Based on the Rhythm and Blues classic, this is a super rare uptempo Ska cover and for all Ska Man and the DJ’s!
Originally sung by Amos Milburn, in the 50’s this had been a sound system classic in Jamaica. There is nowhere else in the world but Jamaica could produce such a cover version and utterly convincing Drummond’s solo works nicely as a spice of this tune. Originally released on a blank label although it’s a super rare one to find - a proud copy to own and must have for all Ska Man. On the flip is a great vocal Ska yet the singer’s detail is completely unknown. *Recommended to pair this title with the instrumental version by Don Drummond on this very same series(DSR-FW7-04)

Freshly dug out uptempo Ska beats by Toots Hibbert and Don Drummond - apparently never been released before!

Recorded in 1965 when Ska was at its peak, those are the typical Maytals uptempo beats with an unmissable Don D’s solo part on both. Taken directly from the great Daddy Ken Khouri’s master-tape which belongs to the Federal Studio. It’s quite a combination to pull both the Maytals and the Skatalites together, although what’s more remarkable is the fact they have been unreleased for the whole time

An exotic cover of the standard - by young Monty Alexander for Studio One. Its heavy and exotic arrangement by Monty’s own the Cyclones could well be the version of the famous “Summertime” that Jamaica has been proud of, and also out of million others to date this stands out as one of the most distinguished covers of all. From a number of Coxsone’s own labels, this is one of the rarest and includes nice shuffle-instrumental on the other side like the original press. A very rare piece that the collectors have been searching for.

The Wailers have recorded a number of tunes for Studio One, however this release still gets talked a lot as its specialty. Recorded just before they left Studio One, this double A-sided single includes two of the best tunes that lead by Bunny Wailer himself. It’s even possible to hear in this excellent music that the time has come to ripen for the band to see the vision of starting up their own Wail ‘N’ Soul ’M’ label. Both sides are identical to its original release.

Known as a synonym for “killer”, this is one of the best singles released on Studio 1 by Don Drummond, including another precious take that’s been previously unreleased. Compare to any other artists, the extreme tension that Don Drummond brings into his sessions were next level. His trombone skills were above genius and it is clear to hear his strong personality and humanity through his music. With his works being released on Studio One and other productions, he had established the “Far Eastern Sound” which still lives today in Jamaica. The fact all the music that was influenced by this sound has been evaluated since therefore it is a proof of how his music is universality. It is interesting that all the unreleased Skatalites tracks from this era have different solo phrases each time, showing how valuable these recordings are for the archive.

‘Freedom Sounds’ is the glorious introduction to the iconic Ska LP “Ska Authentic from Studio One”, and also known as the opening theme for the band’s live performances. What’s more exciting is the early take unearthed for the very first time! Although it nearly got released with the 64-65’ masterpiece ‘From Russia With Love’, then eventually got cancelled due to the release of “Ska Authentic” LP. Compare to the ordinary recording that we’re familiar with, the unreleased take comes rougher but that is also brilliant and it will sound miraculously to all the Ska fans. There have been occasions that the band played this version at number of gigs, though it depends on who was leading the performance.

Brimmed with the vibes, this un-released killer Ska cover was recorded when Rita Marley and the Soulettes were at their best. Although it had never been released back then, Chris Wilson and the Heartbeat crew compiled this as a part of compilation series in the 90’s. The great Mr. Coxsone Dodd knew what's going on; as a spice, he occasionally released some unpublished materials. Like the name "Soulettes" suggests, this type of Soul music is their specialty and this is a female vocal Ska masterpiece.

Recorded at the height of the phenomenal carrier as the number one Ska band, these are never-released alternative takes of the ultimate instrumental Ska tune ‘Rain Or Shine’ by Skatalites and with respect, it should be called a product of miracle. Both are taken from the master tape. Recorded on the same session as ‘Last Call’ that Don Drummond was in charge, here we have two alternative takes of a seriously killer instrumental Ska which was featured as the introduction of the iconic Ska album “Ska Authentic Volume 2” Like ‘Freedom Sounds’ and other recordings made in the same period, the excavation and releasing of these tunes are much more important for Dub Store Records than the significance of the historic discovery of Pyramid! This is one extremely important and precious piece to complete the puzzle of the mystery of the late genius, Don Drummond and the magnificent tune for deep diggers of Reggae music. What a great Skatalites! What makes even cooler about this tune is that if you listen carefully for both sides, you will realize that each player is not playing a score at all; they all are improvising. It proves that they are undoubtedly the best Jamaican band of all time.

