It is impossible not to mention Admiral Tibet when talking about Jammy’s golden digital era in the 80’s. With hits like “Running From Reality” and “Reality Time”, this is indeed another killer piece he recorded for Jammy. Working in combination with a jaunty rhythm with rough and tough bassline, the vocal instantly becomes prominent with its unforgettable chorus bringing even more drive to the music. When listening to the version on the flip, there is a great appreciation for utter simplicity in how Jammy builds his rhythms.

A few titles has been released on Suguar Minott’s ‘Conscious Lover’ rhythm but ‘Sugar Me’ by Conroy Smith is one of the most wanted records on the rhythm among collectors. On this smooth drifting rhythm, he sings mournfully but also with his sweet lyrics.

Digital masterpiece from King Tubby’s re-constructed recording studio. Two of the biggest stars from the dawn of the digital era meet in a head to head clash at the King’s state of the art Firehouse headquarters.

Prolific and long standing label Techniques had numerous hits over the years. However “The Copa Come” is a hidden classic by Michael Prophet and possibly the most dangerous tune released after 1985. Great crossover contains both roots and dancehall goodness.

Although this Tubby’s version has never been released, “Nothing Don’t Come Easy” ended up being a big hit at Jammys and still been praised today. It’s the mid 80’s interpretation of 70’s roots reggae atmosphere. Hats off to the King!

Still topping charts to date, this is one of Sanchez’ early hits recorded for Vena in the 80’s. Dub Store also presenting Nitty Gritty and Delroy Katt’s reissue on the same rhythm as well. Skilful and smooth flow backed with an alternative take that was only available on his LP previously.

One of Vena's classic rhythms, Tonight. “Raggamuffin Mi Soup” is a joyful reissue by Thriller U singing mistily and emotionally inna real dancehall fashion! Alog with Little John and Tony Tuff cuts, this one marks the most popular amongst all the rest.

Cool Ruler a.k.a. Gregory Isaacs’ stunning lovers vocal on heavyweight Jammys digital. Much more focused on vocal compared to the Music Lab cut not to mention the gorgeous chorus part.

Junior Marvin is apparently more known for his 70's work but he continued his career while dancehall period and released album 'Apartheid' at Jammys. This heavy weight dancehall song 'Jack Slick' was on the album and released on 12" single vinyl. On side B, 'Dancehall Vibes' by Anthony Johnson on the same rhythm with different arrangements was only released on 12" single vinyl.

Dave Bailey’s ‘Concrete Jungle’ within the Redman’s catalogue is considerably one of the most popular tunes. It’s not only an ordinary digital dancehall track, but also roots flavor added to this speedy edgy rhythm where Dave Bailey showcases his cool & smooth vocal to make this tune a killer!

Da Da Waps is probably not familiar to many but he recorded many songs, which were mainly included in the Redman produced albums. He sings about the abolished slavery on this digital stepper rhythm. This record is highly regarded as one of sought after vinyls among the Redman’s catalogue.

Robert Lee has proven that he has much ability to bring cool soundsystem tunes with his popular song ‘Come Now’. This time, he did it again with ‘Dreams’to the same rhythm track‘Run Down The World’ by Nitty Gritty.

Little John, who was one of the most remarkable figures at various sound system dances for his talent, delivers sorrowful vocal with his distinctive lyrical flow on this song ‘Come Do It To Me’. Recorded to a surging and whirling digital dancehall rhythm track ‘Screechie Across The Border’.

Little John praises King Jammys Super Power with his melancholy vocal and serious lyrics. Anthony Malvo and Collin Roach, who both recorded at King Jammys Recording Studio regularly, sings world renowned song 'We Are The World' in combination.

Garnett Silk's "Every Knee Shall Bow"…over ten years from his start, Garnett was back working right where he began, with Rythem Track. Originally released posthumously in 1996 on Callo's offshoot 2-Hyped label, this is one of Silk's best ever, a high-water mark for both him and the producer, a shining example of the indelible legacies of both.

A mythical tune for all serious digital reggae collectors, finally reissued. The obscure Junior Khadaffy (various spellings!) released only a handful of tunes in the mid-late '80s, but all are fantastic. This one was cut for E&F Studios in the Bronx, ran by the late artist I-Plee. Stereo Fletcher happens to be family to I-Plee, producing several records by the artist for his own labels. But the works went both ways, and Stereo produced this one for release on E&F's in-house label. Slick but killer digital reggae, this one has always reminded us of the production style of Little Kirk's "Weed Them Out", a fantastic arrangement, great vocals and a complex head-nodding rhythm. The original press is extremely rare and the tune is simply too good to remain that way, so here it is, top top top shelf '80s digital, now available for all.