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ReggaeRecord.com Dub Store Sound Inc. Online Store for Reggae & Black Music - Reggaerecord.Com

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Best sold within a week before Jun 16, 2010

5
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Anthony Red Rose - Me No Want No Boops / Me No Want No Boops Version

Firehouse / Dub Store Records JPN 1986

Revolution/Here I Come

N/A

Without mentioning Anthony Red Rose, we are simply not able to discuss the distinguished sound of King Tubby and his Firehouse label. The artist was an essential figure who recorded a song called "Tempo", creating an original rhythm. It was produced by King Tubby and immediately became a symbol of 80's dancehall. During this period, King Tubby and his entourages have created prolific rhythms while running his Firehouse label. Luckily, Anthony Red Rose was able to come on the scene with his 'out of key' style and release several hits 'Old Pan Bangrang', 'Under Mi Fat Thing' and 'Worries Again' on their rhythms. "Me No Want No Boops" on the classic roots reggae rhythm "Here I Come" features humorous voice arrangement by Anthony himself and undoubtedly, this is another reputable number within the Firehouse catalogue.

7
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Johnny Osbourne - Line Up / Trevor Levy - Nah Run From No Clash

Firehouse / Dub Store Records JPN 1988

N/A

When it comes to naming the best dancehall compilation album, many will mention an album called "Sound Clash Dubplate Style" produced by King Tubby. "Line Up" by Johnny Osbourne was taken from the album where he showcases his enchanting melodies and lyrics and Trevor Levy's voice echoes calmly with vigorous lyrics on the flip side. Also both songs feature an intro by legendary MC Fuzzy Jones.

9
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Chaka Demus - Original Kuff / Original Kuff Version

Jammys / Dub Store Records JPN 1989

Fade Away/Peanie Peanie

N/A

In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.

11
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John Wayne - Love It A Kill Me / Love It A Kill Me Version

Firehouse / Dub Store Records JPN 1987

Tempo

N/A

The "Tempo" rhythm is considered one of the historical rhythms in the golden period of dancehall and it was apparently an answer rhythm to Jammys "Sleng Teng" rhythm."Love It A Kill Me" by John Wayne is probably the most sought after and popular cut on the rhythm and the record itself includes a superb dub-version on the side B by the Dub Master, King Tubby. Although the artist does not sing as powerfully as he does on his hit song "Call The Police" he the still displays his unique lyrical flow. Originally, 7inch vinyl record was released on the Kingston 11 label and the 12inch was on the Firehouse label.

12
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Super Black - Rising Star / Rising Star Version

Firehouse / Dub Store Records JPN 1987

Rising Star

¥1680 (US$10.96)

Although Super Black is known for his hits "Deh Wid You", "Rambo We Rambo" at Jammys, the artist also fit well with the Photographer label where he put out a superb song "Just Like A Magic". Among the 80's catalogue of King Tubby, "Rising Star" is very exceptional and features a unique groove, which is created by the solid bass line to bring out the best of Super Black's appealing voice.

20
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Leslie Thunder - Ram Dance Man / Ram Dance Man Version

Jammys / Dub Store Records JPN 1989

Love Punanny Bad

N/A

'Ram Dance Man' by Leslie Thunder is another song on popular rhythm 'Love Punanny Bad'. One of the most sought after records by dancehall fans. You can never miss her real explosive Raggamuffin style on this cheerful rhythm track.

24
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Robert Lee, Bunny General - Midnight Hour / Midnight Hour Version

Jammys / Dub Store Records JPN 1988

¥1680 (US$10.96)

Robert Lee and Bunny General adopted the phrase of a classic song 'Midnight Hour' by Sivertones in their combination song 'Midnight House'. The original press was only available by 12" single vinyl on Unity label.

27
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Johnny Osbourne - We Gonna Rock It Tonight (Dub Plate Playing) / We Gonna Rock It Tonight (Dub Plate Playing) Version

Jammys / Dub Store Records JPN 1986

Heavenless

N/A

In the late 80's, not only Jammys but also many labels tried to score some hits by remake of a foundation rhythm 'Heavenless'. Among Jammys catalogue on this rhythm, 'We Gonna Rock It Tonight (Dub Plate Playing)' by Johnny Osbourne is known as the most popular number. Often hear sound systems playing this dub plates.

33
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Junior Murvin - Jack Slick / Anthony Johnson - Dancehall Vibes

Jammys / Dub Store Records JPN 1987

Jack Slick

N/A

Junior Marvin is apparently more known for his 70's work but he continued his career while dancehall period and released album 'Apartheid' at Jammys. This heavy weight dancehall song 'Jack Slick' was on the album and released on 12" single vinyl. On side B, 'Dancehall Vibes' by Anthony Johnson on the same rhythm with different arrangements was only released on 12" single vinyl.

