Chuck Turner has recorded his impressive songs at Jammys such as 'I Need You' and 'Run Around Girl'. 'We Rule The Dancehall' is one of those and this tough steppers rhythm was build by notable Steelie & Clivie. His melancholy voice is something very contrary to his aggressive lyrics but that's something it makes this record attractive.

'The Exit' by Dennis Brown is a tough song on a classic dancehall rhythm 'Screechie Across The Border', which often regarded as one of the best 80's dancehall rhythms.
Comparing to its original – 'Screechie Across The Border' by Courtney Melody, it sounds a little less dynamic but the reconstructed rhythm based on pensive minor chords perfectly matches to the singer's profound vocal and lyrics.

Junior Reid sings 'Puppa Jammys Nice' in Rock 'N' Roll style on this dry and bouncy computerized rhythm while Little John showcases his rhythmical performance on a previously unreleased rhythm, which sounds similar to Jammy's classic 'Love Punanny Bad' rhythm.

Little John praises King Jammys Super Power with his melancholy vocal and serious lyrics. Anthony Malvo and Collin Roach, who both recorded at King Jammys Recording Studio regularly, sings world renowned song 'We Are The World' in combination.

Jamaica's favorite US northern soul group, Chilites, performs smooth harmonies on an updated version of 'Sleng Teng' rhythm produced by King Jammy's son, JohnJohn, Pad Anthony sings 'Caan Mek We Run Way' on another Jammys classic 'Jump Up' rhythm in his finest style.

Nitty Gritty updates his major hit song 'Run Round The World' to 'Play Around The World'. This dubplate simply praises King Jammys Super Power and he warns sound boys by singing "Jammys is the sound where play around the world,,, don't test Jammy sound”.

ichael Buckley sings 'Test We' on the King Jammy's computerized version of Studio One foundation 'Rock Fort Rock' rhythm where he showcases his low-key voice and unique flow. On the flip side, Colin Roach performs 'Jammy's Lets Cruise' on another Jammys popular 'China Town' rhythm with melodies of the Anthony Malvo's 'Cruisin' and Bob Marley's 'Nice Time'.

"Swinging My Lover" reminds of another Jammys hit rhythm "Four Season Lover". Junior Reid samples Johnny Clarke's 'Rock With Me Baby' and he expresses his joy on this juggling rhythm. 'Jammys Playing' is an update version of one of his early day classics 'Human Nature' exclusively for King Jammys Super Power.

Johnny Osbourne, who recorded many of numerous hit tunes for Jammys, sings a killer number 'Line Up', which is favored by 80's dancehall lovers. On the Side-B, Little John severely performs extraordinary dubplate special 'Come Fe Mash It' on 'Stalag' rhythm.

One of the most famous and popular dubplates from Jammy's vault. Thriller U, who recorded regularly at Jammys, sings on the Dennis Brown's 'Promise Land' rhythm for King Jammys Super Power. And Earl Sixteen performs 'A1 Sound' on 'Trial Crosses' rhythm.

Wayne Smith scored numerous hits at Jammys and one well known is 'Under Mi Sleng Teng'. He also released same title album 'Under Mi Sleng Teng' where he showcased wavy & choppy 'E20' and crisp & clear song 'In Thing' on further computerized [Barrington Levy - Come] rhythm.

'Love Light Of Mine'by Horace Andy and 'Ready For Your Loving' by Frankie Paul were both on their King Jammy produced album 'Haul And Jack Up' and 'Sara' repeatedly. Both songs were recorded on its original rhythm 'Chuck Turner - We Rule The Dancehall'. Those two veteran artists showcase their long time calm vocal skills on this bouncy dancehall rhythm to make those recordings quite tough.

In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.

The "Tempo" rhythm is considered one of the historical rhythms in the golden period of dancehall and it was apparently an answer rhythm to Jammys "Sleng Teng" rhythm."Love It A Kill Me" by John Wayne is probably the most sought after and popular cut on the rhythm and the record itself includes a superb dub-version on the side B by the Dub Master, King Tubby. Although the artist does not sing as powerfully as he does on his hit song "Call The Police" he the still displays his unique lyrical flow. Originally, 7inch vinyl record was released on the Kingston 11 label and the 12inch was on the Firehouse label.

Recorded to the same rhythm track ‘’New Tactics’ by Admiral Tibet. Horace Martin, who is known for his major works during the late 70’s to early 80’s, has released the LP ‘Mix Up’ on the Redman label. This tune here is can be characterized with his deep sounding vocal and Redman’s synthesizer works.

Admiral Tibet calmly sings about newly established slavery system and their new wicked tactics on the heavy-weight dancehall rhythm. He showcases his stable vocal techniques with his very own cool & smooth lyric flow to match with this minor coded rhythm. Another crucial song among the Redman’s catalogue.

To explain the Redman International label, without mentioning Carl Meeks is impossible. The ‘Danger’ is Carl’s masterpiece where he sings with his unique Out Of Key style with his sharp lyrics on simple and un-colorful but addictive sounding rhythm to produce another impressive killer tune.

From its heart-shaking intro, Conroy Smith’s fresh and piercing voice echo to deliver an intense song ‘Love Affair’. Considerably, the song is known for popularity within the Jammys catalogue. Recorded to the same rhythm track ‘In Thing’ by Wayne Smith.

Robert Lee has proven that he has much ability to bring cool soundsystem tunes with his popular song ‘Come Now’. This time, he did it again with ‘Dreams’to the same rhythm track‘Run Down The World’ by Nitty Gritty.

While digital dancehall was gaining in popularity since 1985, Pad Anthony released a large number of classical songs with King Jammy. ‘Dangerous System’ is one of his major songs. The artist focuses on systematic oppression as his theme to deliver his warning lyrics to the same rhythm track ‘Like A Dragon’ by Wayne Smith and ‘History’ by Dennis Brown.