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Best sold Heavyweight Ragga '85-'92 within a week before Mar 7, 2020

2
BUY

Bob Livingston - Reggae Music / Dilly Dally - Tell Me Why

King Tubby's Dub Plate / Dub Store Records JPN 1985

¥1480 (US$9.55)

Another unreleased material from Tubby’s studio. Although dancehall was the thing back then this tune is going to another direction by drawing a great roots vibes.

3
BUY

Cornell Campbell - Hey Mr. Cop / Cornell Campbell & The Jays - Nothing Don't Come Easy

King Tubby's Dub Plate / Dub Store Records JPN 1986

¥1480 (US$9.55)

Although this Tubby’s version has never been released, “Nothing Don’t Come Easy” ended up being a big hit at Jammys and still been praised today. It’s the mid 80’s interpretation of 70’s roots reggae atmosphere. Hats off to the King!

4
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Not Available

Chaka Demus - Original Kuff / Original Kuff Version

Jammys / Dub Store Records JPN 1989

Fade Away/Peanie Peanie

N/A

In the period of Jammays golden era, Chaka Demus was a prolific artist among others like Admiral Bailey. At this time, Bobby Digital, who was often regarded as the right-hand man of King Jammy, had a popular 'Peanie Peanie' rhythm. 'Original Kuff' was recorded on this rhythm, which can be characterized by its minor chord baseline and choppy riffs and there Chaka Demus performs his catchy lyrics and melody smoothly.

5
BUY

Little John - Come Do It To Me / Come Do It To Me Version

Jammys / Dub Store Records JPN 1986

Screechie Across The Border

¥1680 (US$10.84)

Little John, who was one of the most remarkable figures at various sound system dances for his talent, delivers sorrowful vocal with his distinctive lyrical flow on this song ‘Come Do It To Me’. Recorded to a surging and whirling digital dancehall rhythm track ‘Screechie Across The Border’.

6
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Not Available

Garnett Silk - Every Knee Shall Bow / Dub

Rythem Track / Digikiller / Deeper Knowledge US 1996

Crazy Baldhead (Bob Marley)

N/A

Garnett Silk's "Every Knee Shall Bow"…over ten years from his start, Garnett was back working right where he began, with Rythem Track. Originally released posthumously in 1996 on Callo's offshoot 2-Hyped label, this is one of Silk's best ever, a high-water mark for both him and the producer, a shining example of the indelible legacies of both.