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Dennis Brown - Exit / Exit Version
Jammys / Dub Store Records JPN 1985
¥1680 (US$10.87)
'The Exit' by Dennis Brown is a tough song on a classic dancehall rhythm 'Screechie Across The Border', which often regarded as one of the best 80's dancehall rhythms.
Comparing to its original – 'Screechie Across The Border' by Courtney Melody, it sounds a little less dynamic but the reconstructed rhythm based on pensive minor chords perfectly matches to the singer's profound vocal and lyrics.
Icho Candy - Cool Down Sufferer / Version
Tesfa / Digikiller / Deeper Knowledge US 1987
N/A
Cool Down Sufferer is probably Icho Candy's best tune, and it's back now on the Tesfa label, one of the main imprints of artist/producer Tesfa McDonald. Tesfa has now been active as a producer in five decades, so we pulled this gem from his back catalog, a heavy tune with cool synth sounds. It was originally released on the Tesfa label in JA on 7-inch, and on 12-inch in the UK on the Selah label.
Wayne Smith - My Lord My God / My Lord My God Version
Jammys / Dub Store Records JPN 1985
N/A
Wayne Simth unexpectedly appeared on the top of dancehall scene with Jammys' monster rhythm 'Sleng Teng' in the mid 80's at one burst. Hardcore dancehall fans will recognize this song 'My Lord My God' on 'Screechie Across The Border' rhythm is one of the most popular songs within his Jammys' catalogue.
Robert Lee - Come Now / Come Now Version
Jammys / Dub Store Records JPN 1989
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Robert Lee was also one of demanded singers at Jammys because of his musical characteristic - 'Out of Key' style. Here King Tubby produced 'Tempo' rhythm was rearranged by Jammys and it allowed Robert Lee to perform calmly with his aggressive lyrical expression for creating another killer song.
Robert Lee, Bunny General - Midnight Hour / Midnight Hour Version
Jammys / Dub Store Records JPN 1988
¥1680 (US$10.87)
Robert Lee and Bunny General adopted the phrase of a classic song 'Midnight Hour' by Sivertones in their combination song 'Midnight House'. The original press was only available by 12" single vinyl on Unity label.
Little Kirk - Don't Touch The Crack / Don't Touch The Crack Version
Jammys / Dub Store Records JPN 1987
¥1280 (US$8.29)
Now veteran deejay Kirk Davis who started his career as Little Kirk back in the 80's, since then he has been on his move. Known for his major songs: 'Screechie Across The Border' and 'Ghetto People Broke', also one of those is 'Don't Touch The Crack'. A tough digital steppers cut.
Chaka Demus - Original Kuff / Original Kuff Version
Jammys / Dub Store Records JPN 1989
N/A
In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.
Anthony Red Rose - Me No Want No Boops / Me No Want No Boops Version
Firehouse / Dub Store Records JPN 1986
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Without mentioning Anthony Red Rose, we are simply not able to discuss the distinguished sound of King Tubby and his Firehouse label. The artist was an essential figure who recorded a song called "Tempo", creating an original rhythm. It was produced by King Tubby and immediately became a symbol of 80's dancehall. During this period, King Tubby and his entourages have created prolific rhythms while running his Firehouse label. Luckily, Anthony Red Rose was able to come on the scene with his 'out of key' style and release several hits 'Old Pan Bangrang', 'Under Mi Fat Thing' and 'Worries Again' on their rhythms. "Me No Want No Boops" on the classic roots reggae rhythm "Here I Come" features humorous voice arrangement by Anthony himself and undoubtedly, this is another reputable number within the Firehouse catalogue.
Carl Meeks - Without Your Love / Red Eye Lover
Redman / Dub Store Records JPN 1988
¥1280 (US$8.29)
Previously unreleased on 7inch vinyl record. Those two songs were only included in the Redman and Carl Meeks’ classic LP [Weh Dem Fah]. ‘Without Your Love’ was recorded on the famous ‘Wicked Can’t Run Away’ rhythm and ‘Red Eye Lover’ was on the popular Sleng Teng (Computer) rhythm.
Wayne Smith - Like A Dragon / Dennis Brown - History
Jammys / Dub Store Records JPN 1985
¥1280 (US$8.29)
Originally, ‘Like A Dragon’ came out the Wayne Smith’s classical album [Undewr Mi Sleng Teng] while Dennis Brown’s ‘History’ on the flip side appeared in an album entitled ‘History’on the Live & Love label. Both titles are previously unreleased on 7inch vinyl record.
Banana Man - Musical Murder / Musical Murder Version
Jammys / Dub Store Records JPN 1989
N/A
Although Banana Man is not a famous figure in the business as he was not a prolific artist, his funs still remember his soundsystem anthems and his unique name. ‘Musical Murder’ considerably one of his best works on the King Jammy’s digitally versioned ‘Wicked Can’t Run Awa’ rhythm.
Little John - Jammys Rule (Heavyweight Vinyl) / Colin Roach - Hey Yo
King Jammys Dub / Dub Store Records JPN 1986
¥1680 (US$10.87)
Little John praises King Jammys Super Power with his melancholy vocal and serious lyrics. Anthony Malvo and Collin Roach, who both recorded at King Jammys Recording Studio regularly, sings world renowned song 'We Are The World' in combination.
Thriller U - Raggamuffin Jammys / Earl Sixteen - A One Sound
Prince Jammys Dub / Dub Store Records JPN 1985
Promised Land B: Trial & Crosses
¥1280 (US$8.29)
One of the most famous and popular dubplates from Jammy's vault. Thriller U, who recorded regularly at Jammys, sings on the Dennis Brown's 'Promise Land' rhythm for King Jammys Super Power. And Earl Sixteen performs 'A1 Sound' on 'Trial Crosses' rhythm.
Junior Murvin - Make It And Set It / Version
Taurus / Digikiller Records / Depper Knowledge Records US 1987
¥1180 (US$7.64)
Self-produced by Junior Murvin at King Tubby's in 1987, and released via Tubby's then-active Taurus imprint. Fans of digital reggae are well aware of the brilliant and unique digital riddims being cut at Tubby's in the late '80s by the likes of Asher, Peego, Fatman, Benbow, and others. But besides the immortal 'Tempo' riddim and its variations, there are monsters like 'Babylon', 'Inna De Ghetto', 'Grammy', and many more. And then there is this one, perhaps more singular and deadly than almost all of them, yet only lesser-known by virtue of its rarity. Junior Murvin's beautiful falsetto floats on top of a monstrous and mind-boggling one-away riddim that could only have come from Dromilly Avenue.
Leggo Sounds / Digikiller / Deeper Knowledge US 1986
N/A
As a long-time Orange Street producer, record store owner and then studio owner, Leggo has built a solid catalog of both wicked roots and dancehall, from the 1970's all the way thru the 1990's. For some time we've been huge fans of Leggo's productions, but as collectors we've found many of them inexplicably hard to find.