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Dennis Brown - Lips Of Wine / Crystalites - Stranger In Town
Move & Groove / Dub Store Records JPN 1970
¥1380 (US$8.95)
Being known as Crown Prince of Reggae, this is Dennis Brown's commemorated first single and it was written and composed by Dennis himself. This is, of course, before he started recording at Studio One and is one of his best heartwarming songs. Crystalites' killer keyboard instrumental is featured on B-side and has been admired to listeners who have great appreciation for 1969-70’s up-tempo instrumentals.
Derrick Harriott - Message From A Black Man / Message From A Black Man (Miss Credit)
Crystal / Dub Store Records JPN 1970
¥1980 (US$12.83)
American Civil Rights Movement hit Jamaica in late 60's and this tune is undoubtedly one of the best Funky Reggae tunes produced by Derrick Harriott. It is the best example of how Derrick was influenced by the Black Power Movement. B-side features a great Funky Reggae Soul performed by Chosen Few. From that time, Derrick started establishing a genre called "Reggae Soul."
Hopeton Lewis - Take It Easy With The Rock Steady Beat
N/A
A fundamental album released in 1966 that determined the way Rocksteady was going to journey. In 1966, Rude Boys were at the peak of the fame with their notorious behaviors, while Ska gradually started to slow down its tempo. This album paved the way for a newborn music, Rocksteady, with rather slower and tighter rhythm approach. This album should be considered as one of the ten most important albums in Reggae history. The descent from Ska, which had its derivation from Jazz or Rhythm and Blues, to Rocksteady, with its various potential elements which would be passed to the next decade of Reggae, has been allegedly created in this album with Trinidadian guitarist Lynn Taitt and his band The Jets as the backing band. Entitled “Take It Easy With The Rock Steady Beat!”, most of the tunes featured in this album were written for praising dancehall as if he’d have known this genre was going to rule the dance floors. Among the tunes in this album, “This Music Got Soul” was the coolest of all and called out the dawn of the Rocksteady era. This tune had a huge influence on the future developments of Reggae music.
Toots & The Maytals - 54-46 Was My Number / Pressure Drop (Off Center)
Beverleys UK 1969
¥2180 (US$14.13)
Frankie Paul - Worries In The Dance / Version
Channel One / Digikiller / Deeper Knowledge US 1984
N/A
"Worries in the Dance", in our estimation the best rhythm of the early '80s and perhaps the entire decade, nothing short of a masterpiece. This rhythm and this tune really represent the refinement and zenith of heaviness in reggae as achieved by Channel 1, also in our opinion still unequaled then or now. This is a reissue of the rare JA 45 pressing of this tune, which features vocal & dub mixes different to any of the more common LP cuts. As if the rhythm wasn't enough, this is one of FP's best vocal outings, and the lyrics provide a brilliant and vivid snapshot of the climate in the area of 29 Maxfield Avenue at the time.
Sunset The Platinum Sound - Forward Japanese Dancehall
Sunset The Platinum Sound JPN 2012
¥1944 ¥999 (US$6.48)
Marcia Griffiths - It's Too Late Baby (Press Noise)
Harry J 1975
Info: Adapted, Carol King
¥680 ¥1680 (US$10.89)
Ramon, Crystalites - Golden Chickens / Bongo Herman, Les - Hail I
Crystal / Dub Store Records JPN 1970
¥1380 (US$8.95)
Minor chorded and wicked organ instrumentals by Crystalites. It is worth to be mentioned that in this song, listeners can experience the rare toasting of Ramon The Mexican who was the resident deejay at Harriott's Musical Chariot Sound System and later changed his name to Ambelique. Both sides are the two of the best Early Reggae tunes.
Pat Satchmo - A Handful Of Friends / Kingstonians - Right From Wrong
Move & Groove / Dub Store Records JPN 1970/ 1971
N/A
Early Lovers Rock tune by Pat Satchmo. You can probably guess from his name that he imitates the singing style of Louis Armstrong. He showcased his amazing talent as he sang double perfectly in this song. B-side features a previously unreleased but marvelous tune by Kingstonians and Jackie Bernard fan must check it out!
