Extremely rare rocksteady masterpiece recorded in 1967. Curiously sang in Chinese, this novelty record was originally pressed and spread within the Chinese community in Jamaica. Even though comparing to its entire population this island has exceptionally high rate of musical recordings, this could possibly be the only verified track solely sang in Chinese. One that has always been spoken about due to its oddity and should be succeeded eternally.

A very rare and beautiful Rocksteady tune that collectors are after for many years. The Minstrels released mere amount of records but all of them were top-notch recordings. This 1967 released powerful ‘Hey There Lonely Girl’ is crucial for every Rocksteady fans. Acappella version of the song is included on the B-side.

A fundamental album released in 1966 that determined the way Rocksteady was going to journey. In 1966, Rude Boys were at the peak of the fame with their notorious behaviors, while Ska gradually started to slow down its tempo, this album paved the way for a newborn music, Rocksteady with rather slower and tighter rhythm approach. This album should be picked one of 10 pieces of the most important album of Reggae history.

Rare and seriously sought after instrumental album of Gay Feet rocksteady hits from 1968.

Eleven elegant instrumental tracks, and one female vocal, showcasing the tenor sax artistry of master musician Roland Alphonso, ably assisted by Aubrey Adams on organ and the inestimable Lynn Taitt on guitar, interpreting a selection of Mrs Pottinger’s most memorable hits of the era.

Marvellous music from Ronnie Nasally… one of the founding fathers of the Jamaican music business

Includes vital vocals from The Blues Busters and The Maytals, eccentric Chinese rock steady from Stephen Chang and one of the first deejay records, ‘Ska-ing West’, from the legendary Sir Lord Comic. Incomparable!

The astonishing take of previously unpublished Rocksteady - reveals new facts about Studio One’s Ska and Rocksteady! A few years after the Skatalites recorded the famous “Freedom Sounds”, the band has reconstructed as the Soul Brothers and this is the astonishing, previously unpublished take of them playing the Rocksteady version. By the look of the master-tape, it has never even planned to be released as a single and kept especially for the LP release, which might have meant to be the Soul Brothers version of the Skatalites’ iconic “Ska Authentic” album. This seriously rare recording is a must-check for everyone from the beginners of the Jamaican music to the Ska masters. Though as might be expected, we may never be able to measure the depth of the foundation studio.

A harmonica instrumental version of the all time favorite, Summertime and instrumental cover version of the Soul classic. Both are great interpretations of instrumental covers that are ranked definitely as two of the greatest Rocksteady tunes. Taken straight from its master tape, Summertime is a masterpiece that condensed the splendor of the blinded harmonica maestro and famed vocalist, Roy Richards. Originally released in 1968 by Young Holt Unlimited and scored a big hit, this great cover of the Soul classic, which sounds easily fitting the pattern of Sir Coxsone’s taste who was the huge fan of US hits, was played loosely and effortlessly by then newly formed Sound Dimension.

Glen Brown pleasantly covering the familiar Beatles classic not to mention stunning arrangement by Bunny Lee. Backed with popular female rocksteady vocal

Historically renown Dave Brubeck’s Take 5 covered in rocksteady style. It later became one of reggae’s standard repertoire.

Henry Buckley, who was also a Rocksteady star of the Federal in addition to Hopeton Lewis, released this up-tempo song 'As Long As I Live' in 1968. Remarkably, Judy Mowatt's the Gaylettes backed this song. 'Sow To Reap' was originally released on the B-side of Roland Alphonso's 'How Soon' in 1966 on Federal label. Reissued from the original master tape.

A star duo at the Harriott’s production, Keith & Tex’s‘Tonight’is also the everlasting masterpiece in the history of Reggae music. There were many essential songs in his production from 1967 to 68 but‘Tonight’is obviously the most indispensable one. Lynn Tait plays a beautiful instrumental version to Melodians’ hit ‘You’ve Caught Me’ on the flip side. Reissued with these original recordings on both sides.

Superior rock steady from the vaults of Federal Records

The third edition in this universally acclaimed series including giant of the genre, Hopeton Lewis, and a scintillating selection of hit records and previously unreleased material.

