A harmonica instrumental version of the all time favorite, Summertime and instrumental cover version of the Soul classic. Both are great interpretations of instrumental covers that are ranked definitely as two of the greatest Rocksteady tunes. Taken straight from its master tape, Summertime is a masterpiece that condensed the splendor of the blinded harmonica maestro and famed vocalist, Roy Richards. Originally released in 1968 by Young Holt Unlimited and scored a big hit, this great cover of the Soul classic, which sounds easily fitting the pattern of Sir Coxsone’s taste who was the huge fan of US hits, was played loosely and effortlessly by then newly formed Sound Dimension.

Lynn Taitt remakes theme songs from the movie "Batman" in killer Rocksteady style. Those cheerful instrumentals, which well represent the distinctive sound of Marritone label, were originally released in 1968.

A very rare and beautiful Rocksteady tune that collectors are after for many years. The Minstrels released mere amount of records but all of them were top-notch recordings. This 1967 released powerful ‘Hey There Lonely Girl’ is crucial for every Rocksteady fans. Acappella version of the song is included on the B-side.

A magnificent Rocksteady piece in one-off style sang by one of the groups that represent the golden age of Ska. Since the number of their recordings decreased devastatingly after the Ska era, this truly is a rare Rocksteady made in its top form with the veteran’s dignity. In addition, this is the own Rocksteady cover version of one of their first ever recordings at the Coxsone’s in 1960.

Without any explanation, ‘Stop That Train’ by Keith & Tex is a true Rocksteady classic of all times. The song stands tall in Reggae music history and a biggest hit among Derrick Harriott’s catalogue. Side B features Memphis Soul Rocksteady instrumental, just like a trendy song from Stax Records. Now reissued for the first time with these original recordings on both sides.

'Slippery' is a beautifully arranged minor-chorded sax cut to Harriott production's classic rhythm, "Tonight." B-side is a piano instrumental version to the flip side.

A fundamental album released in 1966 that determined the way Rocksteady was going to journey. In 1966, Rude Boys were at the peak of the fame with their notorious behaviors, while Ska gradually started to slow down its tempo. This album paved the way for a newborn music, Rocksteady, with rather slower and tighter rhythm approach. This album should be considered as one of the ten most important albums in Reggae history. The descent from Ska, which had its derivation from Jazz or Rhythm and Blues, to Rocksteady, with its various potential elements which would be passed to the next decade of Reggae, has been allegedly created in this album with Trinidadian guitarist Lynn Taitt and his band The Jets as the backing band. Entitled “Take It Easy With The Rock Steady Beat!”, most of the tunes featured in this album were written for praising dancehall as if he’d have known this genre was going to rule the dance floors. Among the tunes in this album, “This Music Got Soul” was the coolest of all and called out the dawn of the Rocksteady era. This tune had a huge influence on the future developments of Reggae music.

The astonishing take of previously unpublished Rocksteady - reveals new facts about Studio One’s Ska and Rocksteady! A few years after the Skatalites recorded the famous “Freedom Sounds”, the band has reconstructed as the Soul Brothers and this is the astonishing, previously unpublished take of them playing the Rocksteady version. By the look of the master-tape, it has never even planned to be released as a single and kept especially for the LP release, which might have meant to be the Soul Brothers version of the Skatalites’ iconic “Ska Authentic” album. This seriously rare recording is a must-check for everyone from the beginners of the Jamaican music to the Ska masters. Though as might be expected, we may never be able to measure the depth of the foundation studio.

This is a Rocksteady cut of the Zodiacs' 'Walk On By' released in 1967. They recorded the original Ska cut at Duke Reid's Treasure Isle. Rare Rocksteady classic with beautiful harmonies on a profound rhythm. On the B-side, this previously unreleased material 'House Upon The Hill' features an unknown vocal group called Merritone singers.

Roland Alphonso has covered many songs with his own unique style from his early career. 'How Soon' is simply another beautiful instrumental cover performed by Roland. ‘How Soon Pt.2' is a previously unreleased take to the A-side. Released on Federal label in 1966 and reissued from the original master tape.

Derrick Harriott’s original cut to sound system foundation rhythm ‘Solomon’. Derrick sings comically about Solomon, who was given wisdom amongst of all mankind from God in the Old Testament: “Solomon was the wisest man but he didn't know the secrets of a woman” The hit rhythm has been versioned many times over last four decades. On side B, there is a nice & cool horn instrumental entitled ‘The Emperor’ by Bobby Ellis, its title might imply Derrick Harriott productions had a good taste in music at that time.

Every song done by Keith & Tex had absolutely trusted in those qualities, and these laid back and relaxing tunes are no exception. On A-side features a mid-tempo Rocksteady and the flip side is their cover version of Temptations’ 1968 hit.

***Sleeve damage and small paint marks

Studio One’s golden Rocksteady cover; even hipper and cooler than the original by the Impressions. The original has been known for its excellent lyric and melodies, thanks to the composer Curtis Mayfield, however the Minstrells brought this to a total perfection. Even though the Minstrells left us a small number of recordings, the great vocal group had such a high standard for every single one of them. If you’ve listened to the original press of this tune, you will find the intro has been cut, unfortunately that was the same deal for the master-tape itself. The nice rocksteady by the firm but short-lived Hamlins comes on the other side. Both have been recorded from the original master-tapes.

