Nitty Gritty output his hit songs like 'Hog In A Minty' and 'Run Down The World' at Jammys and he had chemistry with minor chord digital rhythms. 'Good Morning Teacher' on 'Stalag' rhythm is a superb song showcases his unique vocal style and lyrics.

Among rhythms produced in 80's dancehall scene, 'Sleng Teng' by King Jammy and Firehouse produced 'Tempo' are considerably the most respected; however, you can never forget 'Stalag' rhythm by Winston Riley lead Techniques, too. King Jammy reproduced this 'Stalag' rhythm with Sly & Robbie and in result, it created shadier atmosphere in comparison to the original Techniques' version.
This is certainly another anthem of Jammys!

Traditional 1970s ragamuffin roots played in pure 1980s digital style.

Message music with a dancehall vibe, King Jammy mixes it up with conscious tunes from superstars like Dennis Brown, Cornell Campbell, Wailing Soul & Horace Andy.

Digital goes romantic. Lover’s Rock meets dancehall in King Jammy’s Studio.

Love and romance ina digital style, King Jammy presents songs of devotion over his fresh, hard-hitting computerized rhythms

Murder in the dancehall tonight! Jammy's leading artists boost up the sound system.

The heart and soul of dancehall - singing about the sound over crucial rhythms, challenging a sound boy to come test Jammy.

The quintessential eighties soundboy burial album

A digital masterpiece, produced by King Tubby, containing ten certified

Another unreleased material from Tubby’s studio. Although dancehall was the thing back then this tune is going to another direction by drawing a great roots vibes.

Arguably one of the best King Tubby’s digital known to mankind. Going through his tapes this was one of the earlier digital sessions took place at Tubby’s dated 19th November 1985. Inner Vibes a.k.a. Dilly Dally lyrically unleashing his strong observation towards one woman. Tracks laid by King Asha and engineered by Peego & Fatman.

Authentic 80’s roots capturing the 70’s vibes in solid manner. Female vocal on “Declaration of Rights” rhythm calling for repatriation although on the other hand a slick dancehall cut by Super Black on the very same rhythm.

Nothing happens without Chuck Turner on those Jammy’s melancholic digital rhythms. Although his compatibility is easily proven on tunes like “We Rule Dancehall” and “Run Around Girl”, this piece sits on top of everything. With his pleasantly different falset voice, Chuck Turner soulfully sings on this exquisite rhythm with significant melody. This brilliant music has even got a slight feeling of a modern piece - that is exactly when you realise the Jammy’s magic touch

Known for his works for Joe Gibbs in the 70's, a highly significant deejay Trinity had a lesser know phase as a singer Junior Brammer in the 80's. Pricess Street is cryptic but an exquisite killer of Brammer projecting his sense of melodies as well as cool and refined voice.

One of Vena's classic rhythms, Tonight. “Raggamuffin Mi Soup” is a joyful reissue by Thriller U singing mistily and emotionally inna real dancehall fashion! Alog with Little John and Tony Tuff cuts, this one marks the most popular amongst all the rest.

Even though time and trends change drastically in the history Jamaican music however Sugar Minott managed to build a firm existance by his natural talent and trustworthy character. When this man sings he can colour anything from roots, dancehall and lovers to his own. “None Stop Rocking” is an excellent song that really showcases his sweet character.

Digital masterpiece from King Tubby’s re-constructed recording studio. Two of the biggest stars from the dawn of the digital era meet in a head to head clash at the King’s state of the art Firehouse headquarters.

A sombre, controversial masterpiece from the legendary ‘Cool Ruler’.An overlooked classic produced in Waterhouse by King Tubby and unjustly neglected since its original release on the aptly entitled Serious Business label.

You might have seen Jammy playing this devastating sound killer in sessions lately, although before that this Nitty Gritty on Jammy’s ‘Tempo’ has only been heard on dubplates. No one knows why it never came out – is it because it was a counteraction to Tubby? Or tune that was the lethal weapon of Jammy? There is nothing we can do but imagine those pictures when listening to the intense energy and impact of this tune.

Known for hits like “Rock Them One By One” and “Turn On The Heat”, this is a previously unreleased Eccleton Jarret piece for his stronghold, Jammys.
Seems rather restrained but singing superbly on this energetic yet melodious “Tonight”-ish rhythm that was also adopted for “Rasta People” by Junior Delgado.

Prolific and long standing label Techniques had numerous hits over the years. However “The Copa Come” is a hidden classic by Michael Prophet and possibly the most dangerous tune released after 1985. Great crossover contains both roots and dancehall goodness.

Opening the new series - recorded on 22nd March 1986, another cut to King Kong’s Victim that has never seen the light of day until today. Backed with Tubbys digital relick on Yabby You masterpiece.

Recorded in 1985, previously unreleased Tubby's early digital super killer recorded from master tape.

If you are Tubby freak you may know this dubplate cut. Recorded directly from the mastertape.

Although this Tubby’s version has never been released, “Nothing Don’t Come Easy” ended up being a big hit at Jammys and still been praised today. It’s the mid 80’s interpretation of 70’s roots reggae atmosphere. Hats off to the King!

