showcases his unique vocal style and lyrics.

19
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Red Dragon - Jam Down Posse / Jam Down Posse Version

Jammys / Dub Store Records JPN 1989

Far East/Jah Sharkey

N/A

'Jam Down Posse' by Red Dragon was recorded on Studio One classic rhythm 'Far East', people might find familiar with famous hit song 'Tune In' by Cocoa Tea. King Jammy released two one-way albums on this rhythm and featured many singers/deejays. This song by Red Dragon is from one of those albums and one of the best songs on this rhythm.

20
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Eccleton Jarrett - Rock Them One By One / Rock Them One By One Version

Jammys / Dub Store Records JPN 1989

Wicked Can't Run Away

¥1280 (US$8.45)

'Rock Them One By One' is a King Jammys' digital remake on 70's classic roots tune 'Wicked Can't Run Away' by Glen Richards. Its version is very detailed to its original but still a tough digital dancehall cut. Eccleton Jarrett's delicate vocal stands out proudly.

22
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Tonto Irie - Life Story / Life Story Version

Jammys / Dub Store Records JPN 1985

Icky All Over

N/A

Tonto Irie recorded many songs on popular Jammys' rhythms as one of demanded deejays at that time.
'Life Story' was on side B of 12inch vinyl - "Wayne Smith - Icky All Over" on Greensleeves label. You might notice that this song on 'Sleng Teng' rhythm was specially edited and arranged just only for Tonto Irie's performance.

24
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Dennis Brown - Exit / Exit Version

Jammys / Dub Store Records JPN 1985

Screechie Across The Border

N/A

'The Exit' by Dennis Brown is a tough song on a classic dancehall rhythm 'Screechie Across The Border', which often regarded as one of the best 80's dancehall rhythms.
Comparing to its original ? 'Screechie Across The Border' by Courtney Melody, it sounds a little less dynamic but the reconstructed rhythm based on pensive minor chords perfectly matches to the singer's profound vocal and lyrics.

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Bunny Wailer - Rise & Shine / Solomonic Dub

Solomonic / Dub Store Records JPN 1981

N/A

Bunny continued to release records throughout the seventies that were never less than excellent and, as the new decade got underway, he came forward with one of his best ever releases: the militant clarion call 'Rise And Shine'. Stretched over two momentous sides of a UK twelve inch release, the record was a huge hit, but has been unavailable ever since. Bunny returned to the song on his superb 'Liberation' album at the close of the decade but the original cut has remained one of the most in-demand records on the 'revival' circuit.

66
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Derrick Morgan - Blazing Fire

Beverleys UK 1963

¥2180 (US$14.39)

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97
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Bob Marley, Wailers - Feel Alright / Rhythm

Wail N Soul M / Dub Store Records JPN 1968

N/A

'Feel Alright', a tune that charts the transition from rocksteady into reggae, is a version to James Brown's 'There Was A Time' adopted and adapted for Jamaican audiences over a dense choppy rhythm. James Brown's influence on reggae has seldom been acknowledged but the 'hardest working man in show business' knew and understood all about the power of the groove and the importance of a strong rhythm track. The B-side 'Instrumental' has caused Wailers scholars many a sleepless night as they strain to catch the snatches of vocals that have leaked on to the piano led rhythm for the full vocal to this backing track has never been released. Now it's your chance to do the same!

98
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Bunny Wailer - Rule Dancehall / Rule Dancehall Version

Solomonic / Dub Store Records JPN 1987

N/A

Bunny produced a string of hits during the dance hall explosion of eighties where, backed by The Roots Radics, he continued to show the new generation how it should be done. The greatest of his dance hall style records was the self explanatory 'Rule Dance Hall' from 1987 originally released on the album of the same name and subsequently issued as a seven inch single. "East, west north and south I rule the land. I play original style while others play version…"