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Ranking History - ReggaeRecord.com
ReggaeRecord.com Dub Store Sound Inc. Online Store for Reggae & Black Music - Reggaerecord.Com

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Best sold within a week before Mar 1, 2013

5
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Dennis Brown - Silhouettes / Augustus Pablo, Crystalites - Bass & Drum Version

Move & Groove / Dub Store Records JPN 1972

Shilhouettes

N/A

'Silhouettes' is one of Dennis Brown's earliest recordings and a good old Reggae hit. The flip side features Augustus Pablo's melodica cut to the A-side. This peaceful piece proves that the early sound of King Tubby is the greatest of all.

10
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Derrick Harriott - Loser / Derrick Harriott, Bobby Ellis, Desmond Miles Seven - Now We Know

Crystal / Dub Store Records JPN 1967

Loser

N/A

‘The Loser’is gloriously considered as one of the most significant songs as well as rhythm tracks in the history of Reggae music. Also entitled as‘The Winner’, the song is easily adapted to sound system dubplates. Talking about the genre of Rocksteady, this song cannot be ignored.‘Now We Know’on the flip side is to be released on 7 inch single for the first time ever.

18
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Dennis Brown - Lips Of Wine / Crystalites - Stranger In Town

Move & Groove / Dub Store Records JPN 1970

¥1380 (US$8.93)

Being known as Crown Prince of Reggae, this is Dennis Brown's commemorated first single and it was written and composed by Dennis himself. This is, of course, before he started recording at Studio One and is one of his best heartwarming songs. Crystalites' killer keyboard instrumental is featured on B-side and has been admired to listeners who have great appreciation for 1969-70’s up-tempo instrumentals.

25
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Junior Murvin (Junior Soul) - Rescue The Children / Rescue The Children Version

Move & Groove / Dub Store Records JPN 1974

N/A

Recorded in 1974, this is Junior Murvin's first Roots tune ever. Having always been sought after by collectors, this song is possibly the ultimate classic. This is a completely different take from the one Junior Murvin recorded for Lee Perry in 1977 for the “Police and Thieves” LP distributed by Island. Undoubtedly this is one of Murvin’s best tunes, which should be in every collector’s record box.

26
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Derrick Harriott - Some Guys Have All The Luck / Kim Harriott - Just Want To Be Your Joy

Crystal / Wild Flower / Dub Store Records JPN 1974/ 1975

¥2180 (US$14.10)

It is an obvious fact that Dreadlocks culture was the trend of the time when this tune was released, but how could we ever imagine Derrick Harriott wearing Dreadlocks? He was wearing Afro instead and showed how he could easily cover Persuaders’ Soul hit. The flip side features another cover of a US Soul track that was transformed to a sweet Lover’s Rock by Harriott’s relative, young Kim Harriott. Apparently Harriott’s surroundings at this time were all wearing Afro even if it was the Dreadlocks era.

27
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Derrick Harriott - Look Over Your Shoulders / Dancing The Reggae

Wild Flower / Dub Store Records JPN 1975/ 1976

N/A

It was the Dreadlocks bandwagon in the mid 70’s, but Harriott, who started his career in the music business in the early 50’s, persisted his Afro hairstyle and his signature style of music, Reggae Soul and Lover’s Rock. At that time, music fans only approved serious Roots works but his music choices proved that his production was equally true and great Reggae music. Moreover his music brought to listeners a certain comfort, compared to the heavy weight Roots music that was mainly produced during this period.

35
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Keith & Tex - Lonely Man (Miss Credit) / Don't Look Back

Move & Groove / Dub Store Records JPN 1968

N/A

Every song done by Keith & Tex had absolutely trusted in those qualities, and these laid back and relaxing tunes are no exception. On A-side features a mid-tempo Rocksteady and the flip side is their cover version of Temptations’ 1968 hit.

53
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Junior Murvin - Rescue Jah Children / Instrumental Dub Version

Wild Flower / Dub Store Records JPN 1976

N/A

This tune was the second Roots tune recorded by Junior Murvin after his first 1974 masterpiece. With different dynamics, this great track was also highly sought after, and considering this tune as one of his few recordings during the period, it should be recognized as an important record and a true masterpiece.

