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Anthony Red Rose - Me No Want No Boops / Me No Want No Boops Version
Firehouse / Dub Store Records JPN 1986
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Without mentioning Anthony Red Rose, we are simply not able to discuss the distinguished sound of King Tubby and his Firehouse label. The artist was an essential figure who recorded a song called "Tempo", creating an original rhythm. It was produced by King Tubby and immediately became a symbol of 80's dancehall. During this period, King Tubby and his entourages have created prolific rhythms while running his Firehouse label. Luckily, Anthony Red Rose was able to come on the scene with his 'out of key' style and release several hits 'Old Pan Bangrang', 'Under Mi Fat Thing' and 'Worries Again' on their rhythms. "Me No Want No Boops" on the classic roots reggae rhythm "Here I Come" features humorous voice arrangement by Anthony himself and undoubtedly, this is another reputable number within the Firehouse catalogue.
Johnny Osbourne - Line Up / Trevor Levy - Nah Run From No Clash
Firehouse / Dub Store Records JPN 1988
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When it comes to naming the best dancehall compilation album, many will mention an album called "Sound Clash Dubplate Style" produced by King Tubby. "Line Up" by Johnny Osbourne was taken from the album where he showcases his enchanting melodies and lyrics and Trevor Levy's voice echoes calmly with vigorous lyrics on the flip side. Also both songs feature an intro by legendary MC Fuzzy Jones.
Red Dragon - Jam Down Posse / Jam Down Posse Version
Jammys / Dub Store Records JPN 1989
¥1680 (US$11.22)
'Jam Down Posse' by Red Dragon was recorded on Studio One classic rhythm 'Far East', people might find familiar with famous hit song 'Tune In' by Cocoa Tea. King Jammy released two one-way albums on this rhythm and featured many singers/deejays. This song by Red Dragon is from one of those albums and one of the best songs on this rhythm.
John Wayne - Love It A Kill Me / Love It A Kill Me Version
Firehouse / Dub Store Records JPN 1987
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The "Tempo" rhythm is considered one of the historical rhythms in the golden period of dancehall and it was apparently an answer rhythm to Jammys "Sleng Teng" rhythm."Love It A Kill Me" by John Wayne is probably the most sought after and popular cut on the rhythm and the record itself includes a superb dub-version on the side B by the Dub Master, King Tubby. Although the artist does not sing as powerfully as he does on his hit song "Call The Police" he the still displays his unique lyrical flow. Originally, 7inch vinyl record was released on the Kingston 11 label and the 12inch was on the Firehouse label.
Super Black - Rising Star / Rising Star Version
Firehouse / Dub Store Records JPN 1987
¥1680 (US$11.22)
Although Super Black is known for his hits "Deh Wid You", "Rambo We Rambo" at Jammys, the artist also fit well with the Photographer label where he put out a superb song "Just Like A Magic". Among the 80's catalogue of King Tubby, "Rising Star" is very exceptional and features a unique groove, which is created by the solid bass line to bring out the best of Super Black's appealing voice.
Johnny Osbourne - In The Area (What A La La) / In The Area (What A La La) Version
Jammys / Dub Store Records JPN 1984
¥1280 (US$8.55)
Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version.
This is certainly another anthem of Jammys!
Freddie McKay - Take My Hand Oh Jah / Naggo Morris - You Want To Get I Out
Yah Congo Records / Digikiller / Deeper Knowledge US 1978
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DKR proudly present the first ever reissue of these two all-time top deep roots tunes, originally issued on two different 12's by East Orange, NJ's own YAH CONGO label. Now paired together by DKR for one monstrous double-sider. Dub heads take note: neither tune was originally issued with a full version side; both tunes are vocal into dub, originally released with other tunes on the b-side.
Chaka Demus - Original Kuff / Original Kuff Version
Jammys / Dub Store Records JPN 1989
¥2180 (US$14.56)
In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.
Sugar Minott - I Love You / Jennifer Lara - I Gave You My Heart
Roots Pool UK / Sir Collins (Org) 1985
Info: Original Press
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Johnny Osbourne - We Gonna Rock It Tonight (Dub Plate Playing) / We Gonna Rock It Tonight (Dub Plate Playing) Version
Jammys / Dub Store Records JPN 1986
¥2180 (US$14.56)
In the late 80's, not only Jammys but also many labels tried to score some hits by remake of a foundation rhythm 'Heavenless'. Among Jammys catalogue on this rhythm, 'We Gonna Rock It Tonight (Dub Plate Playing)' by Johnny Osbourne is known as the most popular number. Often hear sound systems playing this dub plates.
Bob Marley, Wailers - One Cup Of Coffee / Tommy McCook, Supersonics - Snow Boy
Beverleys UK 1962
¥2380 (US$15.89)
Stranger Cole - Til My Dying Days (Colouerd Vinyl) / Stranger Cole, Patsy - I Need You
Beverleys 1963
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Sugar Minott - Children Of Africa / Gene Rondo - No One But You
Roots Pool UK / Sir Collins (Org) 1985
Info: Original Press
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Robert Lee, Bunny General - Midnight Hour / Midnight Hour Version
Jammys / Dub Store Records JPN 1988
¥1680 (US$11.22)
Robert Lee and Bunny General adopted the phrase of a classic song 'Midnight Hour' by Sivertones in their combination song 'Midnight House'. The original press was only available by 12" single vinyl on Unity label.
Chuck Turner - We Rule The Dancehall / We Rule The Dancehall Version
Jammys / Dub Store Records JPN 1987
¥1280 (US$8.55)
Chuck Turner has recorded his impressive songs at Jammys such as 'I Need You' and 'Run Around Girl'. 'We Rule The Dancehall' is one of those and this tough steppers rhythm was build by notable Steelie & Clivie. His melancholy voice is something very contrary to his aggressive lyrics but that's something it makes this record attractive.
Phyllis Dillon - Rock Steady / Tommy McCook - Soul Rock
Treasure Isle UK 1968/ 1970
¥2180 (US$14.56)
Desmond Dekker - Unity / Austin Faithful, Hippies - Ain't That Peculiar
Pyramid UK / Beverleys 1968
¥2180 (US$14.56)
Robert Lee - Come Now / Come Now Version
Jammys / Dub Store Records JPN 1989
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Robert Lee was also one of demanded singers at Jammys because of his musical characteristic - 'Out of Key' style. Here King Tubby produced 'Tempo' rhythm was rearranged by Jammys and it allowed Robert Lee to perform calmly with his aggressive lyrical expression for creating another killer song.
