Miss Red cut her teeth as a MC with Easy Rider Sound from Haifa but more recently you will fi nd her touring the world playing with The Bug. This release sees her going back to her dancehall roots and a vocal counteraction to Shabba Ranks’ ‘Trailer load a gyal’. The track is by Bim One Production from Tokyo, whose electronic reggae releases are proving to be reliable dance smashers. This is a limited edition vinyl only release. ***Get download code for the same rhythm "Danny T feat. Parly B - Dreader Than Dread (Bim One Production Remix)" details below!!!

Mungo's Hi Fi have been following The Hempolics for a while and were glad to get a chance to remix one of their tracks. They picked 'Love to sing' for it's upfull message and joyful sound, bringing in Solo Banton for some heavyweight lyrics in the verses and giving it the Mungo's bass treatment.

Another extremely rare take to the identical title released on Wild Apache that is known for being played by the mighty Jah Shaka at his sessions. Comparing to the other Stereo One tunes released around the same time, this one is really fantastic and luring, also complimented by refined deejaying Burro Banton. This one will stand as the definition of heavy weight ragga!

After selling out the first 7” cut from her latest album within a couple of days, Japanese lovers rock singer Asuka Ando comes back with another single, “Jiri Jiri” including a dub from Jagabe (Reggaelation independence). One of the most talked about singers in Japanese circuit at the moment.

Only other tune from Stereo One label that can stand against the masterpiece “Mix Up” for its popularity and recognition. Killer combination of Frankie Willmott’s melancholic vocal and vigorous deejaying from Captain Barkey!

Out of all Jammy’s gigantic catalogue, “E20” rhythm could be considered as one of the most destructive ones to date. Jammy found the unreleased track on this rhythm from the vault featuring a familiar face of the 80’s dancehall, King Everal melancholy singing this killer!

Mungo's Hi Fi held a recording session with Sugar Minott in Glasgow in 2009, not knowing　that he would sadly pass away six months later. This record features his raggamuffi n vocal　which has been complemented with Daddy Freddy at his growling best, which he was　proud to record alongside his friend and mentor. The 12" features on one side Mungo's Hi Fi's original dubby smasher, which has been one of their most requested tracks since they started playing it out on dubplate. The other side is their fi rst collaboration with Chimpo, who has pulled out all the stops to take the homage to Zinc's Super Sharp Shooter to the next level.

Digital remake of the charismatic roots reggae artist Yabby You a.k.a. Jesus Dread’s representative rhythm of the same name. King Everal rides on smoothly on waves of the rolling bass. An astonishing previously unreleased material!

Half Pint’s massive hit on Sly & Robbie remake of Heavenless for Powerhouse which pretty much needs no introduction. It is said that this it the first ever tune the word “Raggamuffin” was used and has been praised as the dancehall anthem to date!

Based on the Rhythm and Blues classic, this is a super rare uptempo Ska cover and for all Ska Man and the DJ’s!
Originally sung by Amos Milburn, in the 50’s this had been a sound system classic in Jamaica. There is nowhere else in the world but Jamaica could produce such a cover version and utterly convincing Drummond’s solo works nicely as a spice of this tune. Originally released on a blank label although it’s a super rare one to find - a proud copy to own and must have for all Ska Man. On the flip is a great vocal Ska yet the singer’s detail is completely unknown. *Recommended to pair this title with the instrumental version by Don Drummond on this very same series(DSR-FW7-04)

'This Music Got Soul' is one of the earliest works by Mr. Rocksteady aka Hopeton Lewis. Interestingly, some would even say 'This Music Got Soul' is his debut single. When the song was released in 1966, it seems that the musical term "Rocksteady" did not exist but this classic clearly proves a new wave of Rocksteady was coming very near. The artist also sings 'Rock Steady' to highly praise the new genre. Reissued from the original master tape.

