A very well-acquainted Dancehall classic rhythm "Tonight". Vena's version is without a doubt one of the top rated remakes alongside Jammys'. Melodious and melancholic arrangement meets Tonny Tuff's gourgeous singing - it's the true charm of Dancehall music.

One of the most accomplished producers of Dancehall era, Philip 'Fatis' Burrell who launched Vena label in the 80's and succeeded onto Xterminator until milleniums. Dub Store Records are delighted to present his highly sought after Dancehall materials to the world. This is a killer cut from "Nitty Gritty - Mulfunction" segment, Delroy Katt singing in well-trained voice riding on nimble and firing rhythm.

Known for his works for Joe Gibbs in the 70's, a highly significant deejay Trinity had a lesser know phase as a singer Junior Brammer in the 80's. Pricess Street is cryptic but an exquisite killer of Brammer projecting his sense of melodies as well as cool and refined voice.

Tomorrow's Children were probably favored by uptown youths rather than downtown Rudies because of their funky, hard hitting sounds and lyrics. With those elements, they successfully created own killer style, which can be undoubtedly heard with ‘Bang Bang Rock Steady'. The group also versioned the Beatles' 'Rain' in fine Rocksteady style. The original record was released in 1967.

The big hit Ska classic everybody loves, sang by one of the top groups of the 60’s!! Along with the Maytals and the Wailers, the Blues Busters were one of the top groups at the time, however commercially they were going more of a mainstream than the others. Since their career goes way back in the late 50’s, they must have been idolized by so many of those who made their debut later in the Ska era. This is an essential mainstream Ska classic by the brilliantly skilled duo in their best form backed by no other than Byron Lee.

Bunny continued to release records throughout the seventies that were never less than excellent and, as the new decade got underway, he came forward with one of his best ever releases: the militant clarion call 'Rise And Shine'. Stretched over two momentous sides of a UK twelve inch release, the record was a huge hit, but has been unavailable ever since. Bunny returned to the song on his superb 'Liberation' album at the close of the decade but the original cut has remained one of the most in-demand records on the 'revival' circuit.

Lynn Taitt remakes theme songs from the movie "Batman" in killer Rocksteady style. Those cheerful instrumentals, which well represent the distinctive sound of Marritone label, were originally released in 1968.

Digital masterpiece from King Tubby’s re-constructed recording studio. Two of the biggest stars from the dawn of the digital era meet in a head to head clash at the King’s state of the art Firehouse headquarters.

Capture the late eighties zeitgeist with Courtney Melody’s genre defining release. A highly anticipated re-issue of this showcase style album where Courtney Melody’s plaintive singjay style vocals are counteracted and complemented by a selection of King Tubby’s deadly digital dubs.

The Soul Vendors’ horn inst cover of a mellow Latin tune, backed with the authentic Studio One Rocksteady masterpiece. This gorgeous horn inst Rocksteady features a superb arrangement from King Cannon a.k.a. Carl ‘Cannonball’ Bryan and Roland Alphonso. Like the originals on the other side here comes the one that Island was certainly familiar with back then, the Nat King Cole’s excellent vocal cover from the Hamlins.

Nitty Gritty output his hit songs like 'Hog In A Minty' and 'Run Down The World' at Jammys and he had chemistry with minor chord digital rhythms. 'Good Morning Teacher' on 'Stalag' rhythm is a superb song showcases his unique vocal style and lyrics.

Tonto Irie left some impressive titles within Jammys catalogue. 'General A General' was recorded on 'African Beat' rhythm, which was versioned many times with regardless of musical generations. This newly build digital rhythm kept its original form and Tonto Irie showcased his old school lyrical flow in a Raggamuffin way.

A few titles has been released on Suguar Minott’s ‘Conscious Lover’ rhythm but ‘Sugar Me’ by Conroy Smith is one of the most wanted records on the rhythm among collectors. On this smooth drifting rhythm, he sings mournfully but also with his sweet lyrics.

A classic Rasta Man song sung by Bunny Wailer, the most devoted Rastafarian out of all the Wailers. This unforgettable Rasta Man Anthem was released just before one of the most important roots reggae album to date, Blackheart Man dropped. Unlike the original release, this single take is backed with a dub cut.

The astonishing take of previously unpublished Rocksteady - reveals new facts about Studio One’s Ska and Rocksteady! A few years after the Skatalites recorded the famous “Freedom Sounds”, the band has reconstructed as the Soul Brothers and this is the astonishing, previously unpublished take of them playing the Rocksteady version. By the look of the master-tape, it has never even planned to be released as a single and kept especially for the LP release, which might have meant to be the Soul Brothers version of the Skatalites’ iconic “Ska Authentic” album. This seriously rare recording is a must-check for everyone from the beginners of the Jamaican music to the Ska masters. Though as might be expected, we may never be able to measure the depth of the foundation studio.

