This tune needs little introduction, monster roots from 1977. Everton Dacres, cousin to Barrington Levy and member of the Mighty Multitudes group along with Barrington, cut only a few tunes as a solo artist and this is one of them. Produced by Lloyd 'Charmers' Tyrell, issued on his LTD label.

'Slippery' is a beautifully arranged minor-chorded sax cut to Harriott production's classic rhythm, "Tonight." B-side is a piano instrumental version to the flip side.

‘The Loser’is gloriously considered as one of the most significant songs as well as rhythm tracks in the history of Reggae music. Also entitled as‘The Winner’, the song is easily adapted to sound system dubplates. Talking about the genre of Rocksteady, this song cannot be ignored.‘Now We Know’on the flip side is to be released on 7 inch single for the first time ever.

"Worries in the Dance", in our estimation the best rhythm of the early '80s and perhaps the entire decade, nothing short of a masterpiece. This rhythm and this tune really represent the refinement and zenith of heaviness in reggae as achieved by Channel 1, also in our opinion still unequaled then or now. This is a reissue of the rare JA 45 pressing of this tune, which features vocal & dub mixes different to any of the more common LP cuts. As if the rhythm wasn't enough, this is one of FP's best vocal outings, and the lyrics provide a brilliant and vivid snapshot of the climate in the area of 29 Maxfield Avenue at the time.

The Channel 1 Lost & Found series of previously unreleased music continues with more killer ten inches. Oneil Dyer's "Apartment" was only ever issued on a small press blank label Hitbound 10" in New York, unnoticed by all but the most hyper astute collectors. Heavy tune, with a killer dub, serious 1982 Scientist/Radics style. The B-side of this record features an unknown killer roots tune from around the same time, dubplate material which unfortunately on tape carried no markings as to who the singer is. We absolutely love good female-voiced roots and this is no exception, purely wicked tune. If anyone knows who sings this tune, let us know, as no one including some of those folks involved in making the tune could place it! One thing that is clear however is the voice of Sugar Minott on harmony. Unfortunately no dub version was found for this tune.

The Channel 1 Lost & Found series of previously unreleased music continues with more killer ten inches. Two heavy shots from Horace Ferguson. Before hitting with "Sensi Addict" for Prince Jazzbo, Horace Ferguson voiced some tunes for Channel 1, like "Fever" and "Walk Out On Me", both of which were issued on 12"s on CH1's JEDI imprint. However, there was more on tape, and how these two bombs didn't end up on release, we don't know, but here they are now. Strictly early 1980's reality style, again in a heavy style that bears the hallmarks of the Roots Radics/Scientist combination. Both tunes with dubs.

Throughout the 1970's, I-Roy recorded for tons of producers, and eventually began bartering with many of them for cuts of rhythms to voice himself on, as his own productions. Through his popularity in the UK, I-Roy got a deal with Virgin Records to release many of these new self-productions. Tucked away on these albums is this pair of wicked tunes, prime for release on single, and here it is. 'Set the Captives Free' was originally released on the 'World on Fire' LP, a very tough rhythm. The voice of Freddie McKay is heard singing behind I-Roy, and despite our best efforts, we were still unable to find out more about this mystery vocal! On the flip of this single is the killer horns dub to this rhythm, called 'Bubbling Jug', which was released on I-Roy's 'Cancer' dub LP. Apparently this dub and the Freddie McKay vocal were run on dubplate by Jah Shaka back in the day.

A star duo at the Harriott’s production, Keith & Tex’s‘Tonight’is also the everlasting masterpiece in the history of Reggae music. There were many essential songs in his production from 1967 to 68 but‘Tonight’is obviously the most indispensable one. Lynn Tait plays a beautiful instrumental version to Melodians’ hit ‘You’ve Caught Me’ on the flip side. Reissued with these original recordings on both sides.

‘Do I Worry’is as important Rocksteady tune as Derrick Harriott’s other hit‘The Loser’in his vast catalog. The B-side features powerful horn blow and Bobby Ellis’ trumpet solo is nicely done. Reissued with these original recordings on both sides.

A fine vocal Rocksteady'All Night'is known as a killer dubplate owned by Duke Vin, who is regarded as a pioneer of sound system culture in UK. The flip side'The Ticker'was more popular than the A-side and in UK, allegedly no one else besides Duke Vin owned the vinyl until 90's. The song must have been a special attachment in his Dub Plate box.

By Keith & Tex, a vocal duo who represented Derrick Harriott's production, 「Hypnotizing Eyes」 was a hugely popular tune released at the end of Rocksteady era. The B-side,「Down The Street」was a pioneering sound of up-tempo Reggae that became the major style in 1969. From 1968 to 69, they recorded enough songs to make an album and amazingly all of them were top-notch. Re-issued original songs on both sides.

Later became a vocalist for Chosen Few, Noel Brown's beautiful falsetto floats on this rare Rocksteady tune. It is also an interesting piece that recorded during the transition stage from Rocksteady to Reggae. These are only songs Noel Brown did for Derrick Harriott.

As Junior Soul, Junior Murvin recorded definitely the greatest Rocksteady tune,「Glendevon Special」 on early days of his recording career. This tune is also unique among Derrick Harriott's catalog and it proves how wide varieties his production was. This song is rare that many collectors have been looking for years.

Up-tempo early Reggae made in 1969 on the A-side and a cover version of Smokey Robinson’s soul classic on the B-side. These classic songs give spectacular feelings that the dawn of the new era of Reggae music comes just around the corner.

A nice and easy Rocksteady tune 'Phoenix' was sung by Noel Brown who later became the vocalist for one of the most famous Soul Reggae groups, Chosen Few. The flip side featured a gorgeous keyboard inst by Ike Bennett.

The Hustler' is one of Junior Murvin's, who gained international success later in his career, earliest works and is a rare tune that collectors have been after for many years. Made in 1969, this is also one of most popular up-tempo early Reggae tunes and undoubtedly the masterpiece. The flip side is the version to the A-side that featured keyboard and percussion.

In the late 80's, not only Jammys but also many labels tried to score some hits by remake of a foundation rhythm 'Heavenless'. Among Jammys catalogue on this rhythm, 'We Gonna Rock It Tonight (Dub Plate Playing)' by Johnny Osbourne is known as the most popular number. Often hear sound systems playing this dub plates.