42
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Wayne Smith - E20 / In Thing

Jammys / Dub Store Records JPN 1985

B: Come

¥1280 (US$8.35)

Wayne Smith scored numerous hits at Jammys and one well known is 'Under Mi Sleng Teng'. He also released same title album 'Under Mi Sleng Teng' where he showcased wavy & choppy 'E20' and crisp & clear song 'In Thing' on further computerized [Barrington Levy - Come] rhythm.

43
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Chuck Turner - We Rule The Dancehall / We Rule The Dancehall Version

Jammys / Dub Store Records JPN 1987

We Rule

¥1280 (US$8.35)

Chuck Turner has recorded his impressive songs at Jammys such as 'I Need You' and 'Run Around Girl'. 'We Rule The Dancehall' is one of those and this tough steppers rhythm was build by notable Steelie & Clivie. His melancholy voice is something very contrary to his aggressive lyrics but that's something it makes this record attractive.

44
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Robert Lee - Love Me Stylee / Love Me Stylee Version

Jammys / Dub Store Records JPN 1989

Love Punanny Bad

N/A

'Love Punanny Bad' rhythm is might be less hard-driven than 'Duck' or 'Punanny'rhythm; however, Steelie & Clive has reconstructed the rhythm perfectly in Raggaamuffin way. This 'Love Me Stylee' is another popular song by Robert Lee.

48
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Dennis Brown - Exit / Exit Version

Jammys / Dub Store Records JPN 1985

Screechie Across The Border

¥1680 (US$10.96)

'The Exit' by Dennis Brown is a tough song on a classic dancehall rhythm 'Screechie Across The Border', which often regarded as one of the best 80's dancehall rhythms.
Comparing to its original – 'Screechie Across The Border' by Courtney Melody, it sounds a little less dynamic but the reconstructed rhythm based on pensive minor chords perfectly matches to the singer's profound vocal and lyrics.

49
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Red Dragon - Jam Down Posse / Jam Down Posse Version

Jammys / Dub Store Records JPN 1989

Far East/Jah Sharkey

N/A

'Jam Down Posse' by Red Dragon was recorded on Studio One classic rhythm 'Far East', people might find familiar with famous hit song 'Tune In' by Cocoa Tea. King Jammy released two one-way albums on this rhythm and featured many singers/deejays. This song by Red Dragon is from one of those albums and one of the best songs on this rhythm.

62
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Wayne Smith - My Lord My God / My Lord My God Version

Jammys / Dub Store Records JPN 1985

Screechie Across The Border

N/A

Wayne Simth unexpectedly appeared on the top of dancehall scene with Jammys' monster rhythm 'Sleng Teng' in the mid 80's at one burst. Hardcore dancehall fans will recognize this song 'My Lord My God' on 'Screechie Across The Border' rhythm is one of the most popular songs within his Jammys' catalogue.

63
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Wayne Smith - Ickey All Over / Ickey All Over Version

Jammys / Dub Store Records JPN 1985

Icky All Over

N/A

It is well-known that Wayne Smith, who was deeply associated with Jammys in production of 'Sleng Teng' rhythm, was an essential individual to embrace the Digital Revolution for Reggae / Jamaican musical history. Its tough baseline that symbolized Jammys' real sound work and young Wayne Smith's high key voice, both elements perfectly fused together to create another killer tune.

64
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Johnny Osbourne - In The Area (What A La La) / In The Area (What A La La) Version

Jammys / Dub Store Records JPN 1984

Stalag

¥1280 (US$8.35)

Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version.
This is certainly another anthem of Jammys!

65
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Little Kirk - Don't Touch The Crack / Don't Touch The Crack Version

Jammys / Dub Store Records JPN 1987

¥1280 (US$8.35)

Now veteran deejay Kirk Davis who started his career as Little Kirk back in the 80's, since then he has been on his move. Known for his major songs: 'Screechie Across The Border' and 'Ghetto People Broke', also one of those is 'Don't Touch The Crack'. A tough digital steppers cut.

75
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Robert Lee - Come Now / Come Now Version

Jammys / Dub Store Records JPN 1989

Tempo

N/A

Robert Lee was also one of demanded singers at Jammys because of his musical characteristic - 'Out of Key' style. Here King Tubby produced 'Tempo' rhythm was rearranged by Jammys and it allowed Robert Lee to perform calmly with his aggressive lyrical expression for creating another killer song.

88
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Eccleton Jarrett - Rock Them One By One / Rock Them One By One Version

Jammys / Dub Store Records JPN 1989

Wicked Can't Run Away

¥1280 (US$8.35)

'Rock Them One By One' is a King Jammys' digital remake on 70's classic roots tune 'Wicked Can't Run Away' by Glen Richards. Its version is very detailed to its original but still a tough digital dancehall cut. Eccleton Jarrett's delicate vocal stands out proudly.