The Soul Vendors’ horn inst cover of a mellow Latin tune, backed with the authentic Studio One Rocksteady masterpiece. This gorgeous horn inst Rocksteady features a superb arrangement from King Cannon a.k.a. Carl ‘Cannonball’ Bryan and Roland Alphonso. Like the originals on the other side here comes the one that Island was certainly familiar with back then, the Nat King Cole’s excellent vocal cover from the Hamlins.

A perfect, yet low-keyed, Studio One Rocksteady double A-sided masterpiece!! Recorded in 1967 while Clement Dodd and Soul Vendors were on tour in the UK. The former Jamaican popular singer Owen Gray, who had already been living there then, voiced these unique pieces. It sounds very different from the ones recorded at Brentford Road, although both tunes certainly have the “Coxsone Sound” – A masterpiece that is refined, and maximize the talent of this one-time star. Only ‘The Raver’ was recorded from the original master-tape.

The killer Rocksteady-Ska like a vital bridge between both of them, backed with a Mittoo’s nice vocal tune. Throned from the Skatalites to the Soul Vendors, this is the last form of the Studio One Ska and it’s very much like the Soul Vendor’s party piece. Along with the B-side, Jackie Mittoo had directed both and his marvelous creativity can be seen allover. Each of them recorded from the original master-tape.

Recorded in 1967 and previously unreleased material from the original master tape. This elegant but also distinctive recording is certainly incomparable to other recordings appeared during the Rocksteady era. Veteran singer, Eddie Perkins, started his career in the early 1960s and he worked with Alton Ellis as duo called Alton and Eddy.

Leslie Butler's Jazz approach, which can be heard in the beginning, obviously secures elegance of 'Let Me Come On Home'. Hopeton Lewis also sings sufferer's song on the flipside. Both side are taken straight from the original master tape for this reissue.

Judy Mowatt used to form a group called the Gaylettes in her early career although she is known for touring all over the world as a member of I Threes and the Wailers. 'Silent River Runs Deep' is the most known song and a hit for the group. 'I Like Your World' was also originally released on the A-side of another record released on Merritone label. Those recordings of this double A-sided single are certainly great enduring female Rocksteady songs of all time.

One of the earliest works recorded by John Holt. This is a golden Rocksteady piece clearly depicts beautiful atmosphere that Federal Records always has kept in their recording material. The single was originally released in 1966 without this acappella version. Reissued from the original master tape.

Originally released in 1966, 'Cool Collie' is sometimes considered as one of the first Rocksteady recordings. With hard hit paformance by the back band, Hepetone Lewis sings to free Ganja which is the one of the essential elements of Jamaican music tradition.B-side, Mr. Rocksteady performs a bitter love song in a minor key.

Those rare songs did not appear Hopeton Lewis’s classic Rocksteady album Take It Easy. ‘Rock A Shacka’ is truly a Rocksteady classic of all times. It’s a must item for all Rocksteady fans. With his dearest hope, he calmly sings ‘I don’t want no trouble now, no no no. I just can’t take troubles now, no no no. So let’s together in unity, let’s togther in prosperity’ backed by version accompanying heavy bass.

Another enduring Rocksteady instrumental masterpiece by Bobby Ellis and Derrick Harriott’s timeless love song echoes sweet and bitter. Cool and dark ‘Step Softly’ is one of the most signature songs for Bobby Ellis and the greatest Rocksteady instrumental of all. The flip side is a best example of Harriott’s distinctive sound in Rocksteady era. The set of recordings are now reissued with original songs on both side.

Derrick Harriott versions a Motown hit ‘Reach Out I Will Be There’. His killer version is a dancehall shaker and many might has been searching for this rare vinyl records as an essential for DJ selection. The Four Tops originally released the song in the mid 60’s. The mid-tempo organ instrumental ‘Illya Kuryakin’ feartures Ike Bennet’s powerful organ solo on the filpside.

The Renegades consisted of Winston 'Pipe' Matthews, Lloyd 'Bread' McDonald and George 'Buddy' Haye and later became a group called the Wailing Souls. ‘You've Lost The Love’ is one of their earliest Rocksteady works and it was originally released in 1966. It is also one of the rarest records hardly ever found. The record also features previously unreleased Ska vocal recording ' Rude Boy A Wail' by the Merritone Singers from the original master tape.

Although Hopeton Lewis recorded many songs for the Merritone, Henry Buckley was also a prolific singer who recorded many songs for the label. Federal was probably recording with him for his never released debut album. Side-B features a Rocksteady instrumental, which appeared on LynnTaitt’s debut album.

A star duo at the Harriott’s production, Keith & Tex’s‘Tonight’is also the everlasting masterpiece in the history of Reggae music. There were many essential songs in his production from 1967 to 68 but‘Tonight’is obviously the most indispensable one. Lynn Tait plays a beautiful instrumental version to Melodians’ hit ‘You’ve Caught Me’ on the flip side. Reissued with these original recordings on both sides.

Originally released on 1969 by Keith & Tex, who were the favorite duo in Rocksteady era, this up-tempo tune introduced the beginning of Reggae's new style. This duo never disappointed everybody's expectation by their high quality tunes. Re-issued original songs on both sides.

A rare previously unreleased Rocksteady by Federal’s star singer, Hopeton Lewis. This killer Rocksteady represents one of the traditional elements of Jamaica, as well as the Rude Boy themed warning which could be heard in the lyrics. These types of unreleased materials could only be dug out at such a profound label, Federal.