54
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Earl Sixteen - Malcolm X / Winston Mcanuff - Armaggedon Time

Wild Flower / Crystal / Dub Store Records JPN 1976/ 1977

N/A

Featuring Earl Sixteen, who later recorded an album at Studio One, the last title of our Derrick Harriott re-issue series is one of the most rare Roots tunes from Harriott’s production. The A-side proves that Roots Reggae was at its pick at the time, and the B-Side, with its militant beat by Winston McAnuff, who renamed himself to Electric Dread, make this record an all-time Roots favorite.

56
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Jennifer Lara - Music By The Score / Dub

Cry Tuff / Digikiller / Deeper Knowledge US 1979

Memories By The Score

N/A

Deep late '70s roots from Prince Far I's CRY TUFF label. Only ever released on JA 45, reissued for the first time. As lovers of female fronted roots tunes we had to get this killer Jennifer Lara tune out there, a rugged lick of the 'rockfort rock' riddim.

91
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Hopeton Lewis - This Music Got Soul / Rocksteady

Merritone / Dub Store Records JPN 1966

N/A

'This Music Got Soul' is one of the earliest works by Mr. Rocksteady aka Hopeton Lewis. Interestingly, some would even say 'This Music Got Soul' is his debut single. When the song was released in 1966, it seems that the musical term "Rocksteady" did not exist but this classic clearly proves a new wave of Rocksteady was coming very near. The artist also sings 'Rock Steady' to highly praise the new genre. Reissued from the original master tape.

92
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Derrick Harriott - Reach Out I'll Be There / Bobby Ellis, Crystalites - Illya Kuryakin

Crystal / Dub Store Records JPN 1967

N/A

Derrick Harriott versions a Motown hit ‘Reach Out I Will Be There’. His killer version is a dancehall shaker and many might has been searching for this rare vinyl records as an essential for DJ selection. The Four Tops originally released the song in the mid 60’s. The mid-tempo organ instrumental ‘Illya Kuryakin’ feartures Ike Bennet’s powerful organ solo on the filpside.

93
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Keith & Tex - Tonight / Lynn Taitt, Desmond Miles Seven - You've Caught Me

Move & Groove / Dub Store Records JPN 1967

N/A

A star duo at the Harriott’s production, Keith & Tex’s‘Tonight’is also the everlasting masterpiece in the history of Reggae music. There were many essential songs in his production from 1967 to 68 but‘Tonight’is obviously the most indispensable one. Lynn Tait plays a beautiful instrumental version to Melodians’ hit ‘You’ve Caught Me’ on the flip side. Reissued with these original recordings on both sides.

94
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Keith & Tex - Hypnotizing Eyes / Down The Street

Move & Groove / Dub Store Records JPN 1968

N/A

By Keith & Tex, a vocal duo who represented Derrick Harriott's production, 「Hypnotizing Eyes」 was a hugely popular tune released at the end of Rocksteady era. The B-side,「Down The Street」was a pioneering sound of up-tempo Reggae that became the major style in 1969. From 1968 to 69, they recorded enough songs to make an album and amazingly all of them were top-notch. Re-issued original songs on both sides.

95
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Noel Brown - Heartbreak Girl / Man's Temptation

Crystal / Dub Store Records JPN 1968

¥1380 (US$8.93)

Later became a vocalist for Chosen Few, Noel Brown's beautiful falsetto floats on this rare Rocksteady tune. It is also an interesting piece that recorded during the transition stage from Rocksteady to Reggae. These are only songs Noel Brown did for Derrick Harriott.

96
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Pat Satchmo - A Handful Of Friends / Kingstonians - Right From Wrong

Move & Groove / Dub Store Records JPN 1970/ 1971

N/A

Early Lovers Rock tune by Pat Satchmo. You can probably guess from his name that he imitates the singing style of Louis Armstrong. He showcased his amazing talent as he sang double perfectly in this song. B-side features a previously unreleased but marvelous tune by Kingstonians and Jackie Bernard fan must check it out!

99
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Naggo Morris - Bootlegger

Ujama / Digikiller / Deeper Knowledge US 1979

¥1180 (US$7.63)

"Bootlegger" was only ever pressed in a miniscule quantity as a blank label pre-release, managing to elude most collectors of JA music for nearly 40 years!