Garnett Silk's "Every Knee Shall Bow"…over ten years from his start, Garnett was back working right where he began, with Rythem Track. Originally released posthumously in 1996 on Callo's offshoot 2-Hyped label, this is one of Silk's best ever, a high-water mark for both him and the producer, a shining example of the indelible legacies of both.

Wayne Smith scored numerous hits at Jammys and one well known is 'Under Mi Sleng Teng'. He also released same title album 'Under Mi Sleng Teng' where he showcased wavy & choppy 'E20' and crisp & clear song 'In Thing' on further computerized [Barrington Levy - Come] rhythm.

Admiral Tibet calmly sings about newly established slavery system and their new wicked tactics on the heavy-weight dancehall rhythm. He showcases his stable vocal techniques with his very own cool & smooth lyric flow to match with this minor coded rhythm. Another crucial song among the Redman’s catalogue.

To explain the Redman International label, without mentioning Carl Meeks is impossible. The ‘Danger’ is Carl’s masterpiece where he sings with his unique Out Of Key style with his sharp lyrics on simple and un-colorful but addictive sounding rhythm to produce another impressive killer tune.

‘Runnings’ by Dave Bailey begins with very rough & tough melodic elevation. This is certainly one of his classic songs! The strong digital track, which was created by magic hands of Redman with profound roots in essence, matches perfectly to Dave Bailey’s melancholy vocal.

Tony Tuff, who was one of predominant figures in the 80’s dancehall scene, showcases his low-keyed performance and sings about careless people who cannot wash, cook, iron, clean, he warns them to learn something. This speedy bouncy rhythm, which is very similar to Redman’s classic rhythm “Koloko”, symbolizes astonishing sound works of Redman’s rhythm building.

Previously unreleased on 7inch vinyl record. Those two songs were only included in the Redman and Carl Meeks’ classic LP [Weh Dem Fah]. ‘Without Your Love’ was recorded on the famous ‘Wicked Can’t Run Away’ rhythm and ‘Red Eye Lover’ was on the popular Sleng Teng (Computer) rhythm.

In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.

The "Tempo" rhythm is considered one of the historical rhythms in the golden period of dancehall and it was apparently an answer rhythm to Jammys "Sleng Teng" rhythm."Love It A Kill Me" by John Wayne is probably the most sought after and popular cut on the rhythm and the record itself includes a superb dub-version on the side B by the Dub Master, King Tubby. Although the artist does not sing as powerfully as he does on his hit song "Call The Police" he the still displays his unique lyrical flow. Originally, 7inch vinyl record was released on the Kingston 11 label and the 12inch was on the Firehouse label.

Although Super Black is known for his hits "Deh Wid You", "Rambo We Rambo" at Jammys, the artist also fit well with the Photographer label where he put out a superb song "Just Like A Magic". Among the 80's catalogue of King Tubby, "Rising Star" is very exceptional and features a unique groove, which is created by the solid bass line to bring out the best of Super Black's appealing voice.

Recorded to the same rhythm track ‘’New Tactics’ by Admiral Tibet. Horace Martin, who is known for his major works during the late 70’s to early 80’s, has released the LP ‘Mix Up’ on the Redman label. This tune here is can be characterized with his deep sounding vocal and Redman’s synthesizer works.

One of the earliest works from the Redman’s catalogue. Little John, the dancehall veteran, performs on this steady rhythm to showcase his heart touching vocal skill. Pure roots elements are pushed to the forefront in terms of rhythm and song to create another classic Redman sound work.

ony Roach's "Big Bout Yah" has been one of our favorite tunes for years, the riddim a killer variation on 'tempo'.

Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version.
This is certainly another anthem of Jammys!

Without mentioning Anthony Red Rose, we are simply not able to discuss the distinguished sound of King Tubby and his Firehouse label. The artist was an essential figure who recorded a song called "Tempo", creating an original rhythm. It was produced by King Tubby and immediately became a symbol of 80's dancehall. During this period, King Tubby and his entourages have created prolific rhythms while running his Firehouse label. Luckily, Anthony Red Rose was able to come on the scene with his 'out of key' style and release several hits 'Old Pan Bangrang', 'Under Mi Fat Thing' and 'Worries Again' on their rhythms. "Me No Want No Boops" on the classic roots reggae rhythm "Here I Come" features humorous voice arrangement by Anthony himself and undoubtedly, this is another reputable number within the Firehouse catalogue.