Bobby Ellis, Desmond Miles Seven - Step Softly / Derrick Harriott - Walk The Streets
Crystal / Dub Store Records JPN 1967
N/A
Another enduring Rocksteady instrumental masterpiece by Bobby Ellis and Derrick Harriott’s timeless love song echoes sweet and bitter. Cool and dark ‘Step Softly’ is one of the most signature songs for Bobby Ellis and the greatest Rocksteady instrumental of all. The flip side is a best example of Harriott’s distinctive sound in Rocksteady era. The set of recordings are now reissued with original songs on both side.
Renegades - You've Lost The Love / Merritone Singers - Rude Boy A Wail
Merritone / Dub Store Records JPN 1966
N/A
The Renegades consisted of Winston 'Pipe' Matthews, Lloyd 'Bread' McDonald and George 'Buddy' Haye and later became a group called the Wailing Souls. ‘You've Lost The Love’ is one of their earliest Rocksteady works and it was originally released in 1966. It is also one of the rarest records hardly ever found. The record also features previously unreleased Ska vocal recording ' Rude Boy A Wail' by the Merritone Singers from the original master tape.
Keith & Tex - Tonight / Lynn Taitt, Desmond Miles Seven - You've Caught Me
Move & Groove / Dub Store Records JPN 1967
N/A
A star duo at the Harriott’s production, Keith & Tex’s‘Tonight’is also the everlasting masterpiece in the history of Reggae music. There were many essential songs in his production from 1967 to 68 but‘Tonight’is obviously the most indispensable one. Lynn Tait plays a beautiful instrumental version to Melodians’ hit ‘You’ve Caught Me’ on the flip side. Reissued with these original recordings on both sides.
Keith & Tex - Hypnotizing Eyes / Down The Street
Move & Groove / Dub Store Records JPN 1968
N/A
By Keith & Tex, a vocal duo who represented Derrick Harriott's production, 「Hypnotizing Eyes」 was a hugely popular tune released at the end of Rocksteady era. The B-side,「Down The Street」was a pioneering sound of up-tempo Reggae that became the major style in 1969. From 1968 to 69, they recorded enough songs to make an album and amazingly all of them were top-notch. Re-issued original songs on both sides.
Phyllis Dillon - Don't Stay Away / Tommy McCook, Supersonics - Starry Night
Treasure Isle UK 1967
¥2180 (US$14.13)
Ernest Ranglin - Guitar In Ernest
Info: ライナーノーツ付
N/A
Internationally acclaimed guitarist Ernest Ranglin with piano genius Leslie Butler in a dazzling quartet. Recorded in 1965.
Ernest Ranglin - Guitar In Ernest
¥2500 (US$16.21)
Internationally acclaimed guitarist Ernest Ranglin with piano genius Leslie Butler in a dazzling quartet. Recorded in 1965.
Cecil Lloyd - A Night In Jamaica With Cecil Lloyd
¥2500 (US$16.21)
First ever re-issue of 1965 Jamaican Latin-Calypso-Jazz album by the piano genius Cecil Lloyd, who led a 20-piece hotel band from the age of seventeen. In 1959, the maestro was asked to record an album for 20th Century Fox and he later released three albums on Studio One. Featuring a solid rhythm section with conga and percussion, A Night in Jamaica was produced by Ken Khouri for Federal's Kentone label. This enduring masterpiece still echoes across the beautiful Caribbean Sea.
Lee Perry, The Sufferers - Sound Doctor (Japanese Edition)
Pressure Sounds UK / Beat Records JPN 1972- 1978
N/A
Leslie Butler - Reggae Rhapsody; Version / Willie Lindo - Mystic Mood; Version
Federal / Dub Store Records JPN 1973
N/A
Classic ‘Rhapsody in Blue’, the original version of ‘Reggae Rhapsody’, was written by notable American composer and solo pianist George Gershwin in 1924. Nearly 50 years after, in 1973, Eumir Deodato edited the song and released it on CTI Records, which label was favored by Black music fans at that time. Leslie Butler recorded his keyboard version shortly after the release of Eumir Deodato version. This is another rare recording to be reissued for the very first time from the Federal catalogue. Side B features a Reggae fusion instrumental ‘Mystic Mood’ by Willie Lindo. The song became a hit and earned a position in his LP titled ‘Far and Distant’.