Another wicked vocal from Pad Anthony of the Jammys posse. Encouraging lyrics that can relate to many of us even today. On rhythm side it’s got catchy riff and comical synth action.

Both sides released on single for first time. On A side the title track from Tinga Stewart’s 88 album, a strong declaration from the man who keeps everything straight. On flip a killer vocal from Echo Minott originally included in his masterpiece “What The Hell” LP and it’s a different cut to “Super Black – One Time Girlfriend”.

Slightly different cut to “Jack Slick” originally released on Live & Love 12” only, this Al Campbell vocal is highly refined and soulful deploring the use of guns and its consequences. A late 80’s killer digital.

Cool Ruler a.k.a. Gregory Isaacs’ stunning lovers vocal on heavyweight Jammys digital. Much more focused on vocal compared to the Music Lab cut not to mention the gorgeous chorus part.

Wayne Smith scored numerous hits at Jammys and one well known is 'Under Mi Sleng Teng'. He also released same title album 'Under Mi Sleng Teng' where he showcased wavy & choppy 'E20' and crisp & clear song 'In Thing' on further computerized [Barrington Levy - Come] rhythm.

"Dancehall Rock" is on a killer one-away riddim that sounds tempo influenced, and no surprise then that Don popularly sung over the tune for Star Trail in the 1990s on their killer lick of tempo.

"Raise Again" originally came out in 1987 on Tasha's one-away Under Pressure label. Another fantastic mid '80s rhythm from the Gifted Roots Band, this one infuses digital vibes with the live Channel 1 sound.

nother fantastic mid '80s rhythm from the Gifted Roots Band, this one infuses digital vibes with the live Channel 1 sound. Then the next cut on 'Raise Again' rhythm, Steve Knight's "Orphan Child", originally featured only on his rare LP of the same name, it's here on a single for the first time.

Coupling tracks by two of the most lamented and legendary artists who both recorded great albums for Jammy. For some reason Jammy’s magic makes Dennis Brown’s vocal sounds so much better and this heavy digital remake of the Studio One classic, “Swing Easy” is just another example. It is also known as the same rhythm track for King Everal – Bad Girls. On the B-side, riding on the heavy tensional track, the charismatic vocalist from the 80’s, Nitty Gritty presents a smoky vocal warning all the soundboy out there.

One of the most accomplished producers of Dancehall era, Philip 'Fatis' Burrell who launched Vena label in the 80's and succeeded onto Xterminator until milleniums. Dub Store Records are delighted to present his highly sought after Dancehall materials to the world. This is a killer cut from "Nitty Gritty - Mulfunction" segment, Delroy Katt singing in well-trained voice riding on nimble and firing rhythm.

Still topping charts to date, this is one of Sanchez’ early hits recorded for Vena in the 80’s. Dub Store also presenting Nitty Gritty and Delroy Katt’s reissue on the same rhythm as well. Skilful and smooth flow backed with an alternative take that was only available on his LP previously.

Legendary dancehall artist, Nitty Gritty's unarguable digital killer for Vena! Glamorous out of key style in the proper 80's manner, along with Delroy Katt and Sanchez this cut is a must have, regardless.

Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version.
This is certainly another anthem of Jammys!

Chuck Turner has recorded his impressive songs at Jammys such as 'I Need You' and 'Run Around Girl'. 'We Rule The Dancehall' is one of those and this tough steppers rhythm was build by notable Steelie & Clivie. His melancholy voice is something very contrary to his aggressive lyrics but that's something it makes this record attractive.

In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.

One of the Redman’s earliest works is a song called ‘When I Release’ by Puddy Roots, who was very active artist during the 80’s. You would be convinced that King Tubby was a part of this production when the tune sounds real heavy with Puddy’s impressive singing style.

To explain the Redman International label, without mentioning Carl Meeks is impossible. The ‘Danger’ is Carl’s masterpiece where he sings with his unique Out Of Key style with his sharp lyrics on simple and un-colorful but addictive sounding rhythm to produce another impressive killer tune.

Tony Tuff, who was one of predominant figures in the 80’s dancehall scene, showcases his low-keyed performance and sings about careless people who cannot wash, cook, iron, clean, he warns them to learn something. This speedy bouncy rhythm, which is very similar to Redman’s classic rhythm “Koloko”, symbolizes astonishing sound works of Redman’s rhythm building.

Previously unreleased on 7inch vinyl record. Those two songs were only included in the Redman and Carl Meeks’ classic LP [Weh Dem Fah]. ‘Without Your Love’ was recorded on the famous ‘Wicked Can’t Run Away’ rhythm and ‘Red Eye Lover’ was on the popular Sleng Teng (Computer) rhythm.

From its heart-shaking intro, Conroy Smith’s fresh and piercing voice echo to deliver an intense song ‘Love Affair’. Considerably, the song is known for popularity within the Jammys catalogue. Recorded to the same rhythm track ‘In Thing’ by Wayne Smith.

Admiral Tibet maintained himself as one of forefront cultural singers during the 80’s and the early 90’s. He consciously warns his girl friend about their love relationship with his melodious lyrics. “May be, Might be, Could it be, Girl you are running from reality”

Jamaica's favorite US northern soul group, Chilites, performs smooth harmonies on an updated version of 'Sleng Teng' rhythm produced by King Jammy's son, JohnJohn, Pad Anthony sings 'Caan Mek We Run Way' on another Jammys classic 'Jump Up' rhythm in his finest style.

Being a little youth did not stop Little John hustling around with big deejays when it comes to sound system dances. This is a tough killer he left for a man like Redman. An iconic Redman heavyweight riddim features slick stripping and roots orientated earthy sound. Along with the well-trained rub a dub style vocal, it is a true landmark which proves the transition from roots to dancehall style. Whether if you’re a roots or dancehall fan, this killer will certainly light up your heart!!

"Them a Hustler" is on a killer one-away digital riddim, which utilises the sleng teng bassline, yet stands alone. "