Bunny continued to release records throughout the seventies that were never less than excellent and, as the new decade got underway, he came forward with one of his best ever releases: the militant clarion call 'Rise And Shine'. Stretched over two momentous sides of a UK twelve inch release, the record was a huge hit, but has been unavailable ever since. Bunny returned to the song on his superb 'Liberation' album at the close of the decade but the original cut has remained one of the most in-demand records on the 'revival' circuit.

Along with Sleng Teng and Tempo, Stalag is without the doubt the biggest dancehall rhythm of the 80's. Bam Bam especially needs no introduction been sampled countless times on various genres and appearing on films etc.

Tomorrow's Children were probably favored by uptown youths rather than downtown Rudies because of their funky, hard hitting sounds and lyrics. With those elements, they successfully created own killer style, which can be undoubtedly heard with ‘Bang Bang Rock Steady'. The group also versioned the Beatles' 'Rain' in fine Rocksteady style. The original record was released in 1967.

Without any explanation, ‘Stop That Train’ by Keith & Tex is a true Rocksteady classic of all times. The song stands tall in Reggae music history and a biggest hit among Derrick Harriott’s catalogue. Side B features Memphis Soul Rocksteady instrumental, just like a trendy song from Stax Records. Now reissued for the first time with these original recordings on both sides.

A great cover version of a Sam Cook hit with beautiful chorus and a killer instrumental that blended Jamaica’s Caribbean roots and Afro-Cuban essence. Jamaica’s favorite American singer, Sam Cook’s hit was beautifully transformed into a sweet and peaceful vocal Ska when it went through Studio One’s unique filter. The tune was taken straight from the master tape. The flip side features a mixed style of Caribbean-decent music that Soul Brothers could play best at and Jackie Mittoo’s burning keyboard maneuver made this killer instrumental best of the best.

Possibly the first hit from then a newcomer producer Keith Hudson along with the iconic Dennis Alcapone deejay cut this tune will be passed on forever.

A pair of all time classics, soulful lovers rocksteady vocals sang by the Mr. Rocksteady a.k.a. Ken Boothe.

A star duo at the Harriott’s production, Keith & Tex’s‘Tonight’is also the everlasting masterpiece in the history of Reggae music. There were many essential songs in his production from 1967 to 68 but‘Tonight’is obviously the most indispensable one. Lynn Tait plays a beautiful instrumental version to Melodians’ hit ‘You’ve Caught Me’ on the flip side. Reissued with these original recordings on both sides.

The Hippy Boys consists of Aston and Carly Barrett brothers opened up the new era with their original sounds. This double A-sided roots instrumentals 7” was unarguably so ahead of its time

One of the most wanted Ska titles to date, this is an ultimate killer Ska instrumental for all DJs. An exclusive reissue of the utterly rare and unique title amongst all the Ska instrumentals! Some say the title of this super killer masterpiece was taken from the musician Barry Malcolm’s nickname “Mughead”. Backed with an excellent B-side ‘Free For All’just like the original release. There are no more instructions needed for this great release!

Not only reggae fans have been after the reissue of this lovers roots classic. “Unity, Love and Strength” starts with smooth piano into sweet dramatic vocal piece backed by the Wailers band. Horace Andy’s falsetto is the perfect touch to this masterpiece.

One of the later productions from the Chung brothers and it’s the ultimate reggae soul sound that they wanted to achieve. Although Antrim and other Chung productions produced reggae, it’s clear that they had US sounds such as soul and funk on their horizon.

Historically renown Dave Brubeck’s Take 5 covered in rocksteady style. It later became one of reggae’s standard repertoire.

Lynn Taitt remakes theme songs from the movie "Batman" in killer Rocksteady style. Those cheerful instrumentals, which well represent the distinctive sound of Marritone label, were originally released in 1968.

A perfect, yet low-keyed, Studio One Rocksteady double A-sided masterpiece!! Recorded in 1967 while Clement Dodd and Soul Vendors were on tour in the UK. The former Jamaican popular singer Owen Gray, who had already been living there then, voiced these unique pieces. It sounds very different from the ones recorded at Brentford Road, although both tunes certainly have the “Coxsone Sound” – A masterpiece that is refined, and maximize the talent of this one-time star. Only ‘The Raver’ was recorded from the original master-tape.

