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Ranking History - ReggaeRecord.com
ReggaeRecord.com Dub Store Sound Inc. Online Store for Reggae & Black Music - Reggaerecord.Com

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Best sold within a week before Nov 29, 2011

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Pad Anthony - Murderer / Tullo T - None Ah Dat

Jammys / Dub Store Records JPN 1987

Heavenless

N/A

King Jammy recorded two outstanding songs on the foundation ‘Heavenless’ rhythm among many others. Although Pad Anthony’s ‘Murderer’ is perhaps the most well known soundclash standard, Tullo T aka Papa Tullo showcased his conscious lyrics with fast-rapping style on the same rhythm.

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Paragons, Lynn Taitt, Jets - We Were Meant To Be / We Were Meant To Be (Acappella)

Merritone / Dub Store Records JPN 1968

N/A

One of the earliest works recorded by John Holt. This is a golden Rocksteady piece clearly depicts beautiful atmosphere that Federal Records always has kept in their recording material. The single was originally released in 1966 without this acappella version. Reissued from the original master tape.

51
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Junior Reid - Swinging My Love (Heavyweight Press) / Jammys Playing

King Jammys Dub / Dub Store Records JPN 1989

¥1280 (US$8.28)

"Swinging My Lover" reminds of another Jammys hit rhythm "Four Season Lover". Junior Reid samples Johnny Clarke's 'Rock With Me Baby' and he expresses his joy on this juggling rhythm. 'Jammys Playing' is an update version of one of his early day classics 'Human Nature' exclusively for King Jammys Super Power.

52
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Thriller U - Raggamuffin Jammys / Earl Sixteen - A One Sound

Prince Jammys Dub / Dub Store Records JPN 1985

Promised Land B: Trial & Crosses

¥1280 (US$8.28)

One of the most famous and popular dubplates from Jammy's vault. Thriller U, who recorded regularly at Jammys, sings on the Dennis Brown's 'Promise Land' rhythm for King Jammys Super Power. And Earl Sixteen performs 'A1 Sound' on 'Trial Crosses' rhythm.

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Clarence Parks - Things Come To Bump / Dub

Channel One / Digikiller / Deeper Knowledge US

N/A

The rhythm for this tune is probably familiar to many. It's among a handful of riddims cut at Channel in the early 1980's and shared amongst a group of producers who were very active at the studio during this time. Despite being shelved by Channel, the tune found its way out there on vinyl (a somewhat frequent "mystery" of the 1980s reggae business), and has since cemented its place as one of the baddest cuts on a bad rhythm!