A great cover version of a Sam Cook hit with beautiful chorus and a killer instrumental that blended Jamaica’s Caribbean roots and Afro-Cuban essence. Jamaica’s favorite American singer, Sam Cook’s hit was beautifully transformed into a sweet and peaceful vocal Ska when it went through Studio One’s unique filter. The tune was taken straight from the master tape. The flip side features a mixed style of Caribbean-decent music that Soul Brothers could play best at and Jackie Mittoo’s burning keyboard maneuver made this killer instrumental best of the best.

Double A-sided 7” featuring a killer Ska inst. From Jamaican harmonica virtuoso and Soul Brother’s killer horn Ska instrumental! One of the Studio One titles that the collectors have been looking everywhere to get hold of. Featuring no other than Rude Boy Charlie although it was stated as Bad Boy Charlie on the master-tape. An extremely rare take of Thunderball arranged by Jackie Mittoo on the flip side.

The miraculous take of 'Fidel' which never came out back then! This is one of the most killer yet wonderfully tasteful masterpiece out of all the Don Drummond recordings. You wouldn’t call them fans if they didn’t know about ‘Fidel’, however this particular version has only been released on CD in the 90’s when Sir Coxsone compiled the “In Memory Of Don Drummond”. The monumental piece with the well deserved name, ‘Don D Special’ on the flip.

Patsy's classic slow ska backed with Webber Sisters previously unreleased rock steady piece pushing forward til their day comes.

Previously unreleased early acoustic cut from master tape! Unprolific vocal group called Sharks (also spelled Sheiks) released the up-tempo original cut in 1965. The reissue features the original cut on the B-side and the early acoustic cut on the A-side. With raw double bass, deep acoustic guitar and backing chorus that reminds the chain gang work songs, the group sings astonishing love song. "I was so cold last night, You made me warm, with your heart, with your lips, with your charm"…The song purely transcends musical boundaries of the time and this is another Jamaican gem!

Previously unreleased vocal materials from master tapes! Eric Monty Morris sings sufferers' protest song, "Blackman work so hard, but white man gets the money, the rich shall be richer, the poor shall be poorer, something must be done soon"… At the time, most of the artists including Eric Monty Morris mainly focused on singing about love but not about conscious themes so the recording was very exceptional. B-side features previously unreleased vocal material as well. It seems that both songs were recorded for the album "Jamaican Skarama (reissued by Dub Store Records: LP/CD503)" but did not end up on the album unfortunately.

One of the most wanted Ska titles to date, this is an ultimate killer Ska instrumental for all DJs. An exclusive reissue of the utterly rare and unique title amongst all the Ska instrumentals! Some say the title of this super killer masterpiece was taken from the musician Barry Malcolm’s nickname “Mughead”. Backed with an excellent B-side ‘Free For All’just like the original release. There are no more instructions needed for this great release!

Another smash hit Ska masterpiece by the Blues Busters, the superstar duo who had been dominating the Jamaican pop music industry since the 50’s!! Covering the American hits as their specialty, the popular group had left a number of Jamaican souls, although only a few ska hits. Out of those few, this is undoubtedly another one of the most considerable tunes they had left. An excellent singing melody sparkles on top of the Byron Lee’s iconic softly touched bass line.

From rudeboy era of the early Merritone label, this is an elegant and refreshing instrumental Ska backed with a rudeboy vocal in pre-Rocksteady style. The A-side is an unusual instrumental Ska recorded remarkably at the Federal studio by the Studio One’s iconic session band the Soul Brothers. The B-side is a debut song by Laxton Ford who only recorded a very few pieces during his career. The lyric is built upon proverbs, which is a popular theme amongst Jamaicans. Recorded directly from the master-tape.

Previously unreleased early shuffle and boogie recordings from the ‘Man from Wareika’: Rico Rodriguez



One of the most talented musicians of his generation, trombonist Rico, was a key player and founding father of Jamaican music who went on to establish ska in Britain in the early sixties and then add authenticity to the Two Tone ska revival of the late seventies. Hear him here at the outset of his incredible musical journey…

If you mention Baba Brooks, most people would think this tune or “Shank I Sheck”. Even though the recording tape itself was hard to come by these days, we managed to include a previously unreleased alternative take from the master tape.