When it comes to naming the best dancehall compilation album, many will mention an album called "Sound Clash Dubplate Style" produced by King Tubby. "Line Up" by Johnny Osbourne was taken from the album where he showcases his enchanting melodies and lyrics and Trevor Levy's voice echoes calmly with vigorous lyrics on the flip side. Also both songs feature an intro by legendary MC Fuzzy Jones.

Da Da Waps is probably not familiar to many but he recorded many songs, which were mainly included in the Redman produced albums. He sings about the abolished slavery on this digital stepper rhythm. This record is highly regarded as one of sought after vinyls among the Redman’s catalogue.

Tony Roach's "Enterainer", voiced on one of the best-ever digital cuts of the 'green bay' riddim.

One of the baddest double-sided late 80s digital twelve-inches from one of our favorite singers, now back on road! King Kong self-produced and released this disco in the UK, with 'He Was a Friend' also coming out on seven-inch in JA on the Jah All Mighty label. 'He Was a Friend' is an awesome far-east tinged riddim, the lyrics a memorial tribute to the late great Tenor Saw, a spar and friend of King Kong. 'Try Not I' is a pure sound killing tune, over a spare but heavy and menacing riddim.

Philip Myers released only a handful of tunes in the second half of the 1980's, and among them was this now very rare 45 from 1985. The lone release on Daniel Senior's Junior Militant label, based out of Seaview Gardens, Kingston 11, this tough digital cut features lyrics about babylon coming to mash up your dance. Arranged by Noel Davey (legend has it, before the release of sleng teng!), this tune perfectly captures the digital dancehall sound just being born, and proves yet again that so many killer tunes were bubbling under but never made it into the spotlight. Thankfully, this huge tune is now back on the street, rescued from rarity and obscurity, and ready to receive its due!

It is well-known that Wayne Smith, who was deeply associated with Jammys in production of 'Sleng Teng' rhythm, was an essential individual to embrace the Digital Revolution for Reggae / Jamaican musical history. Its tough baseline that symbolized Jammys' real sound work and young Wayne Smith's high key voice, both elements perfectly fused together to create another killer tune.

Tonto Irie recorded many songs on popular Jammys' rhythms as one of demanded deejays at that time.
'Life Story' was on side B of 12inch vinyl - "Wayne Smith - Icky All Over" on Greensleeves label. You might notice that this song on 'Sleng Teng' rhythm was specially edited and arranged just only for Tonto Irie's performance.

Now veteran deejay Kirk Davis who started his career as Little Kirk back in the 80's, since then he has been on his move. Known for his major songs: 'Screechie Across The Border' and 'Ghetto People Broke', also one of those is 'Don't Touch The Crack'. A tough digital steppers cut.

Chuck Turner has recorded his impressive songs at Jammys such as 'I Need You' and 'Run Around Girl'. 'We Rule The Dancehall' is one of those and this tough steppers rhythm was build by notable Steelie & Clivie. His melancholy voice is something very contrary to his aggressive lyrics but that's something it makes this record attractive.

'Love Light Of Mine'by Horace Andy and 'Ready For Your Loving' by Frankie Paul were both on their King Jammy produced album 'Haul And Jack Up' and 'Sara' repeatedly. Both songs were recorded on its original rhythm 'Chuck Turner - We Rule The Dancehall'. Those two veteran artists showcase their long time calm vocal skills on this bouncy dancehall rhythm to make those recordings quite tough.

One of the Redman’s earliest works is a song called ‘When I Release’ by Puddy Roots, who was very active artist during the 80’s. You would be convinced that King Tubby was a part of this production when the tune sounds real heavy with Puddy’s impressive singing style.

Redman has versioned one of the most popular dancehall rhythm of 80’s, “Stalag” to create another unique sound. This track allowed Wayne Palmer to pass his tender lyricisms with his melancholy melodies to listeners.

Dave Bailey’s ‘Concrete Jungle’ within the Redman’s catalogue is considerably one of the most popular tunes. It’s not only an ordinary digital dancehall track, but also roots flavor added to this speedy edgy rhythm where Dave Bailey showcases his cool & smooth vocal to make this tune a killer!

on Hickey. "Cooperate" is one of his best tunes, on a pure killer digital cut of the 'billie jean' riddim.

Anthony Selassie's "Busy Body", voiced on one of the best-ever digital cuts of the 'green bay' riddim.

As a long-time Orange Street producer, record store owner and then studio owner, Leggo has built a solid catalog of both wicked roots and dancehall, from the 1970's all the way thru the 1990's. For some time we've been huge fans of Leggo's productions, but as collectors we've found many of them inexplicably hard to find.