Another smash hit Ska masterpiece by the Blues Busters, the superstar duo who had been dominating the Jamaican pop music industry since the 50’s!! Covering the American hits as their specialty, the popular group had left a number of Jamaican souls, although only a few ska hits. Out of those few, this is undoubtedly another one of the most considerable tunes they had left. An excellent singing melody sparkles on top of the Byron Lee’s iconic softly touched bass line.

Out of all Jammy’s gigantic catalogue, “E20” rhythm could be considered as one of the most destructive ones to date. Jammy found the unreleased track on this rhythm from the vault featuring a familiar face of the 80’s dancehall, King Everal melancholy singing this killer!

Dancehall expert Pad Anthony left so many hit tunes for Jammy at the golden age of the label in the 80’s. “Ruff A Them” is a slightly Roots orientated killer rhythm with a twinkle of Jammy’s Dancehall essence to it. Pad Anthony going right in showcasing his dazzling melody sense.

'Silhouettes' is one of Dennis Brown's earliest recordings and a good old Reggae hit. The flip side features Augustus Pablo's melodica cut to the A-side. This peaceful piece proves that the early sound of King Tubby is the greatest of all.

King Jammy recorded two outstanding songs on the foundation ‘Heavenless’ rhythm among many others. Although Pad Anthony’s ‘Murderer’ is perhaps the most well known soundclash standard, Tullo T aka Papa Tullo showcased his conscious lyrics with fast-rapping style on the same rhythm.

Smooth, sophisticated sounds from the highly respected Jamaican guitarist Ernest Ranglin.

A harmonica instrumental version of the all time favorite, Summertime and instrumental cover version of the Soul classic. Both are great interpretations of instrumental covers that are ranked definitely as two of the greatest Rocksteady tunes. Taken straight from its master tape, Summertime is a masterpiece that condensed the splendor of the blinded harmonica maestro and famed vocalist, Roy Richards. Originally released in 1968 by Young Holt Unlimited and scored a big hit, this great cover of the Soul classic, which sounds easily fitting the pattern of Sir Coxsone’s taste who was the huge fan of US hits, was played loosely and effortlessly by then newly formed Sound Dimension.

Freshly dug out uptempo Ska beats by Toots Hibbert and Don Drummond - apparently never been released before!

Recorded in 1965 when Ska was at its peak, those are the typical Maytals uptempo beats with an unmissable Don D’s solo part on both. Taken directly from the great Daddy Ken Khouri’s master-tape which belongs to the Federal Studio. It’s quite a combination to pull both the Maytals and the Skatalites together, although what’s more remarkable is the fact they have been unreleased for the whole time

Previously unreleased early acoustic cut from master tape! Unprolific vocal group called Sharks (also spelled Sheiks) released the up-tempo original cut in 1965. The reissue features the original cut on the B-side and the early acoustic cut on the A-side. With raw double bass, deep acoustic guitar and backing chorus that reminds the chain gang work songs, the group sings astonishing love song. "I was so cold last night, You made me warm, with your heart, with your lips, with your charm"…The song purely transcends musical boundaries of the time and this is another Jamaican gem!

One of the most wanted Ska titles to date, this is an ultimate killer Ska instrumental for all DJs. An exclusive reissue of the utterly rare and unique title amongst all the Ska instrumentals! Some say the title of this super killer masterpiece was taken from the musician Barry Malcolm’s nickname “Mughead”. Backed with an excellent B-side ‘Free For All’just like the original release. There are no more instructions needed for this great release!

Invaluable hard Dancehall steppers by Family Man produced in the twilight of the Digital era.The Ragga sound at its peak after the Digital Revolution, Family Man still remains to be the trusted person of influence. His iconic hard steppers style bass line is non exceptional at this era, so deep like in immovability like a mountain. Ashanti Wah recorded this piece a few times after, however none of them comes even as close as this cut. Officially first time to be released as a single.

Killer digital from one of the iconic figures of the 80's dancehall, Nitty Gritty recorded straight from the master tape. Refined out of key virtuoso stands out on a melancholic heavy weight rhythm.

Ever since his career bean in the early 80’s, the veteran Pad Anthony has always played an important role at frontline of the Dancehall music even to date. This previously unreleased material has only been heard on dubplates and Dub Store Records is proud to finally reissue this gem. Soulful vocal and Jammy’s trademark melancholic digital rhythm is just a combination that never seem to fail.