Channel One artist The Jays’ big dancehall tune for King Tubby. Although its pop element is clearly heard this one also consists of tougher side. Skillfully arranged in dancehall fashion yet deeply resonates with the spirit of roots reggae.

Same rhythm to “Sanchez & Stinger Man - Hello Josephine”, a dangerous Daddy Freddy cut on one of Vena’s most iconic “Turn On The Heat” rhythm has now been pressed on a 7” for the first time. Freddy’s lyrical machine-gun is right up on “Bad Boy A Street”!

Both sides released on single for first time. On A side the title track from Tinga Stewart’s 88 album, a strong declaration from the man who keeps everything straight. On flip a killer vocal from Echo Minott originally included in his masterpiece “What The Hell” LP and it’s a different cut to “Super Black – One Time Girlfriend”.

Junior Marvin is apparently more known for his 70's work but he continued his career while dancehall period and released album 'Apartheid' at Jammys. This heavy weight dancehall song 'Jack Slick' was on the album and released on 12" single vinyl. On side B, 'Dancehall Vibes' by Anthony Johnson on the same rhythm with different arrangements was only released on 12" single vinyl.

Although Super Black is known for his hits "Deh Wid You", "Rambo We Rambo" at Jammys, the artist also fit well with the Photographer label where he put out a superb song "Just Like A Magic". Among the 80's catalogue of King Tubby, "Rising Star" is very exceptional and features a unique groove, which is created by the solid bass line to bring out the best of Super Black's appealing voice.

Admiral Tibet calmly sings about newly established slavery system and their new wicked tactics on the heavy-weight dancehall rhythm. He showcases his stable vocal techniques with his very own cool & smooth lyric flow to match with this minor coded rhythm. Another crucial song among the Redman’s catalogue.

Prince Junior’s ‘Crucial Boy’ appeared　on the King Jammy’s classic LP [Prince Jammy Presents VOL. 2]. Although he recorded a few songs for King Jammy in 1986, much information about the artist remains unknown. However, this ‘crucial ’song preaches equal rights, Justice and Love & Unity over his high-pitched weeping voice with his conscious and profound lyrics.

From its heart-shaking intro, Conroy Smith’s fresh and piercing voice echo to deliver an intense song ‘Love Affair’. Considerably, the song is known for popularity within the Jammys catalogue. Recorded to the same rhythm track ‘In Thing’ by Wayne Smith.

Robert Lee has proven that he has much ability to bring cool soundsystem tunes with his popular song ‘Come Now’. This time, he did it again with ‘Dreams’to the same rhythm track‘Run Down The World’ by Nitty Gritty.

Wayne Smith’s ‘My Sweet Love’ is still gaining its reputation and popularity by the 80’s dancehall listeners nowadays. This Jammys’ distinguishing digital sound can be characterized by its wavy base melody so Wayne Smith’s vocal and lyrics can perfectly fits to the rhythm to make his sweet love song convincing.

Since the early dancehall period, Echo Minott aka Noel Phillips recorded some songs for King Jammy. After having a hit single ‘Murder Weapon’ on the Signet label in 1992, the deejay became absent in the business and away from Jamaica for nearly 2 year. But he came back to the scene with another hit ‘I Am Back’ produced by King Jammy.

‘The Ruler’ by Gregory Isaacs was only available for listening on a LP album “Reggae Sound War: Electrocutioner Vol.2”. The reggae crooner gently buries idiot sound bwoys with his killer lyrics and stand tall as the Cool Ruler. Recorded to the same rhythm track ‘Running From Reality’ by Admiral Tibet.

Junior Reid sings 'Puppa Jammys Nice' in Rock 'N' Roll style on this dry and bouncy computerized rhythm while Little John showcases his rhythmical performance on a previously unreleased rhythm, which sounds similar to Jammy's classic 'Love Punanny Bad' rhythm.

Another crucial dubplate by Nitty Gritty on his hit tune 'Trial And Crosses'. Side-A features Pad Anthony's 'Try A Time' and original dubplate version of 'Trial And Crosses' by Nitty Gritty on the other side. Only some foundation sound systems own and play Nitty Gritty's dubplates as he was shot to death in 1991.

Jamaica's favorite US northern soul group, Chilites, performs smooth harmonies on an updated version of 'Sleng Teng' rhythm produced by King Jammy's son, JohnJohn, Pad Anthony sings 'Caan Mek We Run Way' on another Jammys classic 'Jump Up' rhythm in his finest style.

Nitty Gritty updates his major hit song 'Run Round The World' to 'Play Around The World'. This dubplate simply praises King Jammys Super Power and he warns sound boys by singing "Jammys is the sound where play around the world,,, don't test Jammy sound”.

Super Black, one the prominent dancehall singers in 80's, sings his song 'We Rule'　on the Jammys version of 'Stalag' rhythm while Anthony Malvo covers his Digital B hit ‘Sound History' in melody of the Carpenters 'Top Of The World'.