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Lionel Ganja Barrett - Rasta Cowboy / Black Roots Band - Rasta Cowboy Dub
Chopper Productions / Digikiller / Deeper Knowledge US 1983
¥1680 (US$10.82)
From the mid '80s, a cut on Choppers' own wicked lick of Channel One's "fight fight" riddim. Chopper's lick was laid and mixed at Channel 1 with the Black Roots Band aka Gifted Roots Band. The tune is from Lionel 'Ganja' Barrett, himself a member of the Chopper crew, and one of the first artists released on the label. 'Rasta Cowboy' is his signature tune, an ode to a self-reliant cowboy-like life.
John Holt - Imagine / Chaka Demus, Pliers - A Change Is Gonna Come
Keyzer SozeII / 24x7 Records JPN 2010
Info: Adapted
N/A
Bobby Melody - Original Melody / Black Roots Band - Original Melody Dub
Chopper Productions / Digikiller / Deeper Knowledge US 1983
¥1380 ¥1680 (US$10.82)
From the mid 1980's straight thru until the early 90's, Choppers were steady releasing tunes both in Jamaica and NYC, and from young upcoming artists and veterans alike. 'Original Melody' is from Bobby Melody, letting you know none a them a ruff like the original! We were saddened by Bobby's recent passing, but let this tune serve as a reminder of what a great singer he was. This tune is backed with its own unique and wicked dub, a different mix to the dub side of 'Rasta Cowboy', which uses the same rhythm.
Gregory Isaacs - Change The World / Iceman - What's Going On
Keyzer SozeII / 24x7 Records JPN 2010
Info: Adapted
N/A
Chopper Productions / Digikiller / Deeper Knowledge US 1986
¥1680 (US$10.82)
on Hickey. "Cooperate" is one of his best tunes, on a pure killer digital cut of the 'billie jean' riddim.
Johnny Osbourne - We Gonna Rock It Tonight (Dub Plate Playing) / We Gonna Rock It Tonight (Dub Plate Playing) Version
Jammys / Dub Store Records JPN 1986
N/A
In the late 80's, not only Jammys but also many labels tried to score some hits by remake of a foundation rhythm 'Heavenless'. Among Jammys catalogue on this rhythm, 'We Gonna Rock It Tonight (Dub Plate Playing)' by Johnny Osbourne is known as the most popular number. Often hear sound systems playing this dub plates.
Johnny Osbourne - Line Up / Trevor Levy - Nah Run From No Clash
Firehouse / Dub Store Records JPN 1988
N/A
When it comes to naming the best dancehall compilation album, many will mention an album called "Sound Clash Dubplate Style" produced by King Tubby. "Line Up" by Johnny Osbourne was taken from the album where he showcases his enchanting melodies and lyrics and Trevor Levy's voice echoes calmly with vigorous lyrics on the flip side. Also both songs feature an intro by legendary MC Fuzzy Jones.
Toots & The Maytals - 54-46 Was My Number / Pressure Drop (Off Center)
Beverleys UK 1969
¥2180 (US$14.04)
Chopper Productions / Digikiller / Deeper Knowledge US 1986
¥1680 (US$10.82)
"No Darkness", Courtney Melody's cut on the 'cooperate' riddim. This tune is released for the first time here on 7", previously released only on a hard to find LP, this is one of his great unheralded tunes.
Ackee & Saltfish, Singing Melody - Sweet Jamaica / Sweet Jamaica (Classic Mix)
Nishiki Communications JPN 2005
Info: Adapted
N/A
Johnny Osbourne - In The Area (What A La La) / In The Area (What A La La) Version
Jammys / Dub Store Records JPN 1984
¥1280 (US$8.25)
Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version.
This is certainly another anthem of Jammys!
Super Black - Rising Star / Rising Star Version
Firehouse / Dub Store Records JPN 1987
¥1680 (US$10.82)
Although Super Black is known for his hits "Deh Wid You", "Rambo We Rambo" at Jammys, the artist also fit well with the Photographer label where he put out a superb song "Just Like A Magic". Among the 80's catalogue of King Tubby, "Rising Star" is very exceptional and features a unique groove, which is created by the solid bass line to bring out the best of Super Black's appealing voice.