Unlike all the other musicians in those days, Ranglin was not allowed to go between studios to record and release music as he wished because he was an exclusive employee of the Federal records. Thus it’s really hard to find a Rocksteady record with his name on it. Although whenever he finds a spare time, he would go to Duke Reid’s studio and play the guitar and bass as a sideman, often playing sessions with Lynn Taitt. According to Ranglin himself, “I felt really comfortable being at Duke Reid’s studio”, though sadly there have not been a single release of his solo guitar tune which was recorded there. So here comes the album, it’s the rare Rocksteady instrumentals by the man himself. Some of the main features would be “Summertime”, “Flamingo” and “Hold Me Tight”, the wickedest selection of the moist Rocksteady that will certainly catch your heart. Other than that, it’s got an exotic intro and uptempo “Sling Shot”, relatively arranged towards pop direction “Don’t Sleep In the Subway” and some ballads to represent the Federal’s widely ranged style that won’t go off after a long time, exactly how this one of the biggest leading labels in Jamaica had thought of. This may not make Rude Boys in downtown growl, although it will clearly last eternally as Ranglin’s 60s best album to the future generations.

Refined rock steady from the creator of the genre. Guitarist and arranger, Lynn Taitt, interprets some of the greatest hits of the era including variations of many of the melodies he originated for a number of Jamaica’s foremost artists and producers.

Winston Riley started his production career as a singer with an enviable track record, having formed the Techniques in 1962 and hitting the top of the charts two years later with the splendid ‘Little Did You Know’ for Duke Reid’s esteemed Treasure Isle label. When the frantic ska beat slowed down and turned into rocksteady Winston remained the only permanent component of the Techniques, arguably Jamaica’s finest vocal group.

As the beat changed yet again from rock steady to the faster reggae format, Winston’s thoughts turned to production, and he decided to create his own ‘Techniques’ label. A serious man with a serious work ethic, the quality of his music was apparent from the start as he released hit after hit, producing and singing as part of the different combinations of singers and vocal groups that he worked with.

The debut song from Carlton Manning - elder brother of Lynford and Donald of The Abyssinians and later known for his Carlton and The Shoes releases for Studio One. On the flip side it’s a previously unreleased tune from The Soul Lads - later re-recorded and released on Treasure Isle with another cut which could be why this never saw the light of day.

Highly sought after double A-sided female rocksteady vocals. Dawn Penn cut of The Uniques – Let Me Go Girl. On flip side is another popular female vocal tune by Dian Lawrence that was also covered by Norma Frazer for Studio One

Recorded in 1967 and previously unreleased material from the original master tape. This elegant but also distinctive recording is certainly incomparable to other recordings appeared during the Rocksteady era. Veteran singer, Eddie Perkins, started his career in the early 1960s and he worked with Alton Ellis as duo called Alton and Eddy.

This is a Rocksteady cut of the Zodiacs' 'Walk On By' released in 1967. They recorded the original Ska cut at Duke Reid's Treasure Isle. Rare Rocksteady classic with beautiful harmonies on a profound rhythm. On the B-side, this previously unreleased material 'House Upon The Hill' features an unknown vocal group called Merritone singers.

This deep Ska instrumental 'Sai Pan' features a beautiful solo by Roland Alphonso. The most sought after record of Merritone Ska and a crucial for all Ska lovers. On the flipside, the record features a mid-tempo Rude Boy Ska anthem 'Born To Rule' by Black Brothers, the song was taken straight from the original master tape for this reissue. Another hard to find record released in 1966.

'This Music Got Soul' is one of the earliest works by Mr. Rocksteady aka Hopeton Lewis. Interestingly, some would even say 'This Music Got Soul' is his debut single. When the song was released in 1966, it seems that the musical term "Rocksteady" did not exist but this classic clearly proves a new wave of Rocksteady was coming very near. The artist also sings 'Rock Steady' to highly praise the new genre. Reissued from the original master tape.

Those rare songs did not appear Hopeton Lewis’s classic Rocksteady album Take It Easy. ‘Rock A Shacka’ is truly a Rocksteady classic of all times. It’s a must item for all Rocksteady fans. With his dearest hope, he calmly sings ‘I don’t want no trouble now, no no no. I just can’t take troubles now, no no no. So let’s together in unity, let’s togther in prosperity’ backed by version accompanying heavy bass.

Without any explanation, ‘Stop That Train’ by Keith & Tex is a true Rocksteady classic of all times. The song stands tall in Reggae music history and a biggest hit among Derrick Harriott’s catalogue. Side B features Memphis Soul Rocksteady instrumental, just like a trendy song from Stax Records. Now reissued for the first time with these original recordings on both sides.

Derrick Harriott versions a Motown hit ‘Reach Out I Will Be There’. His killer version is a dancehall shaker and many might has been searching for this rare vinyl records as an essential for DJ selection. The Four Tops originally released the song in the mid 60’s. The mid-tempo organ instrumental ‘Illya Kuryakin’ feartures Ike Bennet’s powerful organ solo on the filpside.