'The Exit' by Dennis Brown is a tough song on a classic dancehall rhythm 'Screechie Across The Border', which often regarded as one of the best 80's dancehall rhythms.
Comparing to its original – 'Screechie Across The Border' by Courtney Melody, it sounds a little less dynamic but the reconstructed rhythm based on pensive minor chords perfectly matches to the singer's profound vocal and lyrics.

Admiral Tibet maintained himself as one of forefront cultural singers during the 80’s and the early 90’s. He consciously warns his girl friend about their love relationship with his melodious lyrics. “May be, Might be, Could it be, Girl you are running from reality”

Ever since his career bean in the early 80's, the veteran Pad Anthony has always played an important role at frontline of the Dancehall music even to date. This previously unreleased material has only been heard on dubplates and Dub Store Records is proud to finally reissue this gem. Soulful vocal and Jammy's trademark melancholic digital rhythm is just a combination that never seem to fail.

Originally started as The Renegades onto The Classics, one of the most prominent vocal groups, Wailing Souls have been keeping it authentic since the 60’s. Although they did not record that many at the digital dancehall era this one has been well received since day. Having both roots and dancehall elements is one of the key factors of King Jammy’s sound and this one remains as a masterpiece with the sorrow vocals by Wailing Souls. On the flip an enormously rare Wackad – Cry For The Youth who only released a few tracks from the late 80’s and early 90’s. Previously this can only be heard as a part of the compilation “King Jammy: A Man & His Music vol.1”.

Coupling tracks by two of the most lamented and legendary artists who both recorded great albums for Jammy. For some reason Jammy’s magic makes Dennis Brown’s vocal sounds so much better and this heavy digital remake of the Studio One classic, “Swing Easy” is just another example. It is also known as the same rhythm track for King Everal – Bad Girls. On the B-side, riding on the heavy tensional track, the charismatic vocalist from the 80’s, Nitty Gritty presents a smoky vocal warning all the soundboy out there.

Wayne Simth unexpectedly appeared on the top of dancehall scene with Jammys' monster rhythm 'Sleng Teng' in the mid 80's at one burst. Hardcore dancehall fans will recognize this song 'My Lord My God' on 'Screechie Across The Border' rhythm is one of the most popular songs within his Jammys' catalogue.

Although Super Black is known for his hits "Deh Wid You", "Rambo We Rambo" at Jammys, the artist also fit well with the Photographer label where he put out a superb song "Just Like A Magic". Among the 80's catalogue of King Tubby, "Rising Star" is very exceptional and features a unique groove, which is created by the solid bass line to bring out the best of Super Black's appealing voice.

‘The Ruler’ by Gregory Isaacs was only available for listening on a LP album “Reggae Sound War: Electrocutioner Vol.2”. The reggae crooner gently buries idiot sound bwoys with his killer lyrics and stand tall as the Cool Ruler. Recorded to the same rhythm track ‘Running From Reality’ by Admiral Tibet.

Johnny Osbourne, who recorded many of numerous hit tunes for Jammys, sings a killer number 'Line Up', which is favored by 80's dancehall lovers. On the Side-B, Little John severely performs extraordinary dubplate special 'Come Fe Mash It' on 'Stalag' rhythm.

As a long-time Orange Street producer, record store owner and then studio owner, Leggo has built a solid catalog of both wicked roots and dancehall, from the 1970's all the way thru the 1990's. For some time we've been huge fans of Leggo's productions, but as collectors we've found many of them inexplicably hard to find.