Superlative reggae soul produced by Mikey Chung for his own Superstar imprint. Having both young Steely and Clevie in the band, when you think of the further development in reggae music, this production was crucial. Compared to Geoffrey’s high quality lustrous reggae soul this Jackson 5 cover is slightly different and lean towards the beauty of Jamaican pops sounds.

The debut song from Carlton Manning - elder brother of Lynford and Donald of The Abyssinians and later known for his Carlton and The Shoes releases for Studio One. On the flip side it’s a previously unreleased tune from The Soul Lads - later re-recorded and released on Treasure Isle with another cut which could be why this never saw the light of day.

Master of the Jamaican jazz, Lennie Hibbert, on one to one session with the nyabinghi great Count Ossie. Considering the standard of its time those Gay Feet sessions are somewhat miraculous. Backed by Jamaican soul anthem by Patsy, this record is far from the bloodstream of the time and will surely rated more and more as time goes by.

Debut single from Junior Soul aka Junior Murvin for cat loving Sonia Pottinger before he went on to record with Derrick Harriott. Backed with previously unreleased take.

Recorded at the time when rocksteady was shifting to faster reggae music. The Victors showcasing a pair of fabulous vocals recorded straight from the mastertape.

The golden hit of the early 70’s deejay craze in combination with Ken Boothe. The El Paso sound system deejay Dennis Alcapone showcasing repelling force and energy towards the others piling into the scene back then. One of the symbolic classics of the early deejay materials.

1973 reggae soul cover of Robert John’s classic by Sonny Wong who started his career early with The Mighty Vikings. Chung brothers had a clear vision of creating what is believed to be the origin of lovers rock. Splendid arrangement from In Crowd on flip is a must.

1976 rare dub album consists of robust Techniques rhythms dismantled and reconstructed by King Tubby to its perfection
Long-expected reissue of one of the most sought after dub albums.

After selling out the first 7” cut from her latest album within a couple of days, Japanese lovers rock singer Asuka Ando comes back with another single, “Jiri Jiri” including a dub from Jagabe (Reggaelation independence). One of the most talked about singers in Japanese circuit at the moment.

Dub like it used to be from the High Note and Gay Feet labels

A selection of rocking rhythms from The Revolutionaries masterminded by

The Jamaican lovers masterpiece by Sharon Forrester and UK lovers classic.

Arguably one of the best King Tubby’s digital known to mankind. Going through his tapes this was one of the earlier digital sessions took place at Tubby’s dated 19th November 1985. Inner Vibes a.k.a. Dilly Dally lyrically unleashing his strong observation towards one woman. Tracks laid by King Asha and engineered by Peego & Fatman.

Marcia Griffiths' fine cover of Paul McCartney classic. Essential for fans of UK lovers.

Out of all those China lead Soul Syndicate vocals this one has to be the tightest although here the rare flute instrumental is the business. At the time Keith Hudson had the original JA funk sounds going on in his rhythms.

Extremely rare rocksteady masterpiece recorded in 1967. Curiously sang in Chinese, this novelty record was originally pressed and spread within the Chinese community in Jamaica. Even though comparing to its entire population this island has exceptionally high rate of musical recordings, this could possibly be the only verified track solely sang in Chinese. One that has always been spoken about due to its oddity and should be succeeded eternally.

Not only reggae fans have been after the reissue of this lovers roots classic. “Unity, Love and Strength” starts with smooth piano into sweet dramatic vocal piece backed by the Wailers band. Horace Andy’s falsetto is the perfect touch to this masterpiece.

Although this Tubby’s version has never been released, “Nothing Don’t Come Easy” ended up being a big hit at Jammys and still been praised today. It’s the mid 80’s interpretation of 70’s roots reggae atmosphere. Hats off to the King!

Sharp and sophisticated reggae soul funk instrumental backed with “Traveling On”.

1982 unconventional reality dancehall anthology riding upon heavy Roots Radics rhythms.

Classic aluminium centre adapter for 7” records. Heavy weight, easy to handle and great fit ensuring maximum sound performance. Made in Japan.