Based on the Rhythm and Blues classic, this is a super rare uptempo Ska cover and for all Ska Man and the DJ's!
Originally sung by Amos Milburn, in the 50's this had been a sound system classic in Jamaica. There is nowhere else in the world but Jamaica could produce such a cover version and utterly convincing Drummond's solo works nicely as a spice of this tune. Originally released on a blank label although it's a super rare one to find - a proud copy to own and must have for all Ska Man. On the flip is a great vocal Ska yet the singer's detail is completely unknown. *Recommended to pair this title with the instrumental version by Don Drummond on this very same series(DSR-FW7-04)

Bunny produced a string of hits during the dance hall explosion of eighties where, backed by The Roots Radics, he continued to show the new generation how it should be done. The greatest of his dance hall style records was the self explanatory 'Rule Dance Hall' from 1987 originally released on the album of the same name and subsequently issued as a seven inch single. "East, west north and south I rule the land. I play original style while others play version…"

A dignified roots vocal that represents the sounds of the Wailers of the time. In the 60’s, as known as the prime of time for Rocksteady, Jimmy Riley used to sing for a vocal group called the Uniques. Back then, Familyman was playing as a part of the infamous session band, the Hippy Boys in the heart of Kingston.The first ever recording of those two goes way back in 1968, so it must have been quite a reunion in this studio session.This piece was recorded around about the same time as the Cobra Style, and exactly as Familyman plotted, the veteran, Jimmy achieved the great Wailers sound.

In the 60’s, as known as the prime of time for Rocksteady, Jimmy Riley used to sing for a vocal group called the Uniques. Back then, Familyman was playing as a part of the infamous session band, the Hippy Boys in the heart of Kingston.The first ever recording of those two goes way back in 1968, so it must have been quite a reunion in this studio session.This piece was recorded around about the same time as the Cobra Style, and exactly as Familyman plotted, the veteran, Jimmy achieved the great Wailers sound.

Highly sought after double A-sided female rocksteady vocals. Dawn Penn cut of The Uniques – Let Me Go Girl. On flip side is another popular female vocal tune by Dian Lawrence that was also covered by Norma Frazer for Studio One

Judy Mowatt used to form a group called the Gaylettes in her early career although she is known for touring all over the world as a member of I Threes and the Wailers. 'Silent River Runs Deep' is the most known song and a hit for the group. 'I Like Your World' was also originally released on the A-side of another record released on Merritone label. Those recordings of this double A-sided single are certainly great enduring female Rocksteady songs of all time.

Originally released in 1966, 'Cool Collie' is sometimes considered as one of the first Rocksteady recordings. With hard hit paformance by the back band, Hepetone Lewis sings to free Ganja which is the one of the essential elements of Jamaican music tradition.B-side, Mr. Rocksteady performs a bitter love song in a minor key.

Derrick Harriott versions a Motown hit ‘Reach Out I Will Be There’. His killer version is a dancehall shaker and many might has been searching for this rare vinyl records as an essential for DJ selection. The Four Tops originally released the song in the mid 60’s. The mid-tempo organ instrumental ‘Illya Kuryakin’ feartures Ike Bennet’s powerful organ solo on the filpside.

‘Do I Worry’is as important Rocksteady tune as Derrick Harriott’s other hit‘The Loser’in his vast catalog. The B-side features powerful horn blow and Bobby Ellis’ trumpet solo is nicely done. Reissued with these original recordings on both sides.

By Keith & Tex, a vocal duo who represented Derrick Harriott's production, 「Hypnotizing Eyes」 was a hugely popular tune released at the end of Rocksteady era. The B-side,「Down The Street」was a pioneering sound of up-tempo Reggae that became the major style in 1969. From 1968 to 69, they recorded enough songs to make an album and amazingly all of them were top-notch. Re-issued original songs on both sides.

