Ska, Jump Up and Soul! The authentic early sixties sound of the Caribbean

A shimmering showcase of the wonderful work of Jamaica’s first and foremost female record producer, Mrs Sonia Pottinger, featuring the inimitable talents of Oswald ‘Baba’ Brooks and his Recording Band with their 1966 debut album.

Ska, Jump Up and Soul! The authentic early sixties sound of the Caribbean

A shimmering showcase of the wonderful work of Jamaica’s first and foremost female record producer, Mrs Sonia Pottinger, featuring the inimitable talents of Oswald ‘Baba’ Brooks and his Recording Band with their 1966 debut album.

Vigorous Patsy vocal and soulful saxophone solo on bouncy ska rhythm. Previously unreleased alternative take on the B-side.

From rudeboy era of the early Merritone label, this is an elegant and refreshing instrumental Ska backed with a rudeboy vocal in pre-Rocksteady style. The A-side is an unusual instrumental Ska recorded remarkably at the Federal studio by the Studio One’s iconic session band the Soul Brothers. The B-side is a debut song by Laxton Ford who only recorded a very few pieces during his career. The lyric is built upon proverbs, which is a popular theme amongst Jamaicans. Recorded directly from the master-tape.

A great cover version of a Sam Cook hit with beautiful chorus and a killer instrumental that blended Jamaica’s Caribbean roots and Afro-Cuban essence. Jamaica’s favorite American singer, Sam Cook’s hit was beautifully transformed into a sweet and peaceful vocal Ska when it went through Studio One’s unique filter. The tune was taken straight from the master tape. The flip side features a mixed style of Caribbean-decent music that Soul Brothers could play best at and Jackie Mittoo’s burning keyboard maneuver made this killer instrumental best of the best.

Killer instrumental ska and one of Baba Brooks' masterworks on A-side backed with crucial ska vocal by Patsy accordingly to the original edition. Both sides taken from the mastertape.

One of the most wanted Ska titles to date, this is an ultimate killer Ska instrumental for all DJs. An exclusive reissue of the utterly rare and unique title amongst all the Ska instrumentals! Some say the title of this super killer masterpiece was taken from the musician Barry Malcolm’s nickname “Mughead”. Backed with an excellent B-side ‘Free For All’just like the original release. There are no more instructions needed for this great release!

The Celestials trademarked imminent sound can be heard in this elegiac killer Ska instrumental!! The bang on titled ‘Golden Horns’ representing the music itself. If they were ever based in Kingston, they may have had more opportunities for recordings which might have changed the history of Ska music. Such a great band indeed. Although it’s still quite a tune, it may sound a little monotonous on the flip side, showing Thelwell’s personal affection for Carlos Malcolm’s band.

The big hit Ska classic everybody loves, sang by one of the top groups of the 60’s!! Along with the Maytals and the Wailers, the Blues Busters were one of the top groups at the time, however commercially they were going more of a mainstream than the others. Since their career goes way back in the late 50’s, they must have been idolized by so many of those who made their debut later in the Ska era. This is an essential mainstream Ska classic by the brilliantly skilled duo in their best form backed by no other than Byron Lee.

Missing masterpieces of the original Jamaican Ska. Recorded at the Federal Studio between 1964 to 1965 and released on Ken Khouri's Kentone label.

These utterly rare previously unreleased materials from the 50’s are possibly some of the oldest Don Drummond recordings ever to be made. Drummond is well-known for the symbolic masterpiece like ‘Green Island’, but THIS is a very special take of him playing the tune alongside the Jamaican Vibraphone virtuoso and band master of the Alpha Boys School, Lennie Hibbert in the 50’s! The take was originally cut into a dubplate as a Down Beat special, then to a recording tape in the early 60’s. After all it had been stored in the Studio One’s tape shed. This almost mythical piece of the history of Jamaican music tells the dawn of Jamaican music in the 50’s. As might be expected, Studio One, the name is well deserved.

Recorded at the height of the phenomenal carrier as the number one Ska band, these are never-released alternative takes of the ultimate instrumental Ska tune ‘Rain Or Shine’ by Skatalites and with respect, it should be called a product of miracle. Both are taken from the master tape. Recorded on the same session as ‘Last Call’ that Don Drummond was in charge, here we have two alternative takes of a seriously killer instrumental Ska which was featured as the introduction of the iconic Ska album “Ska Authentic Volume 2” Like ‘Freedom Sounds’ and other recordings made in the same period, the excavation and releasing of these tunes are much more important for Dub Store Records than the significance of the historic discovery of Pyramid! This is one extremely important and precious piece to complete the puzzle of the mystery of the late genius, Don Drummond and the magnificent tune for deep diggers of Reggae music. What a great Skatalites! What makes even cooler about this tune is that if you listen carefully for both sides, you will realize that each player is not playing a score at all; they all are improvising. It proves that they are undoubtedly the best Jamaican band of all time.

Double A-sided 7” featuring a killer Ska inst. From Jamaican harmonica virtuoso and Soul Brother’s killer horn Ska instrumental! One of the Studio One titles that the collectors have been looking everywhere to get hold of. Featuring no other than Rude Boy Charlie although it was stated as Bad Boy Charlie on the master-tape. An extremely rare take of Thunderball arranged by Jackie Mittoo on the flip side.

Previously unreleased rare instrumental Ska masterpieces based on Rhythm and Blues classic!

These are the previously unreleased two instrumental cuts of the cheerful cover of Amos Milburn’s Jamaican sound system classic in the 50’s sung by Clive Wilson. Clearly great and with full of vibes, if your are a Ska Man there is no way to avoid these special tunes. *Recommended to pair this with the vocal version by Clive Wilson released on this very same series (DSR-FW7-02)

Early ska instrumental with vibing call and response from the organ and guitar. Backed by the finest Jamaican jazz played by the likes of Don Drummon, Tomy McCook and Roland Alphonso.