Tomorrow's Children were probably favored by uptown youths rather than downtown Rudies because of their funky, hard hitting sounds and lyrics. With those elements, they successfully created own killer style, which can be undoubtedly heard with ‘Bang Bang Rock Steady'. The group also versioned the Beatles' 'Rain' in fine Rocksteady style. The original record was released in 1967.

It is an obvious fact that Dreadlocks culture was the trend of the time when this tune was released, but how could we ever imagine Derrick Harriott wearing Dreadlocks? He was wearing Afro instead and showed how he could easily cover Persuaders’ Soul hit. The flip side features another cover of a US Soul track that was transformed to a sweet Lover’s Rock by Harriott’s relative, young Kim Harriott. Apparently Harriott’s surroundings at this time were all wearing Afro even if it was the Dreadlocks era.

'Rock Them One By One' is a King Jammys' digital remake on 70's classic roots tune 'Wicked Can't Run Away' by Glen Richards. Its version is very detailed to its original but still a tough digital dancehall cut. Eccleton Jarrett's delicate vocal stands out proudly.

Previously unreleased early shuffle and boogie recordings from the ‘Man from Wareika’: Rico Rodriguez



One of the most talented musicians of his generation, trombonist Rico, was a key player and founding father of Jamaican music who went on to establish ska in Britain in the early sixties and then add authenticity to the Two Tone ska revival of the late seventies. Hear him here at the outset of his incredible musical journey…

Astonishing nyabinghi vocal by Patsy with prominent vibraphone work by Lennie Hibbert. Another unreleased "The Call Of The Drums" rhythm on B-side which is different cut from DSR-SP7-01.

Superbly arranged, second to none crossover anthem of reggae soul.

Possibly the first hit from then a newcomer producer Keith Hudson along with the iconic Dennis Alcapone deejay cut this tune will be passed on forever.

Derrick Harriott’s original cut to sound system foundation rhythm ‘Solomon’. Derrick sings comically about Solomon, who was given wisdom amongst of all mankind from God in the Old Testament: “Solomon was the wisest man but he didn't know the secrets of a woman” The hit rhythm has been versioned many times over last four decades. On side B, there is a nice & cool horn instrumental entitled ‘The Emperor’ by Bobby Ellis, its title might imply Derrick Harriott productions had a good taste in music at that time.

Derrick Harriott versions a Motown hit ‘Reach Out I Will Be There’. His killer version is a dancehall shaker and many might has been searching for this rare vinyl records as an essential for DJ selection. The Four Tops originally released the song in the mid 60’s. The mid-tempo organ instrumental ‘Illya Kuryakin’ feartures Ike Bennet’s powerful organ solo on the filpside.

By Keith & Tex, a vocal duo who represented Derrick Harriott's production, 「Hypnotizing Eyes」 was a hugely popular tune released at the end of Rocksteady era. The B-side,「Down The Street」was a pioneering sound of up-tempo Reggae that became the major style in 1969. From 1968 to 69, they recorded enough songs to make an album and amazingly all of them were top-notch. Re-issued original songs on both sides.

‘Goodbye Baby’ is another train theme Rocksteady by Keith & Tex who were expert at singing that subject just like their other classic ‘Stop That Train.’ The flip side features a mid-tempo Rocksteady that might sound monotonous in a way but is matching its lyrics beautifully.

Undoubtedly one of the best Funky Reggae tunes from Derrick Harriott's production, "Am I Black Enough" was originally a Billy Paul hit and has been covered by Derrick Harriott and Chosen Few who were into the Black Power movement at the time. The B-side "Psychedelic Train" is one of the earliest Funky Reggae instrumental songs which made Derrick Harriott recognized for his Funk-influenced style to listeners.

It was the Dreadlocks bandwagon in the mid 70’s, but Harriott, who started his career in the music business in the early 50’s, persisted his Afro hairstyle and his signature style of music, Reggae Soul and Lover’s Rock. At that time, music fans only approved serious Roots works but his music choices proved that his production was equally true and great Reggae music. Moreover his music brought to listeners a certain comfort, compared to the heavy weight Roots music that was mainly produced during this period.