A nice and easy Rocksteady tune 'Phoenix' was sung by Noel Brown who later became the vocalist for one of the most famous Soul Reggae groups, Chosen Few. The flip side featured a gorgeous keyboard inst by Ike Bennett.

Limited to 300 with serial number

The Skatalites’ killer shot interpretation of the world’s famous electric guitar inst, and the fully carnival-mode Ska played by a luxurious bunch of musicians. Originally played by the American electric guitar band, this is the proof of how Jamaicans won’t miss no trends. Guaranteed killer up-tempo Ska! Identical to the originals on flip by Jack Sparrow later known as Leonard Dillon of the Ethiopians, this praiseworthy piece features the Wailers on the backing vocal.

A perfect, yet low-keyed, Studio One Rocksteady double A-sided masterpiece!! Recorded in 1967 while Clement Dodd and Soul Vendors were on tour in the UK. The former Jamaican popular singer Owen Gray, who had already been living there then, voiced these unique pieces. It sounds very different from the ones recorded at Brentford Road, although both tunes certainly have the “Coxsone Sound” – A masterpiece that is refined, and maximize the talent of this one-time star. Only ‘The Raver’ was recorded from the original master-tape.

You might have seen Jammy playing this devastating sound killer in sessions lately, although before that this Nitty Gritty on Jammy’s ‘Tempo’ has only been heard on dubplates. No one knows why it never came out – is it because it was a counteraction to Tubby? Or tune that was the lethal weapon of Jammy? There is nothing we can do but imagine those pictures when listening to the intense energy and impact of this tune.

Another unreleased rare material only heard on dubplates previously. Jammy’s iconic heavy bassline and melodious instrumentals in minor scale represent his production style from around 87’. Super Black sorrowfully sings man’s pure heart in this lover’s dancehall tune.

Exclusive piece on a heavy weight digital remake of the “Cuss Cuss” rhythm. With the firing Jammys iconic bass lines on this tough rhythm, Prince Junior tops it showing off his rough performance in Rub a Dub style with an intonation.

It is an obvious fact that Dreadlocks culture was the trend of the time when this tune was released, but how could we ever imagine Derrick Harriott wearing Dreadlocks? He was wearing Afro instead and showed how he could easily cover Persuaders’ Soul hit. The flip side features another cover of a US Soul track that was transformed to a sweet Lover’s Rock by Harriott’s relative, young Kim Harriott. Apparently Harriott’s surroundings at this time were all wearing Afro even if it was the Dreadlocks era.

From rudeboy era of the early Merritone label, this is an elegant and refreshing instrumental Ska backed with a rudeboy vocal in pre-Rocksteady style. The A-side is an unusual instrumental Ska recorded remarkably at the Federal studio by the Studio One’s iconic session band the Soul Brothers. The B-side is a debut song by Laxton Ford who only recorded a very few pieces during his career. The lyric is built upon proverbs, which is a popular theme amongst Jamaicans. Recorded directly from the master-tape.

The Tartans were like the 70’s reggae all-stars, and this is their early big hit along with a rare Lynn Taitt’s instrumental! Formed by Prince Lincoln, Cedric Myton and Devon Russell, the Tartans brilliantly represent the “oldies but goodies’”vibe on the A-side. Flipping over to the B-side is the Lynn Taitt’s interpretation of the Miriam Makeba’s hit tune. Mysteriously it’s been unknown if this rare piece has been put out as a single or still being unreleased.

Finally reissued, the murderous second cut of KC White's take on "No No No." A few years after his breakout 1973 tune, KC migrated to New York where he took up work at Brad's Record Den on White Plains Road in the Bronx, and began working at Bullwackie's nearby studio. It was around this time that he went back to JA and re-cut "No No No" in the updated 'rockers' style, heavier than before, and with the Heptones on harmonies. This tune was originally released as a 12" single on Brad's in-house Clocktower label, and never re-released since. Arguably better than his first take, if you like late '70s rockers this one is a must.