As Junior Soul, Junior Murvin recorded definitely the greatest Rocksteady tune,「Glendevon Special」 on early days of his recording career. This tune is also unique among Derrick Harriott's catalog and it proves how wide varieties his production was. This song is rare that many collectors have been looking for years.

A rare previously unreleased Rocksteady by Federal’s star singer, Hopeton Lewis. This killer Rocksteady represents one of the traditional elements of Jamaica, as well as the Rude Boy themed warning which could be heard in the lyrics. These types of unreleased materials could only be dug out at such a profound label, Federal.

Solid introduction of the island by the female conscious deejay Hempress Sative along with Mellow Mood and fellow Italian deejay Forelock.

Arguably one of the top modern roots combinations to come out in recent years produced by Dave Green, the drummer for Alborosie not to mention a refined dub cut by Italian maestro Paolo Baldini on flip.

Junior Marvin is apparently more known for his 70's work but he continued his career while dancehall period and released album 'Apartheid' at Jammys. This heavy weight dancehall song 'Jack Slick' was on the album and released on 12" single vinyl. On side B, 'Dancehall Vibes' by Anthony Johnson on the same rhythm with different arrangements was only released on 12" single vinyl.

‘The Ruler’ by Gregory Isaacs was only available for listening on a LP album “Reggae Sound War: Electrocutioner Vol.2”. The reggae crooner gently buries idiot sound bwoys with his killer lyrics and stand tall as the Cool Ruler. Recorded to the same rhythm track ‘Running From Reality’ by Admiral Tibet.

Missing masterpieces of the original Jamaican Ska. Recorded at the Federal Studio between 1964 to 1965 and released on Ken Khouri's Kentone label.

Briefly available on a 12" Island single in the UK to promote Bunny's 'Black Heart Man' album but this is the first time it has been coupled with the awesome Sylvan Morris and Karl Pitterson mixed dub version that first appeared on Bunny's criminally neglected 'Dub D'sco' album. Here we have a totally different mix demonstrating the strength and ability of this authoritative rhythm to take any amount of interpretations. 'Amagideon' was also versioned by Augustus Pablo for his seven inch Message release 'Pablo's Armageddon'.

The astonishing take of previously unpublished Rocksteady - reveals new facts about Studio One’s Ska and Rocksteady! A few years after the Skatalites recorded the famous “Freedom Sounds”, the band has reconstructed as the Soul Brothers and this is the astonishing, previously unpublished take of them playing the Rocksteady version. By the look of the master-tape, it has never even planned to be released as a single and kept especially for the LP release, which might have meant to be the Soul Brothers version of the Skatalites’ iconic “Ska Authentic” album. This seriously rare recording is a must-check for everyone from the beginners of the Jamaican music to the Ska masters. Though as might be expected, we may never be able to measure the depth of the foundation studio.

An exotic cover of the standard - by young Monty Alexander for Studio One. Its heavy and exotic arrangement by Monty’s own the Cyclones could well be the version of the famous “Summertime” that Jamaica has been proud of, and also out of million others to date this stands out as one of the most distinguished covers of all. From a number of Coxsone’s own labels, this is one of the rarest and includes nice shuffle-instrumental on the other side like the original press. A very rare piece that the collectors have been searching for.

Known as a synonym for “killer”, this is one of the best singles released on Studio 1 by Don Drummond, including another precious take that’s been previously unreleased. Compare to any other artists, the extreme tension that Don Drummond brings into his sessions were next level. His trombone skills were above genius and it is clear to hear his strong personality and humanity through his music. With his works being released on Studio One and other productions, he had established the “Far Eastern Sound” which still lives today in Jamaica. The fact all the music that was influenced by this sound has been evaluated since therefore it is a proof of how his music is universality. It is interesting that all the unreleased Skatalites tracks from this era have different solo phrases each time, showing how valuable these recordings are for the archive.

‘Freedom Sounds’ is the glorious introduction to the iconic Ska LP “Ska Authentic from Studio One”, and also known as the opening theme for the band’s live performances. What’s more exciting is the early take unearthed for the very first time! Although it nearly got released with the 64-65’ masterpiece ‘From Russia With Love’, then eventually got cancelled due to the release of “Ska Authentic” LP. Compare to the ordinary recording that we’re familiar with, the unreleased take comes rougher but that is also brilliant and it will sound miraculously to all the Ska fans. There have been occasions that the band played this version at number of gigs, though it depends on who was leading the performance.

The miraculous take of 'Fidel' which never came out back then! This is one of the most killer yet wonderfully tasteful masterpiece out of all the Don Drummond recordings. You wouldn’t call them fans if they didn’t know about ‘Fidel’, however this particular version has only been released on CD in the 90’s when Sir Coxsone compiled the “In Memory Of Don Drummond”. The monumental piece with the well deserved name, ‘Don D Special’ on the flip.

Marvellous binghi rock steady masterpiece by Count Ossie led Johnny & The Attractions. An unreleased alternative instrumentalal cut on flip.

Needless to say one of the top Count Ossie's nyabinghi pieces but also a Jamaican rare groove masterpiece accompanied by Ernest Ranglin and Leslie Butler.

Miriam Makeba’s sensational “Pata Pata” timely covered in rocksteady fashion by Patsy Millicent Todd in 1967. Strictly nyahbinghi yet sounding pop somehow - it’s an unmissable tune for those who know.

Peter Tosh was the first reggae artist to realise the limitless possibilities of the melodica (listen to the Wailers' first Tuff Gong release 'Sun Is Shining') and here he adds its haunting power to one of Bunny's best ever rhythms the prophetic 'Amagideon' from 'Black Heart Man'. The melodica phrases and the subtle, restrained mixing on both sides of this single bring out all the brooding introspection and mystery in the track.

One of the most rare double A-sided singles recorded under direction of Ernest Ranglin, who was the musical director of Federal Recording Studio at the time. While this jazzy instrumental features superbsolos by trumpet and alto saxophone, Ernie leads this minor track from beginning to end and showcases his mighty guitar playing. On the flipside, remarkable solos by trumpet and alto saxophone are again featured on the bright mid-tempo track. The original 7inch format is almost impossible to find. These recordings are simply elegant Ska Instrumentals.

Previously unreleased early acoustic cut from master tape! Unprolific vocal group called Sharks (also spelled Sheiks) released the up-tempo original cut in 1965. The reissue features the original cut on the B-side and the early acoustic cut on the A-side. With raw double bass, deep acoustic guitar and backing chorus that reminds the chain gang work songs, the group sings astonishing love song. "I was so cold last night, You made me warm, with your heart, with your lips, with your charm"…The song purely transcends musical boundaries of the time and this is another Jamaican gem!

Previously unreleased vocal materials from master tapes! Eric Monty Morris sings sufferers' protest song, "Blackman work so hard, but white man gets the money, the rich shall be richer, the poor shall be poorer, something must be done soon"… At the time, most of the artists including Eric Monty Morris mainly focused on singing about love but not about conscious themes so the recording was very exceptional. B-side features previously unreleased vocal material as well. It seems that both songs were recorded for the album "Jamaican Skarama (reissued by Dub Store Records: LP/CD503)" but did not end up on the album unfortunately.

Another smash hit Ska masterpiece by the Blues Busters, the superstar duo who had been dominating the Jamaican pop music industry since the 50’s!! Covering the American hits as their specialty, the popular group had left a number of Jamaican souls, although only a few ska hits. Out of those few, this is undoubtedly another one of the most considerable tunes they had left. An excellent singing melody sparkles on top of the Byron Lee’s iconic softly touched bass line.

A nyabingi style killer instrumental of the roots classic Love Thy Neighbours by Jesus Dread a.k.a. Vivian Jackson.Created by a combination – the diversity of a series of personalities of the Wailers with the strict Rastaman, Vivian Jackson, this authentic Rastafari sound comes with no compromise.

You might have seen Jammy playing this devastating sound killer in sessions lately, although before that this Nitty Gritty on Jammy’s ‘Tempo’ has only been heard on dubplates. No one knows why it never came out – is it because it was a counteraction to Tubby? Or tune that was the lethal weapon of Jammy? There is nothing we can do but imagine those pictures when listening to the intense energy and impact of this tune.