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Best sold Heavyweight Ragga '85-'92 within a week before Oct 15, 2014

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Junior Khadaffy - Rampers Music / Version

Stereo Uprising / Deeper Knowledge US 1989

N/A

A mythical tune for all serious digital reggae collectors, finally reissued. The obscure Junior Khadaffy (various spellings!) released only a handful of tunes in the mid-late '80s, but all are fantastic. This one was cut for E&F Studios in the Bronx, ran by the late artist I-Plee. Stereo Fletcher happens to be family to I-Plee, producing several records by the artist for his own labels. But the works went both ways, and Stereo produced this one for release on E&F's in-house label. Slick but killer digital reggae, this one has always reminded us of the production style of Little Kirk's "Weed Them Out", a fantastic arrangement, great vocals and a complex head-nodding rhythm. The original press is extremely rare and the tune is simply too good to remain that way, so here it is, top top top shelf '80s digital, now available for all.

4
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Robert Lee - Come Now / Come Now Version

Jammys / Dub Store Records JPN 1989

Tempo

N/A

Robert Lee was also one of demanded singers at Jammys because of his musical characteristic - 'Out of Key' style. Here King Tubby produced 'Tempo' rhythm was rearranged by Jammys and it allowed Robert Lee to perform calmly with his aggressive lyrical expression for creating another killer song.

5
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Little Kirk - Don't Touch The Crack / Don't Touch The Crack Version

Jammys / Dub Store Records JPN 1987

¥1280 (US$8.25)

Now veteran deejay Kirk Davis who started his career as Little Kirk back in the 80's, since then he has been on his move. Known for his major songs: 'Screechie Across The Border' and 'Ghetto People Broke', also one of those is 'Don't Touch The Crack'. A tough digital steppers cut.

6
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Puddy Roots - When I Release / When I Release Version

Redman / Dub Store Records JPN 1985

¥1280 (US$8.25)

One of the Redman’s earliest works is a song called ‘When I Release’ by Puddy Roots, who was very active artist during the 80’s. You would be convinced that King Tubby was a part of this production when the tune sounds real heavy with Puddy’s impressive singing style.