The second cut of 'Guiding Light', and third cut on the rhythm. This time with a different mix and percussion overdubs by Bongo Herman, again done at Channel 1. This cut mixed in a more spare early '80s style, hard stuff. The Mighty Abidjans for this one were Jaiq Sterling, Leonard Billings and Glenford McLeggan. This is the final Mighty Abidjans single to feature vocalist & song writer Jaiq Sterling.

Awesome second cut on the "Guiding Light" rhythm from the Fashioneers, in this incarnation, just Leonard Billings & Glenford McLeggan, from after Jaiq Sterling had departed. Recorded and mixed at Channel 1, late '70s.

The mysterious Elijah cut this mellow and heartfelt 2-part single for Sir Collins, then apparently disappeared from the recording scene. But the tune made quite a mark in New York, where it was released on the very rare Bronx-based WARICKA label, enough to have been covered a few years later by KC White (we also reissued his cut, still available, see here!) The tune is also remembered fondly as a New York sound system favorite in the 1970s by those active back then. It was also released on the Ackee label in the UK, memorable roots reggae for sure.

This tune was the second Roots tune recorded by Junior Murvin after his first 1974 masterpiece. With different dynamics, this great track was also highly sought after, and considering this tune as one of his few recordings during the period, it should be recognized as an important record and a true masterpiece.

"Power House" by Sir Harry, another rare beast from the vaults. This track is alternately know by several names, usually based on the cryptic words spoken by Sir Harry in the intro, and bears no real official title, the original release being only on a blank label. The title "Power House" comes from Charlie Morgan's excellent Studio 1 discography, and we've used it here as a nod to his invaluable work. But on to the music, Sir Harry's tune is not so much his own, as the old time chatter only interjects a few odd phrases here and there. Really the tune is a phenomenal instrumental workout on the same rhythm as "You Touch My Soul", with organ and bongo drum overdubs propelling the awesome rhythm forward, while the Invaders' vocals are heard ever so faintly in the background, bleeding thru from the other track on the 2-track master.

The mighty Delroy Wilson, one of Jamaica's biggest artists. "Give Me Your Love" was released on a Delroy LP again on the WARICKA label, which was mostly sold as a blank label pre-release with no cover, although copies with labels and/or a silk-screened cover also exist. This is a phenomenal cut on the mournful and heavy 'Artibella' rhythm, with a killer organ sound that we just love. This tune is backed by a dub cut with horns and bongos, lifted from an extremely rare blank-label Sir Collins compilation LP. We've heard tell that the vocal cut also comes on blank label pre-release 7-inch, but haven't seen it. Can anyone confirm? In any case this tune is one of our favorite of its era, essential to any Delroy Wilson selection.

The Channel 1 Lost & Found series of previously unreleased music continues with more killer ten inches. Oneil Dyer's "Apartment" was only ever issued on a small press blank label Hitbound 10" in New York, unnoticed by all but the most hyper astute collectors. Heavy tune, with a killer dub, serious 1982 Scientist/Radics style. The B-side of this record features an unknown killer roots tune from around the same time, dubplate material which unfortunately on tape carried no markings as to who the singer is. We absolutely love good female-voiced roots and this is no exception, purely wicked tune. If anyone knows who sings this tune, let us know, as no one including some of those folks involved in making the tune could place it! One thing that is clear however is the voice of Sugar Minott on harmony. Unfortunately no dub version was found for this tune.

Deep late '70s roots from Prince Far I's CRY TUFF label. Only ever released on JA 45, reissued for the first time. A monster instrumental/dub single, Deadly Headley and Asher's killer lick of the 'drum song' riddim, wicked horns, keyboard and melodica at the forefront. RIP Prince Far I, your legacy of music lives on.

Recorded in 1974, this is Junior Murvin's first Roots tune ever. Having always been sought after by collectors, this song is possibly the ultimate classic. This is a completely different take from the one Junior Murvin recorded for Lee Perry in 1977 for the “Police and Thieves” LP distributed by Island. Undoubtedly this is one of Murvin’s best tunes, which should be in every collector’s record box.

A long time in the making, part one of a new series of reissues produced by the great Lloyd "Bullwackie" Barnes. So many Wackie's productions are long among our personal favorites, and some helped introduce us to the wonderful world of Jamaican music. We'll be issuing many now hard to find singles as well as some previously LP-only tracks and other surprises! Our first selection of singles all appear, of course, on their original labels. An NYC/JA collaboration with Wackie's producing an early tune by Don Carlos, originally credited as 'Jah Carlos', over a tough Soul Syndicate rhythm. This one is on the Rawse label.

Producer Danny Ffrench's DON 1 label only had a trio of releases, but all were stellar.