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Ranking History - ReggaeRecord.com
ReggaeRecord.com Dub Store Sound Inc. Online Store for Reggae & Black Music - Reggaerecord.Com

Reggae & Black Music Online Store

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presented by DUB STORE SOUND INC.

¥0 (US$0.00) (0 items)

Best sold within a week before Feb 29, 2020

5
BUY

Estimated Delivery 2-14 days

11
BUY

Estimated Delivery 1-6 weeks

16
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Val Bennett - The Russians Are Coming / Glen Adams - Lonely Girl

Bunny Lee / Dub Store Records JPN 1968

¥1480 (US$13.76)

Historically renown Dave Brubeck’s Take 5 covered in rocksteady style. It later became one of reggae’s standard repertoire.

19
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Estimated Delivery 1-6 weeks

28
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Temporarily sold out. Uncertain delivery time

31
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Owen Gray - Give Me A Little Sign / Raver

Studio One / Dub Store Records JPN 1967

¥1580 (US$14.69)

A perfect, yet low-keyed, Studio One Rocksteady double A-sided masterpiece!! Recorded in 1967 while Clement Dodd and Soul Vendors were on tour in the UK. The former Jamaican popular singer Owen Gray, who had already been living there then, voiced these unique pieces. It sounds very different from the ones recorded at Brentford Road, although both tunes certainly have the “Coxsone Sound” ? A masterpiece that is refined, and maximize the talent of this one-time star. Only ‘The Raver’ was recorded from the original master-tape.

38
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Derrick Harriott - Loser / Derrick Harriott, Bobby Ellis, Desmond Miles Seven - Now We Know

Crystal / Dub Store Records JPN 1967

Loser

¥1380 (US$12.83)

‘The Loser’is gloriously considered as one of the most significant songs as well as rhythm tracks in the history of Reggae music. Also entitled as‘The Winner’, the song is easily adapted to sound system dubplates. Talking about the genre of Rocksteady, this song cannot be ignored.‘Now We Know’on the flip side is to be released on 7 inch single for the first time ever.

39
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Keith & Tex - Tonight / Lynn Taitt, Desmond Miles Seven - You've Caught Me

Move & Groove / Dub Store Records JPN 1967

¥1380 (US$12.83)

A star duo at the Harriott’s production, Keith & Tex’s‘Tonight’is also the everlasting masterpiece in the history of Reggae music. There were many essential songs in his production from 1967 to 68 but‘Tonight’is obviously the most indispensable one. Lynn Tait plays a beautiful instrumental version to Melodians’ hit ‘You’ve Caught Me’ on the flip side. Reissued with these original recordings on both sides.

53
BUY

Gregory Isaacs - Dub In The Slum

Cash & Carry (Org) 1978

Info: Original Press 

¥5800 (US$53.94)

57
BUY

Estimated Delivery 1-6 weeks

59
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Estimated Delivery 1-4 weeks

60
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Kiddus I - Rockers: Graduation In Zion 1978-1980 (2LP)

Dub Store Records JPN 1978- 1980

Info: 2枚組、豪華見開きジャケット、帯付き、ライナーノーツ付

¥4320 (US$40.17)

64
BUY

Estimated Delivery 1-6 weeks

72
BUY

Cool Notes - My Tune Remix

Jama UK (Org)

Info: Original Press

¥3480 (US$32.36)

74
BUY

Estimated Delivery 1-6 weeks

77
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Tommy McCook - Sannic Sounds

Dub Store Records JPN 1973

Info: ライナーノーツ付

¥3240 (US$30.13)

One of the rarest, and greatest, horn instrumental dub albums of the seventies featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

Featuring the soaring saxophone of Tommy McCook in combination with Glen Brown, ‘The Rhythm Master’, is finally given a legitimate release.

78
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The Techniques & Friends - Winston Riley's Rock Steady & Early Reggae 1968-1969

Dub Store Records JPN 1968- 1969

¥3240 (US$30.13)

Winston Riley started his production career as a singer with an enviable track record, having formed the Techniques in 1962 and hitting the top of the charts two years later with the splendid ‘Little Did You Know’ for Duke Reid’s esteemed Treasure Isle label. When the frantic ska beat slowed down and turned into rocksteady Winston remained the only permanent component of the Techniques, arguably Jamaica’s finest vocal group.

As the beat changed yet again from rock steady to the faster reggae format, Winston’s thoughts turned to production, and he decided to create his own ‘Techniques’ label. A serious man with a serious work ethic, the quality of his music was apparent from the start as he released hit after hit, producing and singing as part of the different combinations of singers and vocal groups that he worked with.

80
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Estimated Delivery 1-6 weeks

91
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Estimated Delivery 1-6 weeks

93
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95
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Estimated Delivery 1-6 weeks

96
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Ernest Ranglin - Guitar In Ernest

Dub Store Records JPN 1965

Info: ライナーノーツ付

¥2880 (US$26.78)

Internationally acclaimed guitarist Ernest Ranglin with piano genius Leslie Butler in a dazzling quartet. Recorded in 1965.

98
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Ernest Ranglin - Mr. Ranglin With Soul

Dub Store Records JPN 1968

¥2880 (US$26.78)

Unlike all the other musicians in those days, Ranglin was not allowed to go between studios to record and release music as he wished because he was an exclusive employee of the Federal records. Thus it’s really hard to find a Rocksteady record with his name on it. Although whenever he finds a spare time, he would go to Duke Reid’s studio and play the guitar and bass as a sideman, often playing sessions with Lynn Taitt. According to Ranglin himself, “I felt really comfortable being at Duke Reid’s studio”, though sadly there have not been a single release of his solo guitar tune which was recorded there. So here comes the album, it’s the rare Rocksteady instrumentals by the man himself. Some of the main features would be “Summertime”, “Flamingo” and “Hold Me Tight”, the wickedest selection of the moist Rocksteady that will certainly catch your heart. Other than that, it’s got an exotic intro and uptempo “Sling Shot”, relatively arranged towards pop direction “Don’t Sleep In the Subway” and some ballads to represent the Federal’s widely ranged style that won’t go off after a long time, exactly how this one of the biggest leading labels in Jamaica had thought of. This may not make Rude Boys in downtown growl, although it will clearly last eternally as Ranglin’s 60s best album to the future generations.

100
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Ernest Ranglin - Jazz Jamaica

Dub Store Records JPN 1964

¥2880 (US$26.78)

Recorded in 1964 at the Federal studio, this elegant yet unique previously unreleased album is said to be the origin of the Jamaican Mento meets 4 Beat Jazz. This brilliant album is one of the most important Jamaican Jazz recordings that Ernest Ranglin has ever made. Everything in this album starts with the traditional Caribbean Jazz classics and then develops into 4 Beat Jazz. Produced by Godfather of the Jamaican music, Ken Kouri, this album is nothing but deserves its title. You may want to add this next to the Guitar In Earnest [DSR-LP/